Irish Metal

The Risen Dread – Night Hag Review

The Risen Dread – Night Hag Review

“I appreciate a good concept album. Sometimes an album concept merely offers a quirky angle to music which is already enjoyable. Sometimes it is central to the album’s enjoyment itself. In the case of Ireland’s The Risen Dread and their debut record entitled Night Hag, there is a theme worthy of greater exploration and artistic endeavor: mental illness. Important though this subject no doubt is, concept albums that fail forget that substance trumps style, and similarly music trumps message.” Hag time.

Sermon of Flames – I Have Seen the Light, and It Was Repulsive Review

Sermon of Flames – I Have Seen the Light, and It Was Repulsive Review

“I was more than ready to write off Sermon of Flames as just another dissodeath album. It meets all the criteria: lurching riffs, wormy dissonance, bellowing insanity, and above all, violent disregard for its listeners. Its black/death breed recalls the mighty Mitochondrion or Abyssal with its hellish intensity and atmosphere – like many albums of its ilk. Just like every person, Sermon of Flames‘ debut I Have Seen the Light, and It Was Repulsive is full of flaws and inconsistencies, highlights and strengths.” Things that cannot be unseen.

The Vicious Head Society – Extinction Level Event Review

The Vicious Head Society – Extinction Level Event Review

“I’ve had a few occasions now where I stumbled upon a promo in the never-ending heap and was beset by a vague sense of recognition. I’ll set out on a search through our vast archives, swearing I’ve read a review of this band or that, until I finally find the record in question, only to discover that the author of the review was, in a twist of truly Shyamalanic proportions, myself. This was not the case, however, for The Vicious Head Society, whom I still remember well as one of the most nonsensical names for a band I’ve had to cast judgement upon.” Extinction level head.

Soothsayer – Echoes of the Earth Review

Soothsayer – Echoes of the Earth Review

“When thinking of how to describe Soothsayer‘s primitive sound, I thought if the band were a people, they’d be advanced enough to build a pretty mean henge, but they’d definitely still be eating their enemies to steal their battle ability, and if a farmer brought their shaman a vegetable that grew weird, they’d probably worship it.” Protoculture.

Scáth Na Déithe – The Dirge of Endless Mourning [Things You Might Have Missed 2020]

Scáth Na Déithe – The Dirge of Endless Mourning [Things You Might Have Missed 2020]

“There’s something special about the Irish metal. Mythological elements intertwine with its primordial melodies in a unique blend of sounds that conjure rage, desperation, melancholy, and heritage, often simultaneously. One-man project from Rush, Scáth Na Déithe is a shining example of this balancing act of death and black metal.” Dirge and purge.

Dread Sovereign – Alchemical Warfare Review

Dread Sovereign – Alchemical Warfare Review

“I enter this review with a certain amount of trepidation. Two writers whom I thought would be interested in Alchemical Warfare, Dread Sovereign’s third album, were not. Akerblogger reviewed their last effort, and when I offered this to him he said, ‘all yours.’ When I mentioned this new album to Grymm, who like myself is a big fan of Primordial, he said ‘they don’t do anything at all for me.’ Well, not exactly ringing endorsements, but I was still willing to take a chance and hope for the best.” Dread or gold?

Gama Bomb – Sea Savage Review

Gama Bomb – Sea Savage Review

“Another year, another Gama Bomb release. Why do we even review these? We know exactly what we’ll get: a fun, fast, professional thrash album loaded with riffs and silly humor. Well, there is a slight lineup change here on Sea Savage, the band’s seventh album, as long-time drummer Paul Caffrey is replaced by James Stewart, also of Vader, Sermon, and Decapitated.” Speed boating.

Arcade Messiah – The Host Review

Arcade Messiah – The Host Review

“But when I revisit the 2016 TYMHM piece, I’m reminded of a certain comment: ‘It must have been a shitload of work for a single person, to write and perform an album full of such dense arrangements and rhythmic irregularities, without losing the overall flow of the music. Hats off! I’m impressed.’ Four years later, I can say nothing less about Bassett’s newest outing, The Host. I can still say it’s ‘simplistic’ and smooth to the ears. But, musically, this new record is anything but simplistic.” Host with the most.