Iron Maiden

Tarot – Spell of Iron MMXI

Tarot – Spell of Iron MMXI

Ah, nostalgia. My very first review upon joining Angry Metal Guy Industries was Tarot’s 2010 release Gravity of Light. Now, just about a year later, Finland’s longest running metal act returns with a re-recording of their 1986 debut Spell of Iron to mark the album’s twenty-fifth anniversary. Much like fellow countrymen Amorphis, they apparently decided these ancient songs would benefit from a sonic face lift using modern recording technology and the modern day Tarot stylings. In the spirit of full Angry Metal Disclosure, as with many metallers, I wasn’t aware of Tarot back in 1986 and didn’t discover them until founder and front man Marco Heitala rose to worldwide prominence with Nightwish in the early 2000s. Therefore, Spell of Iron isn’t some sacred talisman album in my mind as it may well be for long time Tarot fans. That said, I’ve spun it on and off over the years and found it a very solid, highly engaging slab of traditional metal falling somewhere between Judas Priest, Iron Maiden and W.A.S.P., while always maintaining a unique sound (largely due to Marco’s excellent and distinctive vocals). Also worth noting, it’s one of their most consistent albums from start to finish and less plagued by the Filler Gremlin™ than their subsequent releases were. With the housekeeping done, let’s see what’s in the cards shall we?

Hell – Human Remains Review

Hell – Human Remains Review

Wow, yet another reminder that you can’t always judge a metal album by the cover. By looking at the artwork for Hell’s debut Human Remains, I bet most would expect a death or thrash bonanza. Well, a mighty big ass surprise would await upon spinning this thing! This is NWOBHM style metal by a British band that was part of the 80’s new wave but unable to land a record deal, despite adoring fans and supporters like Lars Ulrich. After founding singer/guitarist Dave Halliday killed himself in 1987, it seemed Hell had run it’s course. Fear not, for long time fan, friend and mega-producer Andy Sneap (Sabbat) has come to the rescue, convincing them to reform for another shot at metallic glory. With the surviving members together again along with new vocalist Dave Bower and Mr. Sneap as a second guitarist, we finally get that long awaited debut. So how do a bunch of songs that have been mothballed since the 80’s sound in 2011? Well, despite some great moments and obvious potential, its not a complete success. Allow me to elaborate.

Argus – Boldly Stride the Doomed Review

Argus – Boldly Stride the Doomed Review

Cruz Del Sur is doing some fine fine work lately. I heartily enjoyed the new release by Twisted Tower Dire and now they serve up the second album by PA’s metallers Argus. After a generally well-received (but widely overlooked) debut in 2009, they’re back to demand attention with Boldly Stride the Doomed (bad ass title). Led by vocalist Brian Balich (Penance), Argus could be described as a semi-doom, epic metal band (if that makes any goddamn sense). Whatever label one ultimately sticks on them, they serve up some high class metal with a lot of balls, testosterone and moxy. Sometimes pure doom, sometimes epic metal, sometimes good old traditional metal, they shift and slither their style but the one constant is quality and that’s the winning ingredient every time.

Dibbukim – Az a Foygl un a Goylem Tantsn Review

Dibbukim – Az a Foygl un a Goylem Tantsn Review

Dibbukim is the band that I have been waiting for. Ever since I first hear the Orphaned Land song “Norra El Norra,” I’ve been thinking to myself “Where the hell is the first Klezmer-metal band?” There are two reasons for this: the first is that I love Klezmer. It is a fantastic style of music, entertaining and beautiful, as well as being ripe for blending into heavy metal. The second reason that I’ve always wanted to call a band “Hebrewcore.” And now I can. That’s right, Dibbukim is the world’s first “Hebrewcore” band. Mind you, there’s no -core at all, and they sing in Yiddish, not Hebrew but let’s not kid ourselves. It’s SO much more fun to say “Hebrewcore” than “Klezmer Metal” or “Klezmer Influenced Folk Metal.” Give into the joy of it. Though, it’s not really accurate at all… So. I guess…. Klezmercore! That alliterates! OK, Dibbukim is the world’s first “Klezmercore” band.

