“Abominant seem content to continue churning out sweaty Midwestern death metal with a big old melodic kick in the ass until the day arthritis makes that impossible. With a band this seasoned, it’s no surprise they weren’t out to redefine themselves on their eleventh full-length Napalm Reign, but that’s not a bad thing.” Olde and wise, they are.
“Do you ever pop in an album that reminds you of a specific time or place in your life? There’s been a lot of talk of “first times” around here, but this is me with every album I ever buy. I remember where I was when I bought my first album as much as I remember where I was when I bought yesterday’s album. And I especially remember my first King Diamond album.” The King is olde but still bolde.
“I have many friends that share my exquisite taste in music. If this were not the case, I would not have stumbled across Spellcaster and their newest release, Night Hides the World. Suggested to me by a member of War Curse, Spellcaster is a purveyor of the simple and the accessible. Fusing six-string details with strong vocals, these Portlanders combine Iron Maiden-esque hooks with Ghost-ish melody.” Metal friends beat Super Friends any day.
“Well, the day has come once more. The AMG staff is ashamed, Dr. Grier is a giddy school girl, and pure fanboyism is about to play out. Yep, the full-length debut from Denner/Shermann has finally hit the record shelves. “Oh, shit…,” you might be saying. Or maybe “Fuck me, here comes another 5.0/5.0.” But, keep this in mind: at least it isn’t a new King Diamond record.” Thank goodness for minor miracles.
“Protector first hit the scene with 1988’s Golem; a crushing mix of Kreator and Possessed sound that straddled the line between thrash and death. This approach continued with 1989’s Urm the Mad until founder Martin Missy left the band. Missy was replaced with guitarist/vocalist Olly Wiebel, whose contributions brought a more thrash-focused sound to A Shedding of Skin and The Heritage. But after The Heritage, the band pretty much fell off the face of the earth.” And now they’re back!
“I love cheese. Think of all the wonderful things that wouldn’t exist without it. Pizza, cheeseburgers, nachos, quesadillas, 2003 Al Roker. Cheese is one of those things that, with rare exception, there can never be enough of. Our mission here at AMG is to be thorough and fair, so we listen to an album at minimum of a good three or six times. Since Instigator’s Bad Future EP is so short you can probably triple that.” Sure, cheese tastes good, but it will clog you up.
“At this point, it’s really is no secret that I’m 100% all about anything that has to do with King Diamond and Mercyful Fate. I’ve chased down Black Rose and Zoser Mez demos, have purchased every original and remastered pressing of every KD and MF album, still listen to both Force of Evil albums every Halloween, and even love the odd Illwill side project.” Dr. Clickbaiter is a tad obsessive over things like clicks and Kingly projects.
“When nearly half of your band includes key Svarttjern black metal misanthropes, a marriage of Pagan Altar and King Diamond’s heavy metal Mercyful Fate-alism is not what you expect to burst forth from your speakers. And yet it does.” In the Olde School you still need chalk and fountain pens.
“Split albums are hard to do well. It’s rare that the contributing bands are equally matched, and even rarer that the musical styles are complementary. The Meads of Asphodel are no stranger to the dodgy split.” Begs the question, is Tjolgtjar the yin to the Meads raging yang?
“The Yer Metal is Olde segment here at Angry Metal Guy has always been one of my favorites. If you’re looking to expand your repertoire with some classics or need a reason to shuffle back through your library, clatter through your jewel cases, or dig through cracked cassettes for nostalgia, this is a segment for olde and younge alike.” 1995 was a tough year for kings and patriots alike.
