Insomnium

Be’lakor – Coherence Review

Be’lakor – Coherence Review

“In a stunning display of journalistic talent, I actually still agree with the 3.5 I awarded to Be’lakor for their last record all the way back in 2016. Vessels was a solid successor to what distinguished gentlemen regard as one of the best one-two punches of melodic death metal: Stone’s Reach and Of Breath and Bone. It was an accomplished musical development from these records, though not a real development in quality. The 5-year gap since this is an especially long time in a world of 3-year album cycles, so does this indicate another assured step? A return to form?” Form and emptiness.

Feral Season – Rotting Body in the Range of Light Review

Feral Season – Rotting Body in the Range of Light Review

Feral Season is a great band name, and Rotting Body in the Range of Light is an album title I can definitely get behind. It’s nice when a band is able to immediately tell you what you’re going to be in for before you’ve reached the play button, and everything about this package, from the promo text to the “black metal” label to the album art, looked promising.” Angry kitties and suspicious promises.

Wooden Veins – In Finitude Review

Wooden Veins – In Finitude Review

“In recent weeks, I’ve been making an effort to embrace an ideology readily encouraged by some of my fellow writers here at Angry Metal Guy – namely, that you should pick out your reviews, at least some of the time, without sampling available singles or excerpts. When I saw In Finitude resting in the Promo Pit, I made no exception. I know it’s the debut full-length release from a Chilean band called Wooden Veins, whose members have credits involving Chilean doom metal bands like Mourning Sun, and that the band labels itself is an avant-garde force in the scene. I also know what the cover looks like, and that was it.” Expect the unexpected.

Dark the Suns – Suru raivosi sydämeni pimeydessä Review

Dark the Suns – Suru raivosi sydämeni pimeydessä Review

“Anyone remember these guys? No? Dark the Suns were part of the gothic melodeath wave that came along in the wake of Theatre of Tragedy in the late 90s and early aughts. You’d be forgiven for missing these Finns though, as their output was never all that compelling or memorable. They did manage three full-length releases however, with the last hitting in 2010. After that they faded into the Goth ether. Because they never seemed to gain any real traction in their “heyday,” I was rather surprised to see their name appear in the promo sump. So surprised in fact that I was compelled to find out what could have brought the band back after 10 long years in the grave.” Prodigal suns.

Innersphere – Omfalos Review

Innersphere – Omfalos Review

“So there I am, reading a book of poetry in the filth and muck of the Angry Metal Guy Promo Pit — totally minding my own business — when I overhear some kind of commotio. Raised voices, overblown guitar solos, agonized screaming, the whole nine yards. “Ah,” I think to myself. “Holdeneye did the 4.0 thing again.” I move to refocus on my book when I see something out of the corner of my eye: Innersphere. Omfalos. “Melodic death doom metal.” Pause for effect. Melodic… death… doom… metal. I try to wrap my head around the concept, and decide, with no chance remaining that I’m going to have the peaceful afternoon I’d planned for, to snatch up the album and leave, because, frankly, I need to know what exactly this thing is and how it works, because I’m telling you right now, there’s no way that’s a thing.” Face the thing that could just be.

Caedes Cruenta – Of Ritual Necrophagia and Mysterious Ghoul Cults Review

Caedes Cruenta – Of Ritual Necrophagia and Mysterious Ghoul Cults Review

“To be honest, I’m not entirely sure where the line between black metal and blackened death lies. There’re folks who are entirely justified for crying “DEATH” when you add some bass to the mix, but others will be completely in the right to scold them for hopping a little too hard. Since groups like Belphegor and Marduk have blurred the lines with their bottom-heavy yet grim AF aesthetics, it’s a horde of near or far-sighted folks blurring everything.” Ghouls night ovt.

Dormanth – Complete Downfall Review

Dormanth – Complete Downfall Review

“2020 has been a looooonnnng year and here I find myself, almost at the end of it. My List – following a not insignificant amount of agonizing – has been submitted, two TYMHMs have been written (two still to go, admittedly) and I am staring at my last full review of the year. So, what I need now from Dormanth is a real burst of the zingy, energetic melodeath the promo blurb promised, to carry me through these last couple of weeks.” Fever dreams and downfalls.

Counting Hours – The Will [Things You Might Have Missed 2020]

Counting Hours – The Will [Things You Might Have Missed 2020]

“Longtime members of the AMG metal intelligentsia are likely aware I enjoy me some melancholy melodeath and downbeat mope-core. Said intelligentsia may also have noticed I tend to namedrop long-defunct Finnish melodeath act Rapture rather frequently. That’s because I really loved their sound and truly miss them since they called it a day after releasing the excellently bleak Silent Stage way back in 2005. Over the years various bands helped fill the hole left in my wretched soul, but no one could truly replace Rapture. Finland’s Counting Hours may have come as close as inhumanly possibly though with their debut The Will.” Inherit the sadness.

Countless Skies – Glow Review

Countless Skies – Glow Review

“UK melodic death crew Countless Skies impressed on their 2016 debut, New Dawn. Although in hindsight I was perhaps a little too generous with my final evaluation, the album signaled a rising voice worth keeping close track of. Some four years later, Countless Skies return rejuvenated, and with the backing of none other than Willowtip Records, a slightly left field label for the band’s rich, layered melodeath tapestry. The intervening years have treated Countless Skies well, and sophomore platter Glow, sounds like a band more comfortable and confident with their lush blend of gorgeous melody, progressive arrangements, and dynamic shifts into heavier realms.” Glow and steady.