“Second to Sun hails from St. Petersburg, Russia and plays slick atmospheric black/death with a touch of thrash tickling the edges. But, before that, they played djent… Though you aren’t allowed to talk about that because the band doesn’t acknowledge Based on a True Story (or their ‘debut’ record, Gal agnostiske drømmer) as being a part of the band’s official discography. Instead, it all began with 2015’s The First Chapter. And though a transition from djent to wicked, unsettlingly melodic black metal (with clear headbangable moments) is odd, the strangest part about The Final Chapter is that it’s an instrumental album… I know what you’re thinking: shit’s getting weird.” Walk on home, boy.
Jeff Loomis
Melted Space – Darkening Light Review
“Headed up by pianist, keyboardist, and classically-trained composer Pierre Le Pape, Melted Space represents an ambitious attempt to unify heavy metal with an opera, featuring a full orchestra and a cohort of guest vocalists and musicians which would make Arjen Lucassen (of Ayreon) and Tobias Sammet (of Avantasia) think twice.”Go big or go back to the conservatory.
Arcade Messiah – III [Things You Might Have Missed 2016]
“As I sit here on a snow-covered porch, watching the snow dissipate below the rising sun, it dawns on me just how much I dislike the term “post.” I hate Post-It notes, post holes, fence posts, and (the worst offender of them all) post-hole diggers. I hate the terms “post” (position), “flagposts” (they’re fucking “flagpoles”), and “man-posts” (penises). But, for how much I hate all these terms, I hate post-black, post-rock, post-hardcore, and post-metal the most.” Post no bills (or man-posts).
Melted Space – The Great Lie Review
“Melted Space. A project with more vocalists than Avantasia and more guests than a free beer and sex party. An ambitious metal opera, Pierre le Pape draws together myriad musicians and vocalists in depicting his epic vision on this debut, The Great Lie. It’s a monumental work….” And off to Finishing School we go to get some much needed culture.
Angry Metal Guy’s Best Records o’ the Year 2012 – Halfway Point
We’re now into July! Impressive as it is, this year has been one hell of a year: like the year 2011 was supposed to have been but really, really wasn’t. On a personal note, I can say that I wasn’t expecting 2012 to be good at all. However, there haven’t even really been any major […]
Ihsahn – Eremita Review
Post-Emporer, Ihsahn has kicked a lot of ass, but After was a controversial record without a doubt. While I gave it my thumbs up at the time, I feel like it hasn’t aged well—with the saxophone performance being my biggest complaint. Sure, jazz and metal have histories of solo players who push the boundaries of what is “acceptable,” but the saxophone performances get pretty taxing after a while. So for me, the thing that I’m looking for from a new Ihsahn record is that it lives up to the songwriting and groove-oriented riffing from The Adversary and especially angL which is one of my favorite records of the last 10 years. So, as you can guess, I approached Eremita (Latin for “hermit” and the root of the English word “eremite” if you weren’t aware) nervously.
Jeff Loomis – Plains of Oblivion Review
Shred records are sort of a touchy subject. Here Angry Metal Guy attempts to explain why and how Jeff Loomis avoids their average traps.
Nevermore – The Obsidian Conspiracy Review
Nevermore has always held a special place in the metal community with both fans and other bands alike looking up to and respecting them. It isn’t hard to see why they command this level of respect, with world-class guitarist Jeff Loomis and vocalist extraordinaire Warrel Dane both calling Nevermore home. Because of this high profile and superb talent, a lot is expected from Nevermore and for the most part, album to album, Nevermore have consistently delivered the goods. Therefore, the arrival of a new slab of metal from these guys is always a pretty big deal and after waiting five years since The Godless Endeavor, we finally get The Obsidian Conspiracy.