“For some reason, I seem to be the go-to reviewer for anything Sepultura-related here at AMG. This is a pretty unrewarding “honor,” given that the band has been releasing underwhelming albums for many years now (and don’t even get me started on Max Cavalera’s various projects). The band’s latest record Machine Messiah is their fourteenth overall, and marks their first collaboration with celebrated Swedish producer Jens Bogren (Opeth, Katatonia, Fates Warning).” Watch Dr. Fisting try to break free from his bloody roots.
Jan17
Aborym – Shifting.negative Review
“Listening to Shifting.negative makes me want to apologize. To all members of Aborym, and particularly mainman Fabrizio “Fabban” Giannese – I’m sorry for whatever conditions existed in your lives that caused you to think creating this album was a good idea. I also want to apologize to curious listeners, who may have seen Aborym’s past works compared to Anaal Nathrakh and Blut Aus Nord and assumed Shifting was another misanthropic, industrial black metal romp.” The apology tour has begun.
Infamovs – Under The Seals of Death Review
“Introducing Chile’s very own Infamovs, champions of that perennially classic style of exhumed, grave dusted death metal, which we all love to love. And, yes, I did spell the band name correctly; you’re going to have to be extra kvlt to read this one.” There is no “v” in old school.
Firewind – Immortals Review
“Long running Greek power metal warriors Firewind have always been a reliable second-string act thanks to the capable stewardship of axe God, Gus G. When news broke in 2009 that he was to be Ozzy’s new guitar wiz, I wondered if he’d be able to keep his first love alive on the side. Immortals marks the third Firewind platter since he joined with metal’s original maniac, so it seems the man can multi-task just fine.” This Gus is on fire!
Infernal Angels – Ars Goetia Review
“Expectations can be an odd thing when dealing with hybrid genres. The more genres descriptors added to the band’s tag, the harder it gets to form a view of what you’re going to listen to, and it doesn’t just apply to blackened melodic industrigothic deathfolk. Take Infernal Angels, now releasing their 4th album in 15 years. Various sources I checked listed the band as melodic black metal, melodic black/death metal, or plain black/death metal.” Get in your pigeonhole!
Uniform – Wake in Fright Review
“‘May you dream of the devil and wake in fright.’ This old curse serves as the inspiration for the novel and later film adaptation Wake in Fright, a harrowing descent into madness that tells the tale of an English school teacher in a remote Australian town who wrestles with conformity, misery and the innate self-destruction that clings to man like a shadow.” To sleep, per-chase to scream.
Emptiness – Not for Music Review
“If there was a saying that Papa Grymm would instill on us kids (besides to clean our rooms), it would be to make ourselves as uncomfortable as humanly possible. I don’t mean wearing sweater vests in the summer, folks, but rather stepping outside those little boxes we build for ourselves. Discomfort begets growth, after all. And what can be more uncomfortable than atonal, ambient black metal?” More edgy than a wedgie.
Witchmaster/Voidhanger – Razing the Shrines of Optimism [Split] Review
“From Vader to Behemoth, Polish death metal has always rocked my socks off and left me standing in line for all the blastbeats and pierogies I can stomach. From the same foul breeding grounds come the perpetrators behind today’s split.” Nasty and nastier.
Black Anvil – As Was Review
“Black Anvil is one of those bands you always expect to break through on their next record. Formed in 2007 by members of New York hardcore act Kill Your Idols, the black metal quartet’s 2009 debut Time Insults the Mind and 2010 follow-up Triumvirate initially seemed poised to break the group out of the underground with their infusion of Watain-style riffing into a sweaty hardcore aesthetic.” Is this when the Anvil cracks through?
Ignis Gehenna – Baleful Scarlet Star Review
“Here’s something to think about… If Darkthrone’s Transilvanian Hunger released today, would it make the same impression it made back in 1994? More importantly, would it get the same reception nowadays that it got in the past?” No chance.