Johansson & Speckmann

Johansson & Speckmann – Edge of the Abyss Review

Johansson & Speckmann – Edge of the Abyss Review

“I like to imagine the absurdly prolific Rogga Johansson’s inner monologue to be similar to Pinky and the Brain’s introductory bit, with him eating whatever the Swedes eat for breakfast, wondering ‘what should I do today?’ and answering, ‘the same thing you do every day, Rogga: write and record a death metal record.’ Our hero would then draw a band name from a hat or make one up depending on his mood, and by lunchtime would have written about seven songs and called up whoever was needed to complete the lineup. Johansson & Speckmann had clearly been drawn from what must be a very large hat by now, and before the traditional Swedish dinner bell rang that day, Edge of the Abyss was born.” Pinky and the Brawn.

Bone Gnawer – Cannibal Crematorium Review

Bone Gnawer – Cannibal Crematorium Review

“Starting your promo blurb off with “Horror ‘n gore connoisseurs, Bone Gnawer….” will catch my eye. Going on to mention that the band is the brainchild of death metal legend Kam Lee (The Grotesquery, ex-Massacre, ex-Denial Fiend) that’s a great way to keep me reading.” Madam X likes cookouts…and cannibalism.

The Grotesquery – Curse of the Skinless Bride Review

The Grotesquery – Curse of the Skinless Bride Review

“Rogga Johasson gets more time in the AMG spotlight than any other artist (yes, even including Jorn the Mighty). With more musical projects than anyone can keep track of, the man is everywhere in the Swedish death metal scene all at once, all the time. The Grotesquery is yet another of his myriad projects, this one teaming him with death metal legend Kam Lee (Massacre, Denial Fiend) and members of Demiurg….” Dick Tracy meets John Wayne Gacy? Could work…maybe. And stick around for the surprise bonus!

Johansson & Speckmann – Sulphur Skies Review

Johansson & Speckmann – Sulphur Skies Review

“Neither rain, nor snow nor soccer riots can keep the Rogga Johansson express from it’s appointed rounds through the Swedish death metal landscape. This is the fourth album I’ve reviewed in 2013 that had his bloody prints all over it (Megascavenger, Just Before Dawn, Paganizer) and he’s in countless other projects as well (Demiurg, Ribspreader, etc. etc. to infinity and beyond). As I study the endless tide of Rogga works, I’m left to marvel at both his inhuman productivity and the overall quality of the material he creates. Johansson & Speckmann is his new collaboration with the legendary Paul Speckmann of long running, seminal death act Master. With such a titanic union, one obviously expects great stuff (and shitty, DIY album art) and since between them they cover the spectrum from Swedish to American death, the possibilities seem limitless (well, except by the parameters of death metal).” Have you felt like it’s been too long since a new Rogga release cropped up? Me too!