Jan16

Exumer – The Raging Tides Review

Exumer – The Raging Tides Review

“One of the bigger musical surprises of 2012 was the rebirth of ’80s cult thrash heroes Exumer. Those thrashards [thrashtards? AMG] released the minor thrash classic Possessed by Fire way back in ’86 and things went downhill from there, forcing them to go dark for 25 long years before reforming and dropping Fire and Damnation on an unsuspecting metalverse. The nostalgia factor was high on that one and I couldn’t help but enjoy hearing from these old fiends once again. It certainly wasn’t an essential piece of thrash, but it was a good start after a quarter century of inactivity, and now a mere three years later we get The Raging Tides. So what was Exumer up to the past three years?” How can you not click through with an intro like that!?

Wildernessking – Mystical Future [Vinyl Review]

Wildernessking – Mystical Future [Vinyl Review]

South Africa’s Wildernessking is an atmospheric black metal band that has undergone a maturation before our very eyes. Starting as Heathens the band played an immediate (and still excellent) form of black n’ roll. The early material was reminiscent of Enslaved, but lacked the Norwegians’ progressive punch. The writing was concise and to the point, and the word “atmospheric” would never have crossed my keyboard in those days—until the release of the track “Morning” in 2011. In 2012, under the new moniker Wildernessking, these South African ex-heathens released The Writing of Gods in the Sand, which unfurled their sound into expansive, atmospheric territory. The record had a production that helped the band’s music to balance between a raw, heavy black metal feel and their growing interest for more airy writing. Mystical Future progresses Wildernessking’s journey, taking steps further away from the intensity and riff-driven black metal, toward a more expansive, atmospheric sound.

Shotgun Justice – State Of Desolation Review

Shotgun Justice – State Of Desolation Review

“I chose Shotgun Justice randomly without knowing anything about them or their sound, the only connection being they shared their moniker with one of my favorite thrash metal albums (see the Razor retrospective Druhm and I shat out in 2014). Do these Krauts live up to that thrashtastic standard?” Standards are made to be broken.

Toothgrinder – Nocturnal Masquerade Review

Toothgrinder – Nocturnal Masquerade Review

“Not unlike a djentier and techier Every Time I Die, Masquerade combines a fuck-all attitude, tightly riveted melodies and rhythms, and a sense of abrasive aggression into a 42-minute package that feels like getting a piece of steel wool shoved down your throat—yet it remains hooky enough to wash it down with something sweet afterward.” Like putting Splenda on brass knuckles.

Throne of Heresy – Antioch Review

Throne of Heresy – Antioch Review

“I have a long standing joke with friends that about fifty percent of death metal bands out there derive their identity with respect to the phrases “Lovecraftian horror” and “anti-Christian,” and Throne of Heresy isn’t out to prove me wrong. So find a bucket, because Antioch is the perfect chance to revisit a favorite conceit of mine; the album review as a drinking game.” Put on your drinking shoes and pull up your pants – we’re about to get our mead on.

Borknagar – Winter Thrice Review

Borknagar – Winter Thrice Review

“It’s been four years since Urd was released and Winter Thrice builds upon the back of Urd while trying to expand its vision. The album is sixty minutes of epic, blackened, progressive metal which builds on the back of excellent vocal performances, including the unexpected—but totally suggested by me—inclusion of Garm’s cleans in the growing vocal mosaic.”

Hexvessel – When We Are Death Review

Hexvessel – When We Are Death Review

Hexvessel came into my life in 2012 and filled a void in my soul I didn’t even know existed. You see, I didn’t have any Finnish psychedelic forest folk in what passed for my miserable existence, and only when I tasted of its rich goodness did I realize how much I always subconsciously hungered for it.” And the fire still burns.

Ketzer – Starless Review

Ketzer – Starless Review

“There are several unassailable truths in heavy metal. A brutal death metal concert will always smell like garbage and unwashed socks. The wait for a new Necrophagist album will always be the metal blogosphere’s running joke. And when a band experiences some commercial and critical success after employing a fresh sound, you can bet your Ghost buttplug there will be a slew of imitators there to jump on the bandwagon and catch whatever stray dollars they can.” And that brings us to the flavor of the day.

Gomorrah – The Haruspex Review

Gomorrah – The Haruspex Review

Gomorrah struck like a bolt of lightning from a clear blue sky. Slated for a mid-January release date on the not-exactly-major-label Test Your Metal Records, The Haruspex got overlooked in an administrative snafu. As luck would have it, I am nothing if not diligent about my hoarding of new music. And when I popped Gomorrah’s The Haruspex on I knew that we’d missed something good.[1. On the topic of haruspices, I need to fire mine, because I didn’t know this was coming out.] I put out a general alert to the staff, trying to get someone to review this very-nearly-overlooked record and in the time I was waiting I’d managed to listen to it twice.”