Iron Maiden

Retro-spective Review: Cities – Annihilation Absolute

By Steel Druhm on August 18, 2013 in American Metal, Heavy Metal, Metal Blade, Retro Reviews, 4 comments

“With these retro reviews, I’ve balanced albums from bands that had a decent following at one time and then fell off the map (Riot, Holy Terror) with those that had virtually no following at all despite a quality release (Hall Aflame, Damn the Machine). Count Cities as one of the latter…for sure. As a side band for Twisted Sister’s drummer A.J. Pero, Cities spent the 80s toiling in extreme obscurity, with only a small, but loyal fanclub in and around the New York area. With numerous line-up changes and breakups, they only managed one album; the excellent Annihilation Absolute and then promptly sank into nothingness.” If you were about to stop reading because you saw a mention of Twisted Sister, hold your horses! Steel Druhm wants to introduce you to the New York band that SHOULD HAVE been the 80s sensation!

Powerwolf – Preachers of the Night Review

By Madam X on July 24, 2013 in 2013, 4.0, German Metal, Heavy Metal, Napalm Records, Power Metal, Reviews, Heavy Metal, Power Metal, 20 comments

“Who’s up for a wolfnado? Hit play, go on I dare you… The wolf-pack’s back and as luck would have it I freed up just in time to safely prise Preachers of the Night from Mr Druhm’s steely, far too cynical grip! For those of you that don’t already know and love Powerwolf’s brand of heavy or power metal they go for your throat with canines bared. Locking on with the speed and catchiness of HammerFall (Glory to the Brave era), with uncomplicated melodies, simple riffing and hugely delivered, shout-along choruses similar to those of Sabaton all the while capturing some of the atmosphere of King Diamond.” Madam X made damn sure Steel Druhm didn’t review this because he has a Powerwolf hunting permit. But can even she stomach all the theatrics and silliness that comes with a release from these overacting hurricanines?

Angry Metal Guy’s Top 5(ish) Debut Records

By Angry Metal Guy on July 21, 2013 in Blog Posts, 37 comments

For every Velvet Darkness They Fear or Something Wicked This Way Comes or Blackwater Park or Nightfall in Middle-Earth there is a Theatre of Tragedy or Iced Earth or Orchid or Blind Guardian – records mediocre compared to the things that would come (or even just straight up mediocre). I’ve been thinking about this a lot, and I wanted to put together some of my personal favorite debut albums. Records that kicked ass out of the gates, and in some cases were really the best material that the band ever even produced. So here, filling up the July lull in releases, is another Top 5 list. Now it’s true that I’ve left off some records that I thought of adding (it would probably be a Top 10[ish] list that’s needed), so don’t get your panties in a bunch when you don’t see Cynic or Entombed on here. ‘Cause those are great records, but they’re not my favorites.

Sinister Realm – World of Evil Review

By Steel Druhm on July 20, 2013 in 2013, 3.5, American Metal, Doom Metal, Epic Metal, Heavy Metal, Reviews, Shadow Kingdom Records, Doom Metal, Epic Metal, Heavy Metal, 8 comments

“If there’s one type of retro metal I never tire of, it’s the kind that goes for the old school, traditional, “trve metal” sound from the early 80s like Cirith Ungol and Manilla Road. Of the few bands out there using this style as a main influence, my favorite is Sinister Realm (though Argus comes really close). I really enjoyed their debut, but they raised their game bigtime for 2011s The Crystal Eye opus and it ended up one of my favorite albums of the year. Utilizing a stripped down, zero-bullshit approach with a slight epic feel and incorporating doom, NWoBHM and early America metal influences, they found a winning formula and crafted some really memorable tunes.” Steel Druhm is old so it should come as no surprise he likes stuff that sounds old. Sinister Realm is old school, cvlt, trve and any other V instead of U word. So is this a match worthy of eHarmony?

Stormzone – Three Kings Review

By Steel Druhm on July 10, 2013 in 2013, 3.0, Heavy Metal, Irish Metal, Metal Nation Records, Reviews, Heavy Metal, 0 comments

“In the wake of the surprising comeback album by Satan and the enjoyable new White Wizzard outing, NWoBHM may be a bit more palatable to metal mavens young and old. Striking while the iron is hot, Ireland’s Stormzone roars back onto the scene with yet another ode to old-timey metal in the same vein as Iron Maiden, Saxon and Grim Reaper.” Steel Druhm has been a staunch Stormzone supporter since joining the AMG staff. Does their new opus continue to satisfy his metal needs or will it be hit by the curse of 2013? Hey, they can’t all be White Wizzard….

