Mabool

Orphaned Land – Unsung Prophets & Dead Messiahs Review

Orphaned Land – Unsung Prophets & Dead Messiahs Review

Orphaned Land has gone through a lot more change than I think I even realized as they have made the journey from an obscure but promising melodeath band to a major label metal act. Back in 2013, I ended my review of All Is One by urging the band and the label not to “fuck with the formula.” The new record, which I was not impressed by, was being released only three years after the incredible The Never Ending Way of ORwarriOR. All Is One lacked the depth and force of any of the band’s previous material, a fact which I attributed to the album not having been given the time it needed to germinate. But I didn’t fully realize that since the release of 2011’s The Road to OR-Shalem, the formula had already been pretty well fucked. The first drop was Matti Svatizky in 2012, he was followed by Yossi Sassi in 2014. Both the guitarists had been in the band since 1992 and Yossi is the one I have always associated with Orphaned Land‘s characteristic “oriental”+prog rock sound. With Yossi’s departure, it was hard to not imagine that decline was inevitable. So I admit that I approached Unsung Prophets & Dead Messiahs with mixed feelings and a healthy dose of dread.” Fear and the Orphan.

Orphaned Land – The Road to OR-Shalem Review

Orphaned Land – The Road to OR-Shalem Review

It’s no secret that right now my favorite band in the world is Orphaned Land. And if it was a secret, I guess it’s not really a secret anymore. Orphaned Land does what no other band alive does and they do it so very, very well. Mabool was fantastic, but 2010’s The Never Ending Way of OR’WarriOR was my record of the year and is really my standard for what a modern progressive metal record should be like. The mix and production from Steven Wilson was excellent, the song writing was tremendous and it’s one of the very few records over about 45 or 50 minutes that I can even handle these days. So I was super pumped when I got a promo copy of the band’s DVD The Road to OR-Shalem. I’m not a huge fan of DVDs, as I’ve said in the past, but this one is definitely worth your time, both as fans and non-fans.

Kobi Farhi Interview

Kobi Farhi Interview

For anyone who has regularly read my site, it is pretty obvious that I am a big Orphaned Land fan. So it is no exaggeration to say I was pretty stoked to do an interview with the band’s vocalist, lyricist and gigantic personality, Kobi Farhi. We had a chance to talk about several different things, ranging from the cultural approach to metal in Orphaned Land to working with Steven Wilson (from Porcupine Tree). For the first time I am going to offer the audio of this interview edited down with some clips from the record, as well as typing out the “transcript” as it were. The transcript, of course, will have the full text and the audio is a bit more edited down so as to cut out the BS.

Orphaned Land – The Never Ending Way of ORwarriOR Review

Orphaned Land – The Never Ending Way of ORwarriOR Review

Few bands will ever make their own mark on a genre of music. it’s just a statistical rarity. Someone once told me that there are something like 5 million bands on MySpace, if that gives you an idea of the breadth which exists when one is thinking in terms of how many musicians there are out there. Of those, most of them probably last longer than a year, never produce much of a demo much less get signed to a real label, and how many ever produce a real step forward into a new decade with a statement of great things to come? The chances of becoming a professional musician are basically NIL and then of the number that do, how many ever produce something that will be remembered and affect enough listeners to ever influence any? That number is even smaller. Orphaned Land is one of the few bands that will ever exact change in metal and they are doing so now with their new record The Never Ending Way of ORwarriOR.