Mar23

Ov Sulfur – The Burden Ov Faith Review

Ov Sulfur – The Burden Ov Faith Review

“I’m sure it was cool once, and it can be funny sometimes, but the whole using “v”s instead of “f”s thing is a pet peeve of mine and it really hinders my ability to take a band seriously. I would have been more forgiving had the artwork been less…questionable. As an album that purports to quite seriously tackle the corruptions and injustices of organized religion, one can only hope that the contents of the package are deeper and more rewarding than their wrapper. Ov Sulfur play blackened deathcore that overall reminds me of a less bombastic A Wake in Providence.” Ov gloves ov deathcore.

REZN – Solace Review

REZN – Solace Review

“I admit, I avoided this band in the past because weed pun names rub me the wrong way. I have nothing against hazy plant explorations—I dabble—but you can only laugh so many times at joke titles like “Kief Castle” or Stoned Jesus. Heck I’m sure in the right state of mind I’ve even made my own joke band names. Chicago’s REZN isn’t here to joke around though. Eschewing comical escapism, this young quartet aims for a more conscious and guided meditation.” Two bongs may make a light.

Excalion – Once Upon a Time Review

Excalion – Once Upon a Time Review

“I opened my review for Excalion’s 2019 opus, Emotions with the words “Once upon a time,” and here we are almost four years later with their sixth album, Once Upon a Time! Clearly, Steel has real clout in the power metal universe! I’ve been a fan of this Finnish power metal outfit since I stumbled upon their 2007 sophomore outing, Waterlines, which remains one of my favorite albums in the genre. Since then Excalion have proved to be reliable purveyors of punchy, catchy power with enough muscle and grit to satisfy those among us who do not own frilly pirate shirts.” Tell us a power story!

Night Demon – Outsider Review

Night Demon – Outsider Review

“Ventura, California power trio, Night Demon have been producing quality, workman-like metal for over a decade. Always dependable, they quickly honed their NWoBHM-infused trad metal into bite-sized, three-minute horror-themed nuggets and swaddled them in denim and leather. Their last full album, 2017’s Darkness Remains was a power-packed olde school homage that my brother-in-sump, Eldritch said, “delivers pretty much everything you could want from a traditional heavy record.” After four years, the band return to haunt your dreams once more, but this time with a much more ambitious offering.” A night at the demon.

Acid King – Beyond Vision Review

Acid King – Beyond Vision Review

“Nothing moves quickly in the world of San Francisco cult stoner-doom stalwarts Acid King. From expansive, dreamy psych-smattered jam sessions to low and lazy stoner-doom riffs, and groovy plods, through to their sporadic recording output, Acid Kin do shit at their own relaxed pace. And in the realms of kaleidoscopic, thick, heavyset stoner-doom, Acid King do it well and never disappoint.” Acid King can do…anything.

¡Pendejo! – Volcán Review

¡Pendejo! – Volcán Review

“’Twas two weeks and change before Christmas, 2018, when I went to see Madder Mortem. The venue turned out to be one of those backrooms behind a cafe, the kind regularly rented for family gatherings and bat mitzvahs and stuff, complete with random sad disco ball. There were 5 bands in total, and the whole thing lasted for 5 goddamn hours because of half-hour breaks. It was a weird and exhausting afternoon into night, and the only good thing until the main act hit the stage was a largely unknown troupe called ¡Pendejo!, who blew me away with a unique brand of brass-infused, Spanish-sung stoner metal.” Latin heat in the street.

Maze of Sothoth – Extirpated Light Review

Maze of Sothoth – Extirpated Light Review

“Established in 2009, Maze of Sothoth toiled underground, swirling amongst eldritch soil devoid of all life, carefully awaiting their time to emerge. Emerge they did with a twisted debut, Soul Demise, in 2017. Reveling in a grimy, horrid tech death reminiscent of Origin and Kronos, Soul Demise showed great promise for the fledgling band, fast and vicious were its crooked tendrils. Six years later, Maze of Sothoth emerge again from the inky void with the even grimier Extirpated Light,” Tentacle whap, tendril slap.

Shores of Null – The Loss of Beauty Review

Shores of Null – The Loss of Beauty Review

“It’s a dreary, overcast March afternoon as I type this review. The ground remains caked in mud, the air battles between the dampness of southern humidity and the frigidity of winds that blowing in from the north, and even though it’s not raining yet, the weather-induced migraine that I’m currently nursing indicates that it desperately wants to pour any given minute now. Needless to say, it would be par for the course for the last, oh, couple of weeks here in weather-temperate Florida. Normally, I would also say it would be an ideal day to review The Loss of Beauty, the fourth full-length by Italian doom merchants Shores of Null.” Metal for all seasons.