Grymm and Kronos serve up a rich helping of metal opinions with their Top Ten(ish) of 2019.
Inter Arma
Huck N’ Roll’s and Eldritch Elitist’s Top Ten(ish) of 2019
Huck N’ Roll and Eldritch Elitist weigh in with their own Top Ten(ish) of 2019 lists, and they have a lot to say.
Holdeneye’s and Cherd of Doom’s Top Ten(ish) of 2019
Once they were n00bs, but now they get their own Top Ten(ish) of 2019 lists. They grow up so fast!.
GardensTale’s Top Ten(ish) Album Art of 2019
“Yes, dear readers, the time has come once again for the favorite annual article of our deaf readership. Yours truly, the Furious Art Maestro, has once again taken it upon himself to make a selection of covers that pleased him personally.” Art for the metal masses.
Byzanthian Neckbeard – Minaton Review
“Hailing from the bovine infested English Channel island of Guernsey, Byzanthian Neckbeard combine sludgy stoner metal with old school-minded death doom. Yes, these styles come from very different places and mindsets, but the rather large overlap on this Venn Diagram of Doom is labeled “big riff energy.”” Big, neckbeards mean big riffs (and cows).
SednA – The Man Behind the Sun Review
“For any band to assume their audience has the attention span to stick with them through a feature film-length ditty, let alone want to return for repeat listens, shows a certain amount of moxie. When it comes to single song marathons, 33-minute The Man Behind the Sun, Italian band SednA‘s third full length, isn’t so much Avengers: Endgame level as it is standard sitcom episode, but it’s a bold move nonetheless.” Bigly.
Record(s) o’ the Month – April 2019
We’d have to ask Sentynel, but I’m pretty sure this is a historically late Record(s) o’ the Month. You’ll forgive me, things have been a bit hectic around the office. Some of that is good and some of it is bad, but the end result is the same: extraordinarily delayed Record(s) o’ the Month. But this month was pretty easy, I didn’t even get much push-back about this—which is a shame, because I like repressing the plebeians. So without further ado, your Record(s) o’ the Month for April of 2019.
Inter Arma – Sulphur English Review
“Inter Arma will not be pigeonholed. They’ve repeated this statement with each subsequent release, evolving subtly across a range of styles, but always sounding unmistakably like themselves. When a new album was announced for 2019, I quickly contacted resident man cat Grymm, who glowingly reviewed 2016’s Paradise Gallows, and pathetically begged confidently informed him that I would be handling this one. He pitied me respected my assertiveness and relinquished review duties.” Burning expectations.
Lesser Glow – Ruined Review
“The heartiest slabs of sludge evoke a menagerie of crooked emotions. The cranking monotony of a repetitive riff, drenched in reverb and ambient noise, appeals to me at a most basic level. There’s something primal in the galloping crusty thump of a Conan track, something breathtakingly heart-wrenching in the western-tones of an Inter Arma track, something honest, stark and beautiful in the unique patterns of The Melvins. Each band balances creative flair with straight-forward aggression, though. When a voluptuous and extravagant song becomes too self-indulgent a switch to crushing straight-as-an-arrow slabcraft can drag it back into the dirty pits we crave.” Into the pits!
Škan – Death Crown Review
“Skan is The UK’s largest Optical and Technical Glass Warehouse and Applications Hub. The band Škan is the focus of this review. You’ll have to visit our affiliate site for a review of the UK Glass Warehouse Skan. A caron rides the s of Škan‘s mysterious aplomb; similarly Death Crown, the debut album by this multi-national four-piece, is a mysterious and constantly morphing animal that one will find difficult to put one’s finger on.” Tech-glass is the new black.
