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Mercenary – Metamorphosis Review

Mercenary – Metamorphosis Review

Well, we can’t be expected to love everything that comes out this year, although it seems at times like we have been. Although I really enjoyed the earlier releases by Denmark’s Mercenary (especially 11 Dreams and The Hours That Remain) and was looking forward to this release, the massive upheaval that led half the band to flee after 2009’s Architect of Lies has clearly taken its toll. After losing their drummer, keyboardist and singer, they were forced to retool and regroup and I’m sad to report that the 2011 incarnation of Mercenary is only a shadow of what it once was. While their sound always had elements of the dreaded metalcore style, it was merged with many other influences and thereby rendered tolerable. On Metamorphosis, they’ve emerged from their cocoon as a full blown metalcore-melo-death butterfly, just like the eight million others out there (I know the cover shows a phoenix but this is way closer to butterfly, trust me). Gone is the intriguing blend of death, power, thrash and progressive metal that graced their earlier material. Gone is that special something that made their songs so impactful and addictive. Now it’s generic metalcore with poppy, radio friendly choruses all day, all night. While fleeting moments of the old sound can be heard here and there, overall this is a very different entity and to these ears, a much lesser one. In fact, this is inferior to their previous work in every possible way.

Across the Sun – Before the Night Takes Us Review

Across the Sun – Before the Night Takes Us Review

An interesting irony of modern metal right now is that while much of the underground seems to be mind-numbingly obsessed with simplicity, a lot of the stuff that is righteously called “mainstream” or that attempts to be mainstream is really getting quite technical and progressive, this is the opposite of what was happening a decade ago, really. As a guy who has really leaned in that direction for a very long time, I have to say that I have trouble being upset by this movement, and it makes me open to a lot of things that I think a lot of metal elitists would never even be willing to listen to. Across the Sun is one of those bands that I think your average death metal or black metal dude is going to take a listen to and say “Oh, fuck these guys,” and turn off. But Angry Metal Guy takes records and gives them a listen for what they are and I can say that Across the Sun’s Before the Night Takes Us is a record chalk full of interesting music, despite some pretty glaring weaknesses.

Artas – Riotology Review

Artas – Riotology Review

Well, I’m not sure what I did to end up on the Angry Metal Guy’s Official Shit List. However, his assigning me both the new Lazarus A.D. and Artas albums proves I’m on it bigtime. I can just picture AMG up there on his throne all high and mighty, laughing as he contemptuously sneers, “let him eat metalcore.” Steel Druhm does not like being on the Shit List and Steel Druhm will have his wengeance! Anyway, Riotology is the second album by Austrian metalcore/quasi-thrash bandwagon jumpers Artas. Up until now their claim to fame was a wildly ill-conceived cover of Coolio’s “Gangsta’s Paradise” which ended up being funnier than Weird Al Yankovic’s “Amish Paradise.” Now, with Riotology they can truthfully claim recording two average metalcore albums. Hey, congrats guys! As soon as I saw the album cover which looks like a screen shot from the Assassin’s Creed video games I should have known where this was heading. The second clue I was in trouble was the band’s prominently displayed claim that they play “modern metal.” Apparently that’s record industry speak for tired metalcore by bands that yearn to be At the Gates and In Flames with poppier, radio-friendly choruses. Because I’m merciful, I will now implore you all to leave this review and save yourselves. I can’t go with you however, for I must write it.

Saeculum Obscurum – Into the Depths of Oblivion Review

Saeculum Obscurum – Into the Depths of Oblivion Review

As you can tell, my resolution for 2011 was to review more obscure and underground music that no one has ever heard of. I want you to know that this means that I am reviewing like everything I get, if it’s possible, and really I’ve had some good luck and some really fucking horrendously terrible luck. I’m going to say that Saeculum Obscurum falls on the good side of the luck barrier. I figured with a name that means “The Dark Age” and a logo by the mighty artist and logo magnate Christophe, this one deserved a fair shake at least.

Mnemic – Sons of the System Review

Mnemic – Sons of the System Review

Mnemic has been around in the ether for a while but I’ve never given them a proper listen until now. The band has good promo, they’ve toured Europe twice with metal giants (like ’em or not) Metallica, they look like real metal dudes and they’ve got cred because a couple people I know compared them to Meshuggah back when they first came out. Unfortunately, Sons of the System sounds a lot less like Meshuggah and a lot more like Sonic Syndicate. This record is another convergence point for things that I’m not really keen on in the world of metal and I’ll give you a short run-down.

Sonic Syndicate – Rebellion EP Review

Sonic Syndicate – Rebellion EP Review

Sonic Syndicate // Rebellion EP Rating: 1.0/5.0 – This is everything that is wrong with modern metal Label: Nuclear Blast (EU | US) Websites: sonicsyndicate.com | myspace.com/sonicsyndicate Release Date: Nov. 6th, 2009 Sonic Syndicate are a pop rock band that somehow got signed to Nuclear Blast. Apparently they’re from Sweden, but I wonder if other […]

Scar Symmetry – Dark Matter Dimensions Review

Scar Symmetry – Dark Matter Dimensions Review

I remember the first time I heard Scar Symmetry very clearly. I was checking out some stuff on MySpace when I saw that they were going to be playing the House of Metal festival and I was blown away. Not blown away with how good they are, though talented one cannot deny they are, but how sickly sweet their melodic stuff is. I sat their and listened to it with my mouth agape thinking “really? Does this pass for death metal these days? How are these guys not a Top 40 band?” The answer to that is actually quite obvious: instead of dropping the death metal vocals, these guys have blended death metal vocals in with what I think is probably the most pop sensible writing I’ve ever heard in a metal band.

Evergreen Terrace – Almost Home Review

Evergreen Terrace – Almost Home Review

Almost Home is a record that was influenced by how much everything sucks right now, according to the band. It’s a bit of a dissertation on America in 2009, with a shitty economic situation, how hard it’s been to keep the band going in this kind of situation and so forth. Honestly, I don’t hear it. But that’s what the band says. What I hear is a highly melodic and poppy hardcore band doing the same things that bands of this type have been doing for years. It’s unfortunate, really, because they’ve got an alright sound, but things don’t stick.

Insomnium – Across the Dark

Insomnium – Across the Dark

Insomnium is one of those bands that rides on the border of melodic death metal and progressive rock, straddling the fence between good, solid heavy music and the proggy stuff that all the sadboy metal guys listen to. Those guys who secretly love The Cure and Depeche Mode and end up making stuff that sounds like newer Katatonia, Anathema or Amorphis. This isn’t really a critique, but it lets you know right off the bat where these Finnish melodic metallers are standing in reference to the never ending “is melody metal” war that seems to be going on these days.