“Black metal is known for a lot of things. Vulnerability is not one of them. In amongst the hyper-masculine and satanic theatrics, there just isn’t much wiggle-room for nuanced takes musing on the softer side of the human condition. Given that anger is usually a mask for sadness, black metal is clearly one of the saddest forms of art we have. Yet we generally only get the viciously furious or the overwhelmingly maudlin. Enter Kannustaa, an international hybrid band of Americans and Serbians.” Black tears ov rage.
Kannustaa
Doom_et_Al’s and Dear Hollow’s Top Ten(ish) of 2020
Doom_et_Al and Dear Hollow have their big boy lists. Did they use that great power responsibly?
Mörk Gryning – Hinsides Vrede Review
“Ah, youth. A time Steel and Huck no longer remember. When all beer is good, all kisses sweet, and anything is possible. For Goth Gorgon and Draakh Kimera, two teenagers in Sweden, this meant donning corpse paint, forming a band, and releasing an album before they were old enough to legally buy the champagne to celebrate. That album, Tusen År har Gått, was a fun combination of old-school, second wave black metal, with a definite slant towards the melodic. Think early Sacramentum, or, more recently, Wormwood. Tusen År har Gått would go on to be extremely well-regarded in metal circles, spawning a few, less interesting follow-ups.” Gryning pains.