Meat Loaf

Avantasia – A Paranormal Evening With the Moonflower Society Review

Avantasia – A Paranormal Evening With the Moonflower Society Review

“Mega-luxury cruiser Avantasia is back in the water once again, folks. That means another sumptuous feast of extravagant, overstuffed yacht metal for those fans of excess who crave musical gout. With a title like A Paranormal Evening with the Moonflower Society you know big, cheese-stuffed fare is on the menu and there will be 54 courses of cumberbund-straining confection and rich. creamy puffery. The usual cast of friends and well-wishers have been assigned quarters and Captain Tobias Sammet uses the usual star charts and blueprints to plot the course. Restraint will be avoided and moderation is a disfavored destination.” Boaty McBombastface.

The Neptune Power Federation – Le Demon De L’amour Review

The Neptune Power Federation – Le Demon De L’amour Review

“Love songs are not metal’s forte. The last album I reviewed, as far as I can remember, that devoted significant attention to the subject was Hemina’s Venus, near the start of my tenure. That makes Le Demon De L’amour the first in over half a decade. If I hadn’t already been familiar with The Neptune Power Federation, I might’ve been skeptical. But Memoirs of a Rat Queen was the highest 3.5 I ever gave. I still wonder whether it should have been a 4.0, and a big reason for that was the album’s pinnacle love song, “I’ll Make A Man Out Of You.” So if anyone could ‘reclaim the love song,’ as the band proclaims, it’d be these eclectic Aussie rockers.” Demon love in the deep blue sea.

Infesticide – Envenoming Wounds Review

Infesticide – Envenoming Wounds Review

“Reviews of death metal bands from Mexico normally start with a phrase which says, literally or in effect, “when you think of death metal hotbeds, you don’t think of Mexico!” This is a trite observation, but much like discussing the weather it gets the conversational ball rolling. That Mexican death metal hasn’t developed a readily definable sound can be an advantage, as there’s no expectation evoked when the phrase “Mexican death metal” is used as there is with “Swedish death metal” or “Finnish death-doom.”” Don’t drink the wounds.

Avantasia – Moonglow Review

Avantasia – Moonglow Review

“Anything bearing the imprimatur of Tobias Sammet is synonymous with excess, bombast and a superhuman resistance to restraint and modesty. Originally known for his larger-than-life Euro-power albums with Edguy, Sammet’s Avantasia project is something else altogether. It’s his own personal wonderland where he enlists friends, well wishers and contemporary musicians in a never-ending quest to create extravagant, over the top power metal infused with Broadway theatrics, hard rock grit and preening pop. Yes, it’s mega-yacht metal, and no, it definitely isn’t for everyone.” Sammet’s latest moon shot.

Beast in Black – From Hell with Love Review

Beast in Black – From Hell with Love Review

“To fully understand the absurdity that is Beast in Black is to know their roots and lyrical inclinations. Formed by Battle Beast guitarist Anton Kabanen following his departure from the band in 2015, BiB’s debut Berserker is a sonic extension of BB; ostensibly, it’s an identical formulation of mid-paced heavy/power metal, with added Sabaton influence and a side helping of glam rock and Euro pop. This nakedly derivative formula is made all the more amusing when one realizes that Kabanen also imported his Berserk-themed lyrics from his old band. From Hell With Love sees Beast in Black sinking to new new ineffectual lows, and the resulting irony of pairing this music with one of the most brutal comics I’ve ever encountered is more hilarious than ever.” Love is Hell.

The Sea Within – The Sea Within Review

The Sea Within – The Sea Within Review

“I’m as leery of self-proclaimed supergroups as the next guy. They almost never work out. Usually, though, they at least have some humility about themselves, and claim they are not in fact a supergroup, but rather just a bunch of chaps who happen to want to make music together. Not so with The Sea Within. In fact, guitarist Roine Stolt (Transatlantic, The Flower Kings) says “Call it a supergroup if you want – I think we can handle that.” Big words!” Super group, super attitude.

Galderia – Return of the Cosmic Men Review

Galderia – Return of the Cosmic Men Review

“I know you. You’re like me. You took one look at that hein(ie)ous album title, shook your head, and reported yourself to HR. The obliquely-named Return of the Cosmic Men marks the second effort from French power outfit Galderia, a band whose 2012 debut The Universality was decent but notable only for its group of eight vocal contributors. If Galderia wanted to beat my exceedingly low expectations, they were going to have to show me something special.” Who ordered the special with extra cheese?

Sonata Arctica – The Ninth Hour Review

Sonata Arctica – The Ninth Hour Review

The Ninth Hour marks Sonata Arctica’s fourth full length since Unia. In 2016, that means that half the band’s career is post-Unia and since that monumental album Sonata Arctica has gone through a tense relationship with its history and—if the comments on this blog are anything to go by—their fanbase. This has led to these veterans of Europower reintroducing wolf shirt and their old logo. But for me it’s The Days of Grays—an album distinctly lacking in both—that remains the band’s best since 2007.” So after all this time has Sonata Arctica produced a worthy successor to The Days of Grays?

Avantasia – Ghostlights Review

Avantasia – Ghostlights Review

“If there was ever a “Yacht Metal” band, Tobias Sammet’s aspirational ego project Avantasia is it. Perpetually over-sized, ostentatious, crowded with celebrities and in danger of sinking under the weight of its own pretentious pomposity, the entire catalog is a monument to the man’s inherent lack of restraint.” But is that ship still seaworthy and can they see the Ghostlights from the distant shore?

Retro-spective Review: Camel – Music Inspired by the Snow Goose

Retro-spective Review: Camel – Music Inspired by the Snow Goose

So, during this time of burnout, one thing doesn’t seem to be changing: the will to critique things and to tell people how important my opinion is how cool some music just really is. One of the things that happens to me when I get burned out on metal is that I go back and start researching other shit like, for example, the guy who wrote Meat Loaf’s music (Jim Steinman) or in this case, 70s prog. The ’70s were an era when music was musical and the production didn’t suck fucking ass and there was no douchebag screaming about how tough he was into a microphone to try to make you realize just how extreme his music is (unless of course you count KISS, but I don’t, ’cause they suck and they weren’t screaming, they were just douching it up).