“Maybe I’ve heard one too many shitty re-thrash bands but it’s easy to draw conclusions from the bold illustration and title of Biological Enslavement by Hemotoxin. I feared that simplistic chugs, an angsty vocalist and a Neanderthal’s lyrics would lie behind the spiky logo and alien landscape. Happily, Hemotoxin are marginally more refined than this.” Marginally refined rethrash could be a whole new genre.
“I often gripe about the general state of the current thrash scene and how it’s stagnating with a lack of cutting edge innovators and general over reliance on rehashing the past. Of course there are exceptions to the rule, however, more often than not I find myself looking back to the past and grabbing an old favorite to get my thrash fix. Already in 2016 old school thrashers have been grinning from ear to ear with the return to form of Megadeth and Anthrax, along with the enduring space-age proggy thrash of the recent Voivod EP. Fortunately there’s a heap of room for new faces to emerge and make an impact on the current thrash scene and show that young pups can be as equally wily as old dogs.” Ready yourself for the latest in pup thrash!
“Protector first hit the scene with 1988’s Golem; a crushing mix of Kreator and Possessed sound that straddled the line between thrash and death. This approach continued with 1989’s Urm the Mad until founder Martin Missy left the band. Missy was replaced with guitarist/vocalist Olly Wiebel, whose contributions brought a more thrash-focused sound to A Shedding of Skin and The Heritage. But after The Heritage, the band pretty much fell off the face of the earth.” And now they’re back!
“The Raleigh-based power trio of Suppressive Fire plays a brand of fun and slightly blackened thrash that skips the pizza entirely. Culling mainly from the “devil metal” of Nunslaughter, Nocturnal Breed’s Fields of Rot, and producer Joel Grind’s main outfit Toxic Holocaust, this is a modern take on thrash, infused with more extreme elements but still being rooted in the ethos of the harsher end of the classics spectrum.” So, can this debut differentiate itself in the early days of 2016?
“The arrival of 2016 finds the tides turning for Varg, now signed to Napalm Records. Das Ende aller Lügen (The End of All Lies) is here and with it Varg presents their latest direction—one encouraging impulsivity, unpredictability, revelry and brute force. All packaged in nice bright red war paint.” Madam X is here to tell you about the creepy German dogs she dragged home. Who’s not interested in that?
![Deathhammer – Evil Power [Things You Might Have Missed 2015]](https://www.angrymetalguy.com/wp-content/uploads/2015/12/Deathhammer_Evil-Power-768x768.jpg)
“If you woke up this morning and realized you wanted to party like it’s 1983-1985 but think the throwback scene is ripe for a vicious culling of posers, have Deathhammer got a record for you: it’s called Evil Power and it’s quite possibly the most ridiculous thing I’ve heard in 2015. Ridiculous = trve.
![War Curse – Final Days [Things You Might Have Missed 2015]](https://www.angrymetalguy.com/wp-content/uploads/2015/12/War-Curse_Final-Days-768x768.jpg)
“What can be said about War Curse’s Final Days? Well, it’s the best Slayer album of 2015. Tapping into Slayer’s mid-paced, hard-hitting era, War Curse delivers deliberate crushers that are neither lightning speed or slow paced, ripping raw or polished piggery.” And the bar was set so high by the last Slayer album too!
“By now it’s well known throughout the Midwest that this old man is a thrash junkie. A bona fide Gally Thrashicanus. Before putting a thrash album on, my eyes begin to gleam with a wild and ravenous light. But not so much with the new crop of thrash metal bands like Municipal Waste, Toxic Holocaust, and Bonded By Blood, what with their crisp clean high tops and head bands. I like the grit, the grime, the grisly thrash metal of yore.” Old folks like old stuff.
“As this year comes ever-closer to its conclusion, I couldn’t help but pull up last year’s picks for Records and Song ‘o the Year. It didn’t quite dawn on me that there isn’t a thrash album to be found on my list. In the grand scheme of things, this is not surprising being with the old-farts producing some real turds and the newbies re-hashing the old-fart’s classics. The year, however, harbors some thrash threatening to invade my end-of-the-year picks.” There is no safe harbor when re-thrash comes to call.
“I’ve never listened to Infernus before, and a quick perusal of their promo shots (corpsepaint, bullet-belts, graveyards) and song titles (killing Christians, paganism, war, sodomy) led me to believe they were a Scandinavian second wave band that I’d just never got around to checking out. Infernus in fact hail from the other side of the globe…” The votes are in and you want more goats!
