Killing Joke

Contrite Metal Guy – Mistakes Were Made [N00b Cautionary Tales and Warnings Edition]

By Carcharodon on November 12, 2021 in Contrite Metal Guy, 98 comments

“The life of the unpaid, overworked metal reviewer is not an easy one. Cascading promos, unreasonable deadlines, draconian editors, and the unwashed metal mobs – it makes for a swirling maelstrom of music and madness. In all that tumult, errors are bound to happen and sometimes our initial impression of an album may not be completely accurate. With time and distance comes wisdom, and so we’ve decided to pull back the confessional curtain and reveal our biggest blunders, missteps, oversights and ratings face-plants. Consider this our sincere AMGea culpa. Redemption is retroactive, forgiveness is mandatory.” The foolishness of youth.

Schammasch – Hearts of No Light Review

By Grymm on November 7, 2019 in 2019, Avante Garde, Black Metal, Prosthetic Records, Reviews, Swiss Metal, Avante Garde, Black Metal, 52 comments

“There are two kinds of metal albums that tickle my fancy. The first kind takes a band’s trademark sound, alters it just enough to keep things fresh, but also retains everything that makes that artist or band unique, enjoyable, and otherwise impossible to do without. The other has mere glimpses of what made that band who they are, but throws so many curveballs, surprise left hooks, and a kitchen sink or twelve your way, and demands that you catch it all. Swiss avant garde spiritualists Schammasch most certainly fit into the latter with relative ease. Even after releasing a three-disc, exactly-100-minute monstrosity in the form of Triangle back in 2016, it still didn’t fully prepare me for what Hearts of No Light had in store for me.” That’s a big Schammasch!

Yerûšelem – The Sublime Review

By Grymm on February 5, 2019 in 2019, Debemur Morti, French Metal, Industrial Metal, Reviews, Industrial Metal, 47 comments

“Sometimes, repetition can be a powerful tool. French weirdos Blut Aus Nord know this quite well, as they’ve (he’s) used this tool over the course of several classic and not-so-classic albums. When guitarist, vocalist, and otherwise main fixture Vindsval reunited with longtime BaN bandmate W.D. Feld to further explore the more coldwave/post-punk influences found during the 777 trilogy in Yerûšelem’s debut, The Sublime. With a fresh canvas to work with, Yerûšelem looks to paint a newer, fresher image of what Vindsval’s main project hinted at.” Loopy.

Voices – Frightened Review

By Grymm on April 26, 2018 in 2018, Black Metal, British Metal, Candlelight Records, Progressive Metal, Reviews, Spinefarm, Black Metal, Gothic Metal, Progressive Metal, 109 comments

“When Akercocke dissolved in 2012, a few of its members regrouped as Voices, releasing a respectable debut in the form of Voices from the Human Forest Create a Fugue of Imaginary Rain, revealing that there was some life left from the ashes of everyone’s favorite hedonistic prog-death merchants. However, absolutely no one was prepared for the relentless headfuck that came out the following year.” Voices carry… expectations.

Pale Horseman – The Fourth Seal Review

By Grymm on December 8, 2017 in 2017, American Metal, Black Bow Records, Reviews, Sludge, Sludge Metal, 36 comments

“With 2017 wrapping itself up nicely like a present to your loved ones, changes still occur that can throw one for a loop. Whether they are sudden visits by loved ones, finding a sweet deal on that thing you wanted for so long, or (in my case) landing a new job in a whole new career, last-minute shifts can make or break you. Take Chicago’s Pale Horseman, as their fourth album, The Fourth Seal, was initially set to be released independently until the band got signed just a week before the album was supposed to drop, pushing it back a few weeks.” Fourth Seal of approval?

Contrite Metal Guy – Mistakes Were Made

By Grymm on September 7, 2017 in 2017, Blog Posts, Contrite Metal Guy, 107 comments

“The life of the unpaid, overworked metal reviewer is not an easy one. Cascading promos, unreasonable deadlines, draconian editors and the unwashed metal mobs – it makes for a swirling maelstrom of music and madness. In all that tumult, errors are bound to happen and sometimes our initial impression of an album may not be completely accurate. With time and distance comes wisdom, and so we’ve decided to pull back the confessional curtain and reveal our biggest blunders, missteps, oversights and ratings face-plants. Consider this our sincere AMGea culpa. Redemption is retroactive, forgiveness is mandatory.” Grymm tidings.

Atriarch – Dead As Truth Review

By Akerblogger on August 10, 2017 in 2017, American Metal, Relapse, Reviews, Sludge, Sludge, 20 comments

“I’m fed up with wizards, dragons, and leather-cladded warriors in metal. I’m fed up with corpse paint, studs, and leather-cladded necromancers in metal. I’m fed up with groove, headbanging, and flannel-cladded bong wizards in metal. I’m fed up with melody and happiness in metal, that’s why Atriarch – with their fourth full-length Dead As Truth – have arrived at the perfect time.” Celebrate the sludge.

Tau Cross – Pillar of Fire Review

By Grymm on July 20, 2017 in 2017, International Metal, Post-metal, Punk, Relapse, Reviews, Post-Metal, Punk, 35 comments

In 2015, the multi-national post-punk supergroup Tau Cross captured our ears and hearts with their self-titled debut, blending the crustiness of classic British punk rock with the soul of Killing Joke and the nigh-shamanistic vocals of former Amebix frontman/bassist, Rob “The Baron” Miller. So effective was this mix that their debut found its way to my #2 slot of my Top Ten(ish) list of 2015. Two years later, and with a slight line-up change, the band returns with their eagerly-awaited follow-up, Pillar of Fire. The fire still burns.

Roadburn 2017 Live Review

By GardensTale on May 1, 2017 in 2017, Blog Posts, Live Reviews, 45 comments

“Every year, something special takes place in my hometown of Tilburg, The Netherlands: the festival of Roadburn. Roadburn isn’t like your average festival. There’s no marquees, no fields of green devolving into mud, and no crowds the size of small towns worshiping the biggest bands. Instead, thousands of people dressed in black gather from every corner of the continent, and some from other continents, to see over 100 doom, stoner and other kinds of acts whose success lies almost entirely in the underground.” Welcome to the dope show.

Uniform – Wake in Fright Review

By Treble Yell on January 17, 2017 in 2017, American Metal, Industrial Metal, Noise, Reviews, Sacred Bones Records, Thrash Metal, Industrial Metal, Noise, Thrash Metal, 31 comments

“‘May you dream of the devil and wake in fright.’ This old curse serves as the inspiration for the novel and later film adaptation Wake in Fright, a harrowing descent into madness that tells the tale of an English school teacher in a remote Australian town who wrestles with conformity, misery and the innate self-destruction that clings to man like a shadow.” To sleep, per-chase to scream.