Mar20

My Dying Bride – The Ghost of Orion Review

My Dying Bride – The Ghost of Orion Review

“When you think of quality doom metal, just about everyone will mention My Dying Bride within the first five bands listed, if not the first. For thirty years, the British sextet’s captivated the world over with their trademark blend of crushing riffs, sorrowful violins and keyboards, and the cavernous growls and pained singing of charismatic frontman Aaron Stainthorpe. So impacting their music has become that they’re the soundtrack to personal situations in peoples’ lives, including mine.” Familiar haunts.

Beast of Revelation – The Ancient Ritual of Death Review

Beast of Revelation – The Ancient Ritual of Death Review

Beast of Revelation involves Bob Bagchus, one of my favorite metal drummers and a foundational member of Asphyx. Bagchus knows what he likes, and conveniently I tend to like that stuff too. Also included are AJ van Drenth who handles guitar and bass, and Incantation’s John McEntee on vocals. Unsurprisingly, I’m reminded of Asphyx and its related side project Grand Supreme Blood Court, mixed with Incantation’s “comeback” era.” Death in the family.

Body Count – Carnivore Review

Body Count – Carnivore Review

“My love of Body Count should come as no surprise to longtime readers at this point. However, I’ve been somewhat skeptical of the band’s output since their reformation/comeback in 2014. Manslaughter and Bloodlust each had their moments, but new band members and attempts at modernization had resulted in something of an identity crisis. On Carnivore, Body Count‘s third album since said comeback, I can’t help but wonder: which version of the band will show up?” Ice T-Bone.

Tulus – Old Old Death Review

Tulus – Old Old Death Review

“In 1993, while we were all giggling at ‘What About Bob?’ and rooting for the Minnesota Twins while wearing jean jackets and reading Seventeen magazine, Norwegian black metal band Tulus began churning out some evil tunes. Three demos, one compilation, one six-year breakup and reunion, minor lineup changes, and six full-lengths later, does 2020 promise newfound fame or do they need to stay buried for another thirty years?” What is old is olde.

Vredehammer – Viperous Review

Vredehammer – Viperous Review

“In years past, metal music took its sweet-ass time in order to drop us the good stuff. Don’t get me wrong, I do like a good, slow burn, but usually we (and by proxy, you) usually don’t hear anything jaw-droppingly good until later in the year. Not 2020, man. Barely into our third month, and we’ve already got strong contenders for Album o’ the Year, and it doesn’t seem to let up anytime soon. And now, we’ve got the much-anticipated Viperous by Vredehammer, an album everyone here at AMG’s been anticipating since Violator knocked us all on our collective ass back in 2016.” Bow down to the Snakehammer.