“Some bands plug away releasing record after record of dry, digitized discipline that no one particularly cares to recall. And then there are those acts that manage to seamlessly meld technical proficiency, distinct brutality and that often evasive element of musicality that seasons the broth. Italy’s Hour of Penance have, for me, always been one of those bands.” Seasons in the broth.
“Listening to Shifting.negative makes me want to apologize. To all members of Aborym, and particularly mainman Fabrizio “Fabban” Giannese – I’m sorry for whatever conditions existed in your lives that caused you to think creating this album was a good idea. I also want to apologize to curious listeners, who may have seen Aborym’s past works compared to Anaal Nathrakh and Blut Aus Nord and assumed Shifting was another misanthropic, industrial black metal romp.” The apology tour has begun.
“The stoics believed in ekpyrosis, the yearly destruction of the universe by an all-consuming inferno. They believed that life is a cycle of destruction and rebirth. Recreation out of chaos. Ekpyrosis embody ekpyrosis through their fiery homage to old-school death metal and Asphyxiating Devotion is the unrelenting debut record by this Italian four-piece.” Burning the way to rebirth!
“Expectations can be an odd thing when dealing with hybrid genres. The more genres descriptors added to the band’s tag, the harder it gets to form a view of what you’re going to listen to, and it doesn’t just apply to blackened melodic industrigothic deathfolk. Take Infernal Angels, now releasing their 4th album in 15 years. Various sources I checked listed the band as melodic black metal, melodic black/death metal, or plain black/death metal.” Get in your pigeonhole!
![DGM – The Passage [Things You Might Have Missed 2016]](https://www.angrymetalguy.com/wp-content/uploads/2016/12/DGM-The-Passage-768x768.jpg)
“Italy’s litany of exports are unmistakably intertwined with the country’s culture; one look at a Fiat or an Armani suit and my intuition immediately tips me off that it’s a product of pizza-pasta land, even if I can’t quite place what makes the item in question distinctly Italian. The same applies to DGM.” It’s all in the seasoning.
“As we slam the door on the non-stop game of Russian Roulette that was 2016, we at Angry Metal Guy Enterprises, LLC collectively realize that the adage “the more things change, the more they stay the same” rings ever so true. New years always bring new promises. They also bring with them one-man black metal.” Seize the day and a drum machine.
“These days, PR companies feel the need to come up with unique classifications and genres for the bands they are repping. I’ve lost count of the number of “new” genres we’ve had to add to our tag system this year. Great example: this new release from Angela Martyr, with a label prominently affixed to the cover declaring the music as ‘grungy, mechanical, pessimistic metalgaze.’ Okay. Why don’t they just say, ‘Sounds like Nine Inch Nails?'” They’re paid by the word, Huckster.
![Plateau Sigma – Rituals [Things You Might Have Missed 2016]](https://www.angrymetalguy.com/wp-content/uploads/2016/12/plateausigmarituals2.jpg)
“Italy’s Plateau Sigma have been on my radar for a couple of years: they always edged something quite interesting with their emotive doom metal but they lacked consistency and the song-writing was choppy at best. Yet it was with eagerness that I encountered their second full length, given the chinks of excellence evident previously. Rather than continuing the trend of slow but steady improvement, Rituals enveloped me entirely in its sheets of atmospheric doom and calming beauty, upheld by a strong, mid-paced core.” Doom in your stocking.
“When faced with a work of art that purports to be avant-garde, invariably a question must be asked: is the all-but-total abandonment of classical song structure and melody a hallmark of innovation and a refutation of the musical establishment or is it merely the flotsam-and-jetsam of musicians lacking the skills to write a decent song in the first place?” Challenging.
“Creativity is a fickle beast. On bright days ensconced in melodious excellence, these words bound forth like an ever-flowing stream. Others? A wall of emptiness and muted cinder blocks mortared upon dark grey concrete. We yearn for the music that evokes the former but Liber Null, unfortunately, does not. So here I sit, swilling my scotch, wondering how to convey just what about I – The Serpent fails to strike me.” Drinking scotchy scotch scotch on the job, eh? We approve.
