You know that scene in The Last of Us where we first meet the clickers, which can’t see but are attracted to the slightest sound? This is how I regard my fellow AMG scribes, as sightless fungi that I must not alert to the tastiest morsels in the sump until that point in time when AMG Promo Pit Rules allow me to make a breakneck sprint for the album I’ve been eyeing up. Until then, I have to stay absolutely silent. So it was that for almost a month after (the apparently, and happily, rejuvenated) Hypnotic Dirge Records alerted me to the existence and impending release of Beholden, the debut by Inherus.” Shroom squad.
Lotus Thief
Forlesen – Black Terrain Review
The debut record from San Francisco’s Forlesen hit me at a weird time. At the height of the first, very strict COVID lockdown in the UK, Hierophant Violent struck like a (very, very slow-moving) freight train. A masterclass in slow-build songwriting, exuding patience, confidence and skill in its execution, the album hooked me from the first spin, which was on a sunlit walk, taken as my one permitted piece of outdoor exercise for the day. Combining post-metal and drone with flashes of black metal and doom, Hierophant Violent snagged my first ever 4.5 and with it—the album, not my score—Forlesen secured places on three staff end-of-year lists.” Forlesen or Moresen.
Forlesen – Hierophant Violent Review
“A hierophant – a word I was dimly aware of but confess that I had to look up – is a person who leads the religious into the presence of that which is deemed holy by the relevant congregation. It also a card in the tarot deck and at least one of its meanings is that of a teacher or counselor who aids the seeker in the acquisition of knowledge. Both of these meanings are wholly appropriate for Bay Area trio Forlesen’s debut, Hierophant Violent. I would estimate that, since beginning my tenure serfdom here at AMG, my musical consumption has increased by upwards of 80% and I was listening to a lot before I started. And yet it’s rare indeed that an album hits me like Hierophan Violent did.” Elephantine Hierophant.
Lotus Thief – Rervm Review
“I must admit I was pretty excited when I first read about San Francisco’s Lotus Thief, a duo consisting of musicians that are also members of Botanist. The promo blurb and various press snippets mentioned buzzwords like “space metal”, touches of avant-garde, and experimentalism which was enough to tickle my interest. Knowing how great the music from their other project was, I dug into Lotus Thief’s debut Rervm with a lot of expectations.” Expectations are a lot like chocolates. Too many make you die and otherwise ruin shit.