Lacuna Coil

Ascend the Hollow – Echoes of Existence Review

Ascend the Hollow – Echoes of Existence Review

“I am ashamed. Why? Because I almost let this badass record slip through my greedy clutches. You see, my good friend (who we know as Septic ’round these parts) randomly pops in now and again to apprise me on some of his choice metallic discoveries. He introduced Irish/German/Dutch quartet Ascend the Hollow to me and I was instantly hooked. Like, so fast my head spun. I needed to share my excitement for Echoes of Existence with as many people as possible, but how? It would’ve been grand if we received promo, I thought. Then, all of a sudden I received a virtual sucker punch while rooting around the bin—the thing’s been sitting there since the end of April! How in the actual heck did I miss that??? And lo I experienced great embarrassment. I nearly neglected one of the coolest new bands to materialize out of absolute nowhere this year.” Finder of nearly lost things.

Whyzdom – As Time Turns to Dust Review

Whyzdom – As Time Turns to Dust Review

“In the curd kingdom of Powermetapolis, in the days just before World War III, things were not well. A cruel wizard, known as Dread Lord Chëëse, had descended upon Powermetapolis with his army — the Trite Trope Troop — and engulfed the lands in flames of predictable parmesan. The echoes of endless Epica clones haunted the air with their carbon-copy cries, over-the-top orchestral orchids had all but choked the indigenous metal flora into extinction, and the kingdom found itself reduced to a laughable shell of its former potential in the wake of the invading tides. Times were trvly tough for Powermetapolis, and in 2007 a group of a peculiar species known as Frenchmen formed an alliance known as Whyzdom, a musical militia whose mission was to bring back the life, the glory, and the powah to the kingdom.” Take the powah back!

Genus Ordinis Dei – Great Olden Dynasty Review

Genus Ordinis Dei – Great Olden Dynasty Review

Genus Ordinis Dei (GOD for short) by their name wonder what the biological classification of an Abrahamic God would be, and they do this by seemingly breaking the rulebook and combining symphonic death metal with elements of the traditionally blue collar of deathcore.” Symphonic deathcore? Surely you can’t be serious.

Kobra and the Lotus – Prevail I Review

Kobra and the Lotus – Prevail I Review

Kobra and the Lotus is a Canadian melodic power band that first came onto my radar in 2012 with their self-titled debut. Fronted by the actually-legally-named Kobra Paige, the band’s third LP, Prevail I, is on Napalm Records, after releasing the debut on Spinefarm, and 2014’s High Priestess on Titan Music. Prevail I is, apparently, the first of two albums which will be released in quick succession, and it’s being marketed as produced by the guy who produced Amaranthe’s records, with a debut single squarely marketed at people who like Delain. Since the band’s debut was a solid power metal album, this strategy raises a question for me: three full-lengths (and three labels) into this whole experiment of being named Kobra, how’s the whole thing going?” That’s a very personal question.

Secret Rule – Machination Review

Secret Rule – Machination Review

“Remember Amaranthe? Say what you want about them as a metal band (which, if you’re being six figure tax return levels of charitable, would be “not so great”), but as a pop band they’re alright. Massive Addictive was catchy, regardless of the fact that it was meticulously crafted by Swedish pop robots, made of 100% candy-coated processed cheese, and equal in substance to a sugar rush. Italy’s Secret Rule is pure processed cheese too.” Cheese and sugar go together like dynamite and napalm.

In Tormentata Quiete – Cromagia Review

In Tormentata Quiete – Cromagia Review

“”Emphatic Music.” This is how the PDF file describes the accompanying Cromagia, the third album by Italian septet In Tormentata Quiete, in which the band blends theatricality, black metal, and progressive folk elements into a heady mixture. According to the bio, Cromagia revolves around the concept that our existence is colored by emotions, and the music explains how these songs are an interpretation of said colors. So is this a melting pot of the prismatic rainbow colors of humanity, or is it just a puddle of crayons left out in the sun for too damn long?” Roy Gee Biv and all the chromatic death crew are here to paint you a memory.

Lacuna Coil – Broken Crown Halo Review

Lacuna Coil – Broken Crown Halo Review

“When a band hits a certain level of fame, usually it gives them free reign to do whatever their innermost muse guides them to create without fear of their label dropping them. They can craft new masterpieces to guide the listener to unknown lands, and hold them there for the duration of the album’s captivating length. They can also lull the unsuspecting fan into a false sense of security before bludgeoning them to a wet, slushy pulp. In other words, no matter what the band does, it’s guaranteed that their label will back them up, as they are proven to sell like virtual gang-busters.” Which approach will Lacuna Coil take? Are you sure?

Ayreon – The Theory of Everything Review

Ayreon – The Theory of Everything Review

“Of all of Arjen Lucassen’s projects, Ayreon is his best known and my least favorite. Having previously given both The Human Equation and 01011001 a shot, Ayreon really was a nut I couldn’t crack. Partially this is because I think the rock opera genre of power/prog metal bands à la Avantasia or Timo Tolkki’s Horrible, Terrible, No Good, Very Bad Avalon tend to lack vision; but the writers also lack the kind of talent necessary that make undertakings like Jesus Christ Superstar or Little Shop of Horrors fun and interesting.” One does not simply write a 600 word review for a 90 minute concept record from Arjen Lucassen. Click to see the epic of The Theory of Everything.

Lacuna Coil – Dark Adrenaline Review

Lacuna Coil – Dark Adrenaline Review

Lacuna Coil is a band that I used to like pretty well. I’ve seen them live a few times and I thought they put on pretty good shows and I have a lot of respect for them as a hardworking touring band. Musically, though, I think they’ve been pretty hit and miss. While I enjoy In A Reverie, Unleashed Memories and liked a few songs off of Comalies, their modern sound has developed into something that is really quite derivative of the American “nu-metal trend” and specifically their last record Shallow Life was produced in a way that sounded exactly like Linkin Park and was entirely unlistenable to these ears. So I have to say that it was with consternation that I elected to start listening to this album in the first place.