Melodic Black Metal

Burning Darkness – Dödens Makt Review

Burning Darkness – Dödens Makt Review

“Swedish five-piece Burning Darkness has been kicking around since 1999, going through various periods of inactivity and releasing a number of demos. It was not until 2017, however, that a debut full-length record finally appeared, the self-released The Angel of Light. That raw chunk of melodic black metal sported heavy dollops of both death (“Demonic Bloodlines”) and heavy metal (“Crystallised Curse”), and was enough, it seems, to secure Burning Darkness a deal with Non Serviam Records. Now, the band returns with its sophomore effort, Dödens Makt.” Burning leather and rubber.

Felled – The Intimate Earth Review

Felled – The Intimate Earth Review

Felled approach black metal differently than many. There’s a lot of mournful folk imbued within these sonic landscapes, thanks to a lead violin which takes center stage as often as, if not more often than, the lead guitars. Dour atmosphere grips with a cold, unforgiving hand and drags you across snowy tundra, no thought given to your ability to weather the journey. All that matters is that the melodies and moods cut through your thin flesh-wrapper and find a home deep inside your marrow.” Intimate despair.

Winter Eternal – Land of Darkness

Winter Eternal – Land of Darkness

“Greek black metal is a well-established scene in one of metal’s most extreme subgenres, and for me personally, none more so than Winter Eternal. Although they may have relocated from Attica to Scotland, I’m still happy to bundle 2019’s Realm of the Bleeding Shadows with that enclave given its excellence. It was a low-key release which now sits in my top 5 melodic black metal records of the 2010s. Its key qualities include its crisp tone, strong melodies and brevity which it wrapped into a compelling package which almost seems over before it’s begun. Clearly the band was unhappy with just realms, so they’re now branching out into a Land of Darkness. Is this a land you should visit?” Dark tourism.

Mental Cruelty – A Hill to Die Upon Review

Mental Cruelty – A Hill to Die Upon Review

“Everyone loves a good comeback story. For German brutal deathcore quintet Mental Cruelty, their comeback story begins in 2018, wherein they rolled up on your beach brandishing a weapon of divine destruction named Pergatorium. Then, Inferis dropped less than a year later. To my dismay, that record abandoned much of what made Pergatorium fun and compelling, instead resorting to cheap genre tricks, lifeless breakdowns and unsatisfying symphonics. Looking back, I probably overrated Inferis by a half-point, such was my disappointment with the album after such a strong debut. Enter third installment A Hill to Die Upon.” Obsessed by (Mental) Cruelty.

Vreid – Wild North West Review

Vreid – Wild North West Review

“Like I Krig and Milorg, this new release is a concept album. Instead of learning some history, the concept here is the ups and downs of life as we wait for death. But, more specifically, bassist Hváll says the inspiration for Wild North West comes from his struggles, knowledge, and experience. One of the coolest parts about the album (not to bring Windir up again) is that some of what you’ll hear Valfar wrote back in 2002. Crazy enough, you’ll also hear him play it. He hasn’t risen from the grave, but it sure as shit feels like it.” Wild and dead.

Sarkrista – Sworn to Profound Heresy Review

Sarkrista – Sworn to Profound Heresy Review

“No one likes to be misled. Money is tight, we have bills to pay, so we all wanna know what we’re spending our precious cash on. When you see an album entitled “Sworn to Profound Heresy,” with a cover featuring malevolent-looking priests surrounding a burning church, you probably think you know what’s in store. When those clouds of billowing smoke feature an image of the dark lord, and the band is named after a church sexton, you might think that this was some satanic, second wave-worshipping black metal, probably from a bunch of European veterans. Well… you’d be absolutely right!” Maximum Satan.

Mare Cognitum – Solar Paroxysm Review

Mare Cognitum – Solar Paroxysm Review

“There’s atmospheric black metal, and then there’s Mare Cognitum. Two sides of the same planet. On the former, the sphere is completely devoid of life, eroded by endless recycling of ideas to the point of being uninhabitable. Then you have Mare Cognitum, a one-man force of nature who consistently releases quality material. Mastermind and multi-instrumentalist Jacob Buczarski’s side of the atmoblack world thrives against the eroding tides of time.” Renewable energies.

Miasmata – Unlight: Songs of Earth and Atrophy Review

Miasmata – Unlight: Songs of Earth and Atrophy Review

“The epic and atmospheric, fantasy-inspired black metal stylings of Sojourner continue to go from strength to strength, with 2018’s very good outing, The Shadowed Road, matched by last year’s Premonitions, which – if not actually better – was, as Eldritch Elitist said in his List, “a far more consistent effort” than its predecessor. But, wherever Sojourner’s travels take them next, they will be going there without New Zealand bassist, Mike Wilson, who has set off into the back metal wilderness for a sojourn of his own, with his new solo project Miasmata.” Participation atrophy.

Yoth Iria – As The Flame Withers Review

Yoth Iria – As The Flame Withers Review

“The debut of a band formed by seasoned veterans is, in a way, the best of both worlds. You get the fresh perspective of a new artist, eager to try something different, without the inexperience that may lead to errors in performances or songwriting. You also get all the good of a collection of artists who know what they’re doing, without the expectations that come with extensive back catalogs, hard-earned fan bases and established styles. Yoth Iria is one such acts, and As The Flame Withers is such a debut.” New black is the new black.