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Wildernessking – Mystical Future [Vinyl Review]

Wildernessking – Mystical Future [Vinyl Review]

South Africa’s Wildernessking is an atmospheric black metal band that has undergone a maturation before our very eyes. Starting as Heathens the band played an immediate (and still excellent) form of black n’ roll. The early material was reminiscent of Enslaved, but lacked the Norwegians’ progressive punch. The writing was concise and to the point, and the word “atmospheric” would never have crossed my keyboard in those days—until the release of the track “Morning” in 2011. In 2012, under the new moniker Wildernessking, these South African ex-heathens released The Writing of Gods in the Sand, which unfurled their sound into expansive, atmospheric territory. The record had a production that helped the band’s music to balance between a raw, heavy black metal feel and their growing interest for more airy writing. Mystical Future progresses Wildernessking‘s journey, taking steps further away from the intensity and riff-driven black metal, toward a more expansive, atmospheric sound.

Gazpacho – Demon Review

Gazpacho – Demon Review

“It’s no use making fun of Gazpacho for the name. I did that once already and unfortunately they’re still named after a type of tomato soup. While this tomato soup isn’t cursed, it does contain MSG, which is about as close to ‘metal’ as one needs to get to be reviewed here at AMG.” The Angry Metal Guy himself drops in to wax not-particularly-eloquently about the Norwegian progressive band Gazpacho‘s newest full length. Don’t miss this review.

Shining – Redefining Darkness Review

Shining – Redefining Darkness Review

Shining has been a consistent favorite of mine since I discovered the band. Since V:/Halmstad: Niklas angående Niklas I have reviewed every one of their records and have witnessed a change in the band that I think is hard to ignore. Starting with V, the band has continued an Opethian evolution away from the raw, gut-wrenching emotional black metal into something less raw, more catchy and proggy (Marillion prog not Dream Theater prog). Having now dropped the numbers and donned instead an English title, (what would have been VIII) Redefining Darkness continues the band’s evolution away from its gut-wrenching roots. Were we looking for a redefinition? After the mighty VII: Född förlorare I sure wasn’t

Gazpacho – March of Ghosts Review

Gazpacho – March of Ghosts Review

Gazpacho has to be the worst name for a band ever. The soup itself is frankly a little on the unexciting side as it is, being a vegetable soup served cold. It’s actually Spanish or Portuguese, isn’t it? Being Norwegian, couldn’t they have chosen say, lefse or something? Not only is it tastier (Mmm, a bit of sugar and butter and I’m a Happy Metal Guy! NOMNOMNOM!), but it’s Norwegian! Like the band! Get it!? Well, anyway, needless to say I was less than stoked to actually dig my ear-fingers into this record. How could a band that can’t come up with a decent band name come up with good music? I mean, this is an existential question… really.