“We as a community speak often of defining and categorizing genres, but sometimes a promo comes along that legitimately challenges those definitions. Atlanta, Georgia’s Tómarúm received a generic “black metal” tag from Prosthetic Records’ PR team, and it falls short as a descriptor for what Tómarúm play. As you’ll surely deduce after giving debut album Ash in Realms of Stone Icons even just one spin, this nascent two-piece perform forbidden alchemy with myriad metallic ores, smelting a writhing, metamorphic amalgamation. It’s that very transmogrification that not only makes this album difficult to categorize but also exciting and satisfying to experience.” Pigeon holes don’t come easy.
Izthmi
Izthmi – Leaving This World, Leaving it All Behind Review
“Izthmi sure have a sense of timing. Their debut album, The Arrows of Our Ways, was released in mid-February 2020, right around the time a certain virus you may have heard of began entering the news… Despite impressing a cantankerous Grymm with its progressive and melodic take on atmospheric black metal (as well as a frankly gorgeous cover), it kinda got lost in the craziness that followed.” Storms and storming out.
TheKenWord’s and Carcharodon’s Top Ten(ish) of 2020
TheKenWord and Carcharodon join the fray with tastes ranging from good, bad, and unfathomable.
GardensTale’s Top Ten(ish) Album Art of 2020
“We spend every single day of the year on this blog talking about music. The highs, the lows, the marshes of the meh. Occasionally, we give a nod to an especially beautiful cover (or an especially heinous one) to buff our word count for the article, but it’s barely a condiment on the edge of the buffet plate, stacked with pretentious slop, that we throw casually in front of the voracious readership. But this one time a year, I don’t have to talk about the music at all.” Gardens variety galleries.
Izthmi – The Arrows of Our Ways Review
“For today’s examination, we have The Arrow of Our Ways, the debut full-length from Seattle upstarts Izthmi. With a promo blurb that touts a sound that blends black metal with post-rock, noise, and ambient dabblings, you’re probably thinking to yourself one of two things: “Gee, this could actually be pretty cool,” or “Gee, another Deafheaven clone.”” Stop thinking things.