“I don’t know why, but I end up reviewing a lot of bands that take an inordinately long time to record their works. I’m still waiting for one of them to call themselves Cicada… Maybe Knife the Glitter should have: it would have been a better name, and with a 15-year incubation period for this album, it would be appropriate.” Stab the drama, knife the glitter.
“You know Genesis right? And Yes? And Pink Floyd? And King Crimson? The big names of the English progressive rock scene which is more or less the best ‘scene’ to have ever existed (in music or otherwise). One name which flew relatively close to the ground during this era is Camel. It was only in retrospect that they began to enjoy their utterly deserved praise, thanks, in no small part, to the adoration of one Mikael Åkerfeldt of Opeth.” Camels!
“Now here’s a strange and interesting story. Imagine forming your band in 1973, naming yourself after a Pete Sinfield song from his Still album. Imagine working on your first album for forty-three years. Imagine playing and writing for nine years, then sleeping for two dozen. And imagine recording the songs you’ve been writing for all these years over a number of sessions scattered across eight years and five different locales. Clearly, time moves at a different speed for German progressive rockers Sea Goat.” Vote Goat.
“I have a confession: I’ve always wanted to listen to progressive rockers Wobbler, but haven’t. Their 2011 album Rites at Dawn has been sitting in my iTunes wish list folder for six years now, but life/time/priorities kept me from ever clicking on “Buy.” So naturally when I saw them pop up on our feed as having a new album coming out, I grabbed it. And then I had to go back and listen to their older stuff as well. All of which is a good thing if you’re into 70s prog rock done right.” Wobbler at the gates of dawn.
“It’s hard to go wrong when you pluck fruit off the King Crimson tree. The band’s branches extend far and wide throughout not only progressive rock, but metal as well (they go way further than that, but for the purposes of this site we’ll truncate things there). Those branches have influenced generations of musicians, some of whom have been lucky enough to collaborate with the band itself, or at least with various members. How does that relate to the oddly named O.R.k.?” The Lord of all Prog has been invoked and you must read. [This band has a connection to King Crimson. What else do you need to know, you philistines?]
“Do you like Russian Circles, but wish they added more wank to their post-metalness? Do you adore King Crimson, but wish there was less wankery – er, Frippery – in the recipes? If so, Dysrhythmia might be the bowl of porridge that is just right for you.” Porridge is for proggers.
“I’ve commented before on the excellence of select album covers and continue to keep an eye out for the very best of the bunch, often discovering new music simply on the merits of a killer Bandcamp icon. After all, if you’re an independent band with little in the way of PR, it pays to invest in a jacket that gets a listener’s proverbial foot in the door. Such seems to be the strategy of Tardive Dyskinesia, who know that even if you have a poor memory for names, at least you’ll remember this face.” Face-palm.
“The Super Sentai are a team of superheroes who protect planet Earth from the relentless onslaught of assorted evil beings while sporting tight, really tight, brightly colored, super tight costumes. Though you might not have heard of the Super Sentai despite their essential work, I assume you know of the Mighty Morphin’ Power Rangers, who are their Western counterparts.” Go go Super Sentai!
“Vibrant green fields, replete with young men and women frolicking with each other in their natural environment, adorned with flowers and flowing locks. Loose-fitting headbands and azure jeans which gently swell at the bottom. A world of love where acceptance is life, difference is disregarded and war is abhorrent. And drugs. A fucking shitload of drugs.” Get off my lawn, you hippies!
“Unlike many of my friends and colleagues, I’ve rarely been moved by Steven Wilson’s music. With notable exceptions, Porcupine Tree’s studio work put me to sleep. Nor, I must admit, was I a fan of Insurgentes or Grace for Drowning at release. Despite having long been harangued for being an Opeth fanboy, I could not get into Storm Corrosion. In fact, if you’d asked me 5 years ago, I would have said that Steven Wilson’s genius is the ways in which he makes other bands sound incredible. That changed for me, however, with The Raven Who Refused to Sing from 2012. So when I heard that Wilson had a new record coming, I was intrigued: would it keep up the momentum and style of The Raven?” Well, can it?