White Wizzard – The Devil’s Cut Review

By Happy Metal Guy on June 10, 2013 in 2013, 5.0, American Metal, Century Media, Earache Records, Heavy Metal, Reviews, 40 comments

“Everything about this record is perfect. From the wacky, bright, colorful and sharp-looking album artwork to the catchy operatic singing, Los Angeles band White Wizzard makes sure that every detail not only pays homage to traditional heavy metal, but is also (more importantly) given a modern touch as well. The musical similarities to earlier heavy metal bands (especially Judas Priest and Iron Maiden) can definitely be heard [O RLY? – AMG]. But the music sounds a little too modern to be considered ‘traditional heavy metal.'” Whenever the word ‘perfect’ starts getting tossed around the AMG office, the staff gets mighty nervous. Happy Metal Guy always gives us trouble, but now the psychotic horse is fully out of the burning stable and White Wizzard is to blame. Oh, the huge manatee!!

Kalmah – Seventh Swamphony Review

By Steel Druhm on June 7, 2013 in 2013, 3.5, Black Metal, Death Metal, Finnish Metal, Melodic Death Metal, Reviews, Spinefarm, Thrash Metal, Black Metal, Death Metal, Melodic Death Metal, Thrash Metal, 10 comments

“As the only blackened thrash band willing to sing about fishing and fish generally, Kalmah always had a special place in my outdoorsy heart. I mean, who else can make simple tales of man vs. fish seem so epic and life threatening? I was impressed by their first four outings (with Swampsong being my favorite), but I felt really let down by their For the Revolution opus, which felt quite tedious. While things kicked back up for the enjoyable and energetic 12 Gauge, it still felt like a band entering the “spinning the wheels” period of their career. Thankfully, Seventh Swamphony sees these psychotic fishermen make a triumphant return to the off-the-rails, blackened thrash of old which straddles the line between the melodic tomfoolery of Children of Bodom and more extreme, cvlt black/death acts.” Do you like blackended catfish metal like Steel Druhm does? If so, you best don the hip waders and read all about the return of the swamp lords.

Angry Metal Mail

By Angry Metal Guy on April 5, 2013 in Angry Metal Mail, Blog Posts, 44 comments

We don’t get a lot of hate mail here at Angry Metal Guy. As I said in the previous incarnation of Angry Metal Mail, “Because we have a good system for commenting, most of the venting, whining, and misdirected anger at childhood traumas and inability to perform in bed gets left in our comment boxes where we can respond to the person directly or where others can respond (with public shaming).” However, in this case, the person didn’t send the mail to me in regards to a post I’d made, but instead a comment I made at Blabbermouth. Here, I’ll let you read it.

Amaranthe – The Nexus Review

By Angry Metal Guy on March 24, 2013 in 1.5, 2013, Metalcore, Power Metal, Reviews, Spinefarm, Swedish Metal, 59 comments

As a young boy I learned a really important lesson at the hands of one of my favorite bands, Europe. Sure, you laugh, but I was 5 and it was the ’80s, so I was well within my rights to listen to Europe. In 1984, Sweden’s very own, very popular foray into glam rock released a record called Wings of Tomorrow. The album cover was simple. An armored bird of prey, in profile against a red planet cradled in a vast blanket of stars, ready to attack an unseen foe. Five-year-old me was in awe. My unconstrained imagination transported me into space with this mighty, ironclad hawk, to fight futuristic wars. This set the stage for a magical listening experience and the record is still one of my favorites. When I finally got around to The Final Countdown something important had changed: the cover was five poofy haired dudes in space. No suspension of disbelief, no imagination, just Swedish glam rockers in space. And the record? Well, it had one great song… and in retrospect a lot of stinkers. At that moment, an important seed of distrust of bands with their own pictures on the cover of a record was instilled in me. If a band isn’t creative enough to come up with a cool record cover, that band probably isn’t creative enough to write really good music.

Clive Burr Dies

By Angry Metal Guy on March 13, 2013 in Blog Posts, 8 comments

So Clive Burr, the drummer who graced Iron Maiden’s first three records, died yesterday. He’d been in a wheel chair for some time because of MS. I’m sure you’re all aware that he was sick and that the band had been helping him out. Maiden apparently released some statements about it that I’m just going to post verbatim here below. But I just want to take a minute to say that without the drums of Clive Burr Iron Maiden would never have been the same band. Whatever is said about the comparison between Nicko and Clive, it should be noted that Clive’s feel was damned good and really special. Need I link “Run to the Hills”? Of course not. But I will anyway ’cause it’s a great song. Those first three records are better because of him.