Twisted Tower Dire – Make It Dark Review

Twisted Tower Dire – Make It Dark Review

C’mon, more old school 80s metal? When is enough enough? For folks like Angry Metal Guy, enough came six minutes after the first 80s retro album appeared [It was at least 12 or 14 minutes – AMG]. But Steel Druhm says as long as it’s good, keep it coming and add the cheese! That brings us to the Virginia crew Twisted Tower Dire. These stalwart gents have been plying their vintage early 80’s style since 1995 and Make It Dark is their fifth old school crusade. Taking their main cues from Iron Maiden and merging it with old Judas Priest, Thin Lizzy and Diamond Head, Twisted Tower’s sound has evolved over the years into something akin to Slough Feg or Pharaoh. Working in their favor over their career was a determination to continually hone and refine their sound and songwriting chops. Make It Dark keeps that evolution headed in the right direction and this is their strongest effort to date. Loaded with vibrant, energetic, guitar driven metal with the true spirit of the 80s present in every note, this is a helluva lot of fun to play and play loud!

Wolf – Legions of Bastards Review

Wolf – Legions of Bastards Review

The retro metal wolf is at the door again. The lupus I refer to is Sweden’s own Wolf, the one that’s been churning out their NWOBHM meets Mercyful Fate meets power metal style since 2000 and resisting all signs of modernizing along the way. Well, color them consistent because here on Legions of Bastards, their sixth album, they remain firmly planted in the 80’s metal sound and mentality. While retro-come-lately acts like Enforcer, Bloodbound and Steelwing made their bones raping the musical carcass of the 80’s, they’re all getting seriously sloppy seconds since Wolf got there first, many years ago. Past albums have been fun, energetic nods of the old school gods like Judas Priest and Iron Maiden and here on Legions, the retro hero-worship continues unabated. This is 110% shameless throwback metal with enough over-the-top guitar soloing, vocal wailing and cheesy metal cliches to make Spinal Tap consider a career in disco. It’s more fun than a barrel full of Charlie Sheens and just about as subtle. If any part of you is a forward-looking progressive who wants to stop living in the past, this is very much not the band or album for you. As for me, I thrive on old timey metal cheese so this is right in my personal (cheese) wheelhouse. Set the time machine to 1986, raise the horns and read on if you dare.

Steel Druhm’s Best Heavy Metal Songs of All Time 30-21

Steel Druhm’s Best Heavy Metal Songs of All Time 30-21

Well, we’re getting down to the nitty-gritty here folks. As the list spirals down to #1, the acclaim and criticism of Steel Druhm’s tastes will escalate exponentially. That’s fine, for Steel Druhm cares not what others think and his metal tastes are sublime and unassailable. Without further ado, here is my last ten before we get to the crucial top 20 metalpieces of all time (look, I made up a cool word, Pat. Pending). [Read the previous lists by Steel Druhm: 50-41, 40-31. And by Angry Metal Guy: 50-41, 40-31, 31-20.]

Cavalera Conspiracy – Blunt Force Trauma Review

Cavalera Conspiracy – Blunt Force Trauma Review

It is unfortunate, but reasonable, that I should start this off by saying the obvious: this is not the Sepultura record you’ve been waiting for. While the Cavalera brothers have been reunited in the band named after them, this is not Beneath the Remains II or hell, even Roots II, this is something different and if you hadn’t figured out that this was going to be the case by now, then you are a naive and probably very easily disappointed person. While I respect your optimism, I think that optimism becomes stupidity if you hold out too long. And I think we’ve all held out too fucking long.

Havok – Time is Up Review

Havok – Time is Up Review

A new year is here but the retro-thrash train keeps on rolling like it’s eternally 1988. Apparently it’s as unkillable as cockroaches and metalcore (same difference). At this point in the game, even a vintage, old school thrash enthusiast like myself is feeling the novelty wearing off and that’s saying something folks. Despite my increasing weariness with the second great wave of 80s thrash, I was unable to resist, deny or dislike the second album by Denver retro-heads Havok. Time is Up is an unapologetic ode to all things Bay Area style thrash and draws major influences fromĂ‚ the legends of that scene like Exodus, Death Angel, Slayer and Testament. There’s no surprises and no innovation (you can’t innovate much when you’re trying to sound like your shit came out in 1988) but these youngins sound energetic, angry and full of piss, vinegar and cheap beer. Add to that the fact they can really play and this ends up being a pleasant surprise and shows massive improvement from their debut album Burn (which AMG actually liked way more than I did, go figure).