Leviathan

Therion – Leviathan Review

By Steel Druhm on January 21, 2021 in Reviews, Progressive Metal, Symphonic Metal, 100 comments

“If forced to describe my relationship with Therion over the past 30 years, I would have to call it “complicated.” I was there at the start when they were a simplistic but enjoyable doom death band. I watched with interest as they slowly integrated opera and symphonic orchestration, making them one of the most unique extreme metal acts of the 90s. They had ups and downs over the decades that followed, with the lowest moment coming on 2018s 3-hour, triple album rock opera atrocity, Beloved Antichrist. Now Therion is back with their 17th album, Leviathan.” Opulence as pestilence.

Second to Sun – Leviathan Review

By Dr. A.N. Grier on September 29, 2020 in Reviews, Black Metal, Death Metal, 31 comments

“As I said in last year’s Legacy review, it’s always Christmas with the annual Second to Sun release. But unlike a yearly Vous Autres release, Second to Sun doesn’t send me spiraling down a black hole of despair. The Walk was the last one of their releases to come close to putting me over the edge. Since then, the band has ditched some of the mindfuckery to focus on heft and melody. Twenty-nineteen found Legacy to be the band’s heaviest creation. But, with a name like Leviathan, one can only expect something mammoth in this year’s release.” Big monster.

Forlesen – Hierophant Violent Review

By Carcharodon on April 17, 2020 in 2020, Ambient Metal, American Metal, Black Metal, Doom Metal, Drone, Hypnotic Dirge Records, Post-metal, Reviews, Ambient Metal, Drone, Post-Metal, 81 comments

“A hierophant – a word I was dimly aware of but confess that I had to look up – is a person who leads the religious into the presence of that which is deemed holy by the relevant congregation. It also a card in the tarot deck and at least one of its meanings is that of a teacher or counselor who aids the seeker in the acquisition of knowledge. Both of these meanings are wholly appropriate for Bay Area trio Forlesen’s debut, Hierophant Violent. I would estimate that, since beginning my tenure serfdom here at AMG, my musical consumption has increased by upwards of 80% and I was listening to a lot before I started. And yet it’s rare indeed that an album hits me like Hierophan Violent did.” Elephantine Hierophant.

Halphas – The Infernal Path into Oblivion Review

By Dr. Wvrm on December 11, 2019 in 2019, Black Metal, Folter Records, German Metal, Reviews, Black Metal, 10 comments

“The Germans dropped their debut in the heart of List Season ’17, a rowdy black metal romp that thrived in the darkness of a 4 pm sunset. Two years on and Halphas won’t flinch before the listicle onslaught. Good on them too, because The Infernal Path into Oblivion is a step-up from an already strong debut. Who needs validation when you’ve got riffs?” Riff money.

Gorycz – Piach Review

By Lokasenna on December 1, 2018 in 2018, Black Metal, Doom Metal, Pagan Records, Polish Metal, Reviews, Black Metal, Doom Metal, 15 comments

“There are certain things that will always warm a music reviewer’s cold, dead heart. Poland’s Gorycz, for example, made a good impression on me immediately, as I opened the promo to an actual lyric sheet. Granted, that wasn’t much help with reviewing their debut, Piach, as my knowledge of Polish goes only a little further than “kurwa,” but it’s the thought that counts. The band choosing to write in their mother tongue was, in fact, only another point in their favor for a multiculturalism-loving cuck like myself.” First impressions matter.

Bloodstock Open Air 2018 Review

By Akerblogger on September 2, 2018 in 2018, Blog Posts, Live Reviews, 40 comments

“On Thursday the 9th of August, myself and 19,000 others descended upon the grounds of an old manor house in the heart of the British countryside for a weekend of heavy metal, drinking, and debauchery.” AMG was there. Were you?

Wild Hunt – Afterdream of the Reveller Review

By Akerblogger on April 22, 2018 in 2018, American Metal, Black Metal, Reviews, Vendetta Records, 35 comments

“Welcome to the wild hunt. We’ll be venturing deep into the twisted, intestinal forests of the Afterdream: a withered, multi-dimensional landscape suffused with snarling spirits that froth forth a vitriolic seed. If we survive, we’ll venture into the blackened bowels and through to the death-grip of the Afterdream’s thumping heart.” Tally ho!

Halphas – Dawn of a Crimson Empire Review

By Dr. Wvrm on January 12, 2018 in 2017, Black Metal, Folter Records, German Metal, Reviews, Black Metal, 30 comments

“As Christmas approaches, so too does the easy gushing of TYMHM season. We are in the thick of it now, the best time of the year, the constant f5ing and frantic back-listening, the questions of how you completely and totally slept on that band you’d never heard of until just now. Every day heralds a batch of guaranteed winners determined to kick the certitude of yesterday’s Top Ten down a mine shaft. Halphas kindly reminds you not to ignore the humble review, because Dawn of a Crimson Empire is no less impressive than any of the December delights that have caught your eye.” Did you…overlook this, perhaps?

Entheogen – Without Veil, Nor Self Review

By Akerblogger on January 10, 2018 in 2018, American Metal, Black Metal, Fallen Empire Records, Reviews, Uncategorized, Black Metal, 22 comments

“New year, new me, so they say. In 2018 I’m going to root myself deeply into a black metal chasm. Too often black metal albums are left to rot in the pits of the promo bin. Things must change! On behalf of the forgotten, I’ve made a resolution to pick from the black metal bones in the hope of extracting a smidgen of excellency from these rotting vessels. Enter the long-form, cavernous, winding noise of Without Self, Nor Veil, the debut album by Entheogen.” Sworn to review the dark.

Loss – Horizonless Review

By Madam X on May 23, 2017 in 2017, American Metal, Death Metal, Doom Metal, Profound Lore Records, Reviews, Death Metal, Doom Metal, 54 comments

“It’s been said that “when the gods want to punish you, they answer your prayers.” I first came upon Loss and their brand of unrelenting funeral death-doom back in 2011 when Steel matched wits against the almighty Despond. Prior to this, I’d never been exposed to anything that sounded so grudgingly drawn out or so full of crushing personal failure. It mesmerized me! Not the funeral doom genre itself, but rather the arresting approach specifically promulgated by Loss. It’s been six years since Despond, and lo and behold, Loss are gifting us with a new experience aptly titled Horizonless.” Feel the pain of Loss.