Industrial

“Few albums reveled in existential despair like Sun of Nothing’s The Guilt of Feeling Alive. While punishing in ways that recall Neurosis or Blindead, it settled heavily into tension and despondence beneath the devastation. It always hinted at something without fully grasping it, fluid and powerful heft contrasting with an overwhelming bleakness. Despite its black metal influence, Sun of Nothing did not offer a bleakness like DSBM’s passing glance at a winter landscape, but represented the grey of its troubling cover art: the day-in and day-out of a cold, tired, and worn city, shrouded in smog. For its first album in fourteen years, the Greek quartet has offered something that stands shoulder to shoulder.” Maze of tormets.