Lake of Tears

Bloody Hammers – Lovely Sort of Death Review

Bloody Hammers – Lovely Sort of Death Review

“There once was a time when the little known Bloody Hammers were making like the even lesser known Vardan by releasing new albums with shocking rapidity. Perhaps this was their way of getting their name out there and keeping whatever low-level momentum they garnered moving in the right direction. Unfortunately despite some good ideas, the music often felt slapped together and rushed with inconsistent results. The talent and potential were definitely there, but the results weren’t quite up to snuff. In my review of their 2014 opus Under Satan’s Sun I prescribed a longer time between releases to allow their ideas to germinate, marinate and ruminate, and perhaps they took the advice to heart.” Free advice is worth exactly what it costs.

Lord Vicar – Gates of Flesh Review

Lord Vicar – Gates of Flesh Review

Lord Vicar has been banging about for a while without a lot of press, which is strange considering they’re a doom super group of sorts. In their ranks you’ll find former members of Saint Vitus and Reverend Bizarre and they definitely know a thing or two about their chosen genre. 2011s Signs of Osiris was a sleeper that fell through the AMG cracks and didn’t get reviewed but should be heard as there’s much to admire in their earnest, throwback approach to the days of Witchfinder General, Pentagram and Black Sabbath.” Superdoom? Well call me McLovin!

Lake of Tears – Illwill Review

Lake of Tears – Illwill Review

In the Whack-A-Mole game that is genre pigeonholing, Lake of Tears pop up all over the board, defying you to anticipate their next move. These Swedes have been around a very long time and have always defied easy answers as to what style they actually play. Generally described as gothic metal, they’ve wandered between psychedelic doom, goth-rock, quasi-thrash and pseudo-death over the years. Each album had its own unique flavor and approach while always keeping the distinctive LoT sound. Here on Illwill, their eighth album, they keep the guessing game alive and deliver a strange mix of styles but it all hangs together somehow and works well. With parallels to Paradise Lost, Cemetary, Charon and Type O Negative to name a few, they run all over the place but its always dark in tone and plenty melodic.