Italian Metal

Regardless of Me – Black Flowers Blossom Review

Regardless of Me – Black Flowers Blossom Review

“Six years into this gig, and I still largely choose albums from the promo pool by name and/or genre tag. While I like to review a diverse array of sub-genres, it’s tough for me to not pick the low hanging fruit of obscure tags. The prospect of “trance metal” was an enticing one indeed, and it was from this that I selected Italy’s Regardless of Me.” No regard.

Morwinyon – Pristine Review

Morwinyon – Pristine Review

“Italian duo Morwinyon formed in 2019 as a side project of post-black group Falaise, offering three full tracks and an ambient outro for an atmosphere worthy of its debut’s namesake – Pristine. Utilizing a synth-heavy ambient black metal template of Golden Ashes or Midnight Odyssey, there’s little new to be found. However, it revels in its saccharine melodic qualities, liberally serving serene soundscapes for the blackened escapist, even if it might only offer cavities and headaches to the more discerning listener.” Bittersweet.

Idolatria – Tetrabestiarchy Review

Idolatria – Tetrabestiarchy Review

“Being a black metal fan entails crankiness. It seems there are more critics and black metal TSA waiting in the wings than any other metal subgenre, just lurking, waiting to hit each new album with a slap of humility – some of it deserved, some of it not. No one’s ever happy, as no release will be raw enough, noisy enough, unlistenable enough, “they have a Facebook and a Bandcamp and don’t exclusively sell cassettes, are you fucking kidding me.”” The fine line between hate and kvlt hate.

Bedsore – Hypnagogic Hallucinations Review

Bedsore – Hypnagogic Hallucinations Review

“What’s in a name? Everything and nothing. Death metal has always flirted with the ridiculous in an effort to conjure distasteful imagery. However, Rome’s Bedsore seem to be walking a fine line between punishment and parody. But at a glance, the legendary Gorguts hardly suggests unnatural excellence. Now, their name simply reminds us of humble beginnings. Similarly, if you glanced at Bedsore‘s moniker, rolled your eyes and moved on, then, to quote the immortal Ronnie James Dio: fool, fool.” Don’t fear the seeper.

Reasons Behind – Project: M.I.S.T. Review

Reasons Behind – Project: M.I.S.T. Review

Reasons Behind is a four-piece Italian symphonic power metal band trying their hand at synth metal on Project: M.I.S.T., their second full-length album. Given that Reasons Behind‘s debut album sits squarely in pure symphonic metal territory, I can imagine the band had fun getting their hands dirty experimenting with synths and chasing after more trance or dubstep inspired sounds for their new release.” M.I.S.T. opportunities.

Valgrind – Condemnation Review

Valgrind – Condemnation Review

“Most of us know someone who doesn’t speak often, but when they do, we listen. Case in point: Not long ago, I received a cryptic message from Ferrous Beuller that simply said, “You should pick up the new Valgrind for review.” And that’s all it took.” Iron commands.

Fides Inversa – Historia Nocturna Review

Fides Inversa – Historia Nocturna Review

“Despite its roots as lo-fi “anti-music,” black metal is an extremely versatile genre, which is why it gets blended a lot these days. An ingredient is often lost amongst all the tinkering and combinations, however: naked anger. If black metal’s many hybrids have left you a bit cold this year, Italy’s Fides Inversa is here to furiously spit in your face and remind you why this genre exists in the first place.” Anger mismanagement.

Dawn of a Dark Age – La Tavola Osca Review

Dawn of a Dark Age – La Tavola Osca Review

Dawn of a Dark Age is an Italian black metal duo formed in 2014, brainchild of multi-instrumentalist Vittorio Sabelli (aka Eurynomos, also of Suici.De.Pression), currently featuring vocalist Emanuele Prandoni (aka Anamnesi of Progenie Terrestre Pura and Grind Zero). Sabelli has released five full-lengths since the project’s inception: volumes 1-5 of The Six Elements series (in order: Earth, Water, Fire, Air, Spirit / Mystères). This presumably culminates in sixth full-length La Tavola Osca, even if I’m unsure what it has to do with the elements.” Bend them all.

Virtual Symmetry – Exoverse Review

Virtual Symmetry – Exoverse Review

“My personal favorite of the AMG banners has always been that most legendary of Yngwie Malmsteen quotes – “How can less be more? That’s impossible!” It’s a perfectly true statement as long as you’re willing to completely miss the point of the original cliché, which, frankly, makes for a great worldview. In that vein, I bring you progressive metal, in the form of the sophomore full-length from Swiss-Italian Virtual Symmetry; that output, Exoverse is the very definition of an album that believes, with everything that it’s got, that less is not more, that that would be impossible.” More is MOOAR.