Kyuss

Uncle Acid and The Deadbeats – Mind Control Review

Uncle Acid and The Deadbeats – Mind Control Review

“Occupying the same retro 70s “occult rock” genre as Ghost, Devil, The Devil’s Blood and Occultation, Uncle Acid and The Deadbeats brought a lot of firepower to the retro doom knife fight with their 2011 Blood Lust opus. They showcased the same hooky, memorable song writing chops and appreciation of the past that Ghost featured on their debut, but folded it into a heavier overall sound with big, distorted guitars and a weird serial killer/stalker atmosphere. While I wouldn’t say it bested Opus Eponymous, it was a close second, and way better than the rest of their occult rock ilk.” Can you expect more slamming, jamming doom rock from your creepy Uncle, or did the dreaded Curse of 2013 claim yet another hapless victim.

Angry Metal Guy’s Unsigned Band Rodeo: Boudain – Boudain EP

Angry Metal Guy’s Unsigned Band Rodeo: Boudain – Boudain EP

In our new monthly feature, which will show up here on the 15th of every month and run over the next few days, I (Angry Metal Guy) will select 5 bands at random (usually those who have followed my directions and have bandcamp accounts) to get blurbed by every member of the AMG staff. The idea is to do at least a bit of our part to point out that the metal underground is still an important part of the world of metal. While we simply don’t have the manpower to produce regular reviews of unsigned bands, this is my attempt at a minor mea culpa if nothing else. So enjoy Angry Metal Guy’s Unsigned Band Rodeo and our second entry for April 2013: Boudain!

Victor Griffin’s In-Graved Review

Victor Griffin’s In-Graved Review

“As a long time fan of American doom pioneers Pentagram, I’ve been an admirer of Victor Griffin’s playing and his bluesy, but street tough style. Sure, he borrowed a lot of his sound from Tony Iommi, but he made it his own by mixing it with the sound of Cream-era Clapton and a touch of Hendrix. When he left Pentagram, their stock dropped precipitously, and when he returned for their Last Rites opus, everything was right in the doom world again. I enjoyed most of the material from his Place of Skulls outing, so when I heard of the new Victor Griffin’s In-Graved project, I expected solid results, which this delivered, along with a few surprises.” Doomy biker rock? Does Steel Druhm need to say more? Well, he will anyway because he’s wordy!

Stonewall Noise Orchestra – Salvation Review

Stonewall Noise Orchestra – Salvation Review

“The bio for Salvation, the new record by Sweden’s awesomely-named Stonewall Noise Orchestra, states that they are “influenced by 70’s [sic] groovy rock along with many other sources of inspiration.” More retro/stoner rock? With a vague disclaimer right there in the bio?! I find this troubling, at best.” Join Fisting that Andrew Guy as he reviews this stoner rock album from the land of meatballs, Swedish fish, IKEA, and Angry Metal Guy himself. Chaos ensues. Sort of.

Things You Might Have Missed 2012: Uncle Acid and the Deadbeats – Blood Lust

Things You Might Have Missed 2012: Uncle Acid and the Deadbeats – Blood Lust

Time for all the stuff you might have missed!! Join us as we do our yearly round-up of shit that got overlooked, underrated, misplaced and otherwise blackballed, censored or buried. Steel Druhm kicks off the festivities with a weird one from the weirdly named Uncle Acid and the Deadbeats. Do you like Ghost? How about old style doom? Well then pilgrim, you better read up!

Mose Giganticus – Gift Horse Review

Mose Giganticus – Gift Horse Review

Every now and then, a band comes along and I’m utterly at a loss for how to classify them in the official Steel Druhm Book O™ Metal [That’s what you get for not using the Angry Book o’ Metal Classifications, n00b. – AMG]. Generally, this causes me anger and vexation, but I always give a nod of appreciation for the bands that resist easy classification. The latest recipient of the nod is Gift Horse, the second album by Mose Giganticus, for they have truly baffled my considerable pigeonholing acumen. They have forced even me to admit I’m stumped. Mose Giganticus is apparently a one-man entity created by Matthew Garfield, a staple of the Philly punk rock scene for some time. While some of that punk ethos is apparent on Gift Horse, this isn’t exactly a punk album. What is it then? Good question!! Let’s try to piece this puzzle together shall we.