King

Fleshgod Apocalypse – Veleno Review

Fleshgod Apocalypse – Veleno Review

Fleshgod Apocalypse—known affectionately at the AMG offices as “Death Metal Rhapsody of Fire”—had a meteoric rise from its humble beginnings on 2009’s innovative Oracles. Though these Italian death metallers started on a Candlelight/Willtowtip, Nuclear Blast wasted no time elevating them to underground metal’s biggest stage. That pickup resulted in a larger budget, bigger productions and an evolution beyond the band’s death metal quartet status.” One of the brightest stars in the death metal universe is back with its fifth album. Will this be the one that makes us all go “Uuaaaaaauuuu”?

Fleshgod Apocalypse – King Review

Fleshgod Apocalypse – King Review

Fleshgod Apocalypse is well known in these parts for having produced a debut album that I worship and two albums since then that I don’t. Back in aught nine, the band released Oracles, which was a neoclassical death metal record unlike anything I had heard. The songs were intense, with intricate, artful, and beastly guitar work. Unfortunately, while songwriting was excellent, the drum sound on the record was a bit like reading a great Russian novel IN ALL CAPS; high art, ruined by someone’s inability to capitalize properly. 2011’s Agony was a better produced record than its predecessor in some ways, but the band undermined its own sound by moving all the interesting melodies and ‘riffing’ to the orchestras. When they returned to correct this problem on 2013’s Labyrinth, the master was so bad that all attempts to rectify earlier missteps were voided by the static of clipping master.