“DDENT is a French post-metal group from Paris, formed in 2013 and having released two full-lengths and an EP. Sporting a Pelican or Omega Massif vocal-less style, complete with post-rock dynamics, pummeling sludgy riffs, and a stunning sense of beauty within its uncompromising sound.” Post posts.
“A hierophant – a word I was dimly aware of but confess that I had to look up – is a person who leads the religious into the presence of that which is deemed holy by the relevant congregation. It also a card in the tarot deck and at least one of its meanings is that of a teacher or counselor who aids the seeker in the acquisition of knowledge. Both of these meanings are wholly appropriate for Bay Area trio Forlesen’s debut, Hierophant Violent. I would estimate that, since beginning my tenure serfdom here at AMG, my musical consumption has increased by upwards of 80% and I was listening to a lot before I started. And yet it’s rare indeed that an album hits me like Hierophan Violent did.” Elephantine Hierophant.
“Oppressive Rocky Mountain Dirge.” That is the descriptor Velnias uses to describe its music. Sounding more like the slop at the bottom of a bucket than something you would want to spend your time listening to, it nevertheless proves that occasionally we all need to update our bios. While “dirge” may have been Velnias‘s original aesthetic when it released its debut, Sovereign Nocturnal, in 2008, the band’s output has evolved considerably since then to incorporate an array of new and different influences. Now it’s back with its third album, Scion of Aether.” Dirge purge.
“Our latest post-metal loving Dutch trio An Evening with Knives is hoping to take a stab at the scene with their second full-length, Sense of Gravity. They advertise their sound as ‘where the wall of sound falls down into a sea of tranquility’ in a fusion of post-metal and stoner-doom. Does their intriguing premise succeed in a cut above the rest or will it just settle being another post-metal old knives‘ tale?” Falling blades.
“Treurwilg draws from different doom metal traditions, particularly the strange bedfellows of post-metal and funeral doom. If Isis and Ahab were shipmates on an Oceanic journey, they’d make something like An End to Rumination.” Rumination with a view.
![Sorxe – The Ark Burner [Things You Might Have Missed 2019]](https://www.angrymetalguy.com/wp-content/uploads/2019/12/Sorxe-The-Ark-Burner-01-768x768.jpg)
“Hitting our promo bin for the first time in 2014, there was little Grymm found interesting on the band’s debut. But when Matter & Void hit the deck three years later, my eyebrows glued themselves to the top of my head. And seeing them play that album live is still one of the best performances I’ve ever experienced. What didn’t hit our bin was this year’s The Ark Burner. But, thank the stars, I’ve been keeping tabs on this band for all you sludge suckers out there. But, will Sorxe continue their streak?” Ark of triumph.
“Imagine my surprise when, upon taking this gig, I discovered that some of my fellow writers, including our illustrious boss, were never-sludgers. As I’ve endured their hurtful, anti-sludge rhetoric, I’ve noticed a frequent correlation between sludge hating and symphonic power cheese-loving. As no lover of metallic brie myself, I’m left to wonder if we’re hardwired at the genetic level into these camps just as research suggests we may be similarly inclined toward progressive or conservative politics, or to see a blue and black dress versus the mouth breathing, evolutionary dead-ends who see a gold and white dress. I guess what I’m saying is, if you’re team sludge and wary of anti-sludge sentiment within the body metallic, you’ve got a man on the inside. So let’s wade together into the muck of Charlene Beretah‘s new album Ram. Never-sludgers need not apply.” Sticky business.
“Celebrating cultural heritage is crucial. In a world living in the shadow of Christianity’s obliteration of “pagan” beliefs, the old creeds and rituals are rarer and rarer. As such, it’s imperative to preserve such practices and traditions, valuing their impact in generations past and their influence on future individuals. My family is descended from Vikings, which is pretty badass, but one thing led to another[1. Y’know, like a few burning monasteries, hundreds of years, a few continental migrations, and countless cultural shifts.] and they found themselves Lutheran farmers in North Dakota. Groups like Heilung and Wardruna are committed to preservation and renaissance of the old Norse rituals, and Norwegian/Icelandic duo Golden Core seek to channel this appreciation through new release Fimbultýr by blending American stoner doom and Norwegian black metal.” Uphold the olde.
“I have my own boxes to check as I look for the next Cherd friendly album, so when patterns emerge, I take note. Recent positive experiences with doomy, noise tinged post-metal from the United Kingdom packaged in black and white cover art, namely Sūrya and Bismuth, led me to take a chance on Torpor‘s Rhetoric of the Image. Will the sophomore effort from this three-piece keep the hitting streak alive?” Post-gambling.
“Very few days are monochromatic. For every yin, there’s a yang. The day you get promoted at work is the day your beloved pet dies. The day the attractive girl (or boy) rejects your advances is the day your brother gets engaged. Even something as simple as white-hot fury is, if examined truthfully, usually mixed with at least a healthy dollop of sadness. It is for this reason that music that captures different tones and moods feels more authentic than that which simply focuses on one emotion.” Can I borrow a feeling?
