“The best way to describe King is by taking Amon Amarth, Onheil, and Gormathon, and blackening them with the likes of Dissection and Satyricon.” Hail to the King, baby.
Melodic Death Metal
Pestifere – Hope Misery Death Review
“Want to hear a bunch of metal bands you probably like chopped up and thrown together in some sort of audial stir fry? The Revenge-y titled Hope Misery Death is here, it’s Pestifere, and now I’m going to write about it.” Black metal salad, anyone?
Nothing Lies Beyond – Fragile Reality Review
“Nostalgia is a dragon that almost always eludes our grasp, because we’ve grown and the things we used to love are still essentially the same. While some things like Super Mario 64 will never lose their appeal, others will. So it was with Nothing Lies Beyond, a band so sonically entrenched in the days of 2005-2009 that I was basically transported back to my high school years.” Sounds of a playground…rising!
Dawn of Disease – Worship the Grave Review
“Press releases are normally a bit dull. Trying to find a middle ground between eye-catching and safe, they generally say little of value. Such is the case with German melo-death maestros Dawn of Disease and their third full-length Worship the Grave. Apparently Swedish death metal is “a huge influence” on the band, but they bring their own sound to the proceedings. Their own sound is, apparently, at once melodic and abrasive with catchy riffs and plenty of extreme drumming.” Promo releases are a strange beast.
Countless Skies – New Dawn Review
“Cheekily dubbed “Be’lacore” on the promo spreadsheet and with my esteemed colleague El Cuervo dissecting the upcoming Be’lakor album, I felt it my duty to ride the coattails of that anticipated release by examining the debut full length from UK melodic death outfit Countless Skies, named after a song from the Australian melodeath kingpins.” Death is getting really mellow of late.
Be’lakor – Vessels Review
“Hey kids. I’ve been away a while. Real life grabbed me by the collar and I couldn’t ignore it for fear of fucking up my future. But unlike your father who left for those cigarettes 10 years ago, I have returned. And what a way to return – the new Be’lakor, the critically-acclaimed melodeath darling child from Down Under.” What a way to make a re-entrance!
In Mourning – Afterglow Review
“Coming across In Mourning’s The Weight of Oceans was a great surprise. I knew nothing of the band, but the album art stole my breath away and for that reason alone, no matter what it sounded like, I needed to posses The Weight of Oceans. I grabbed the album and hit play, within seconds captivating waves washed over me, I was sold. Four years on, The Weight of Oceans still ranks as one of my most loved albums. Along comes Afterglow and I’m brimming with hope that it’ll be a solid continuation of its predecessor.” High expectations can be a frigid bitch.
Whispered – Metsutan: Songs of the Void Review
“Remember when Tom Cruise got cast as The Last Samurai in 2003? Some people on the Internet really do, and take time out of what must be a rich and fulfilling life to vomit up prose so salty it gives Dutch licorice a run for its money. Naturally it’s made into a sociopolitical issue, but I’m going to leave that alone because I’m not a fifth-rate hack who feels compelled to use the metal blog I write for as a soapbox to spew typo-laden opinions on contemporary politics and the like. Anyway, Mr. Cruise remained The Last Samurai for about a year, because in 2004 Finnish Samurai metal band Whispered came into existence.” Eat it, Tommy!
Suidakra – Realms of Odoric Review
“As pointed out by our highly esteemed El Cuervo, Suidakra is perhaps one of the most productive bands on the planet. Including this year’s Realms of Odoric, the band has dished out twelve albums in nearly twenty years (including an early-career period where the band was releasing an album a year).” With so much productivity, are these guys the anti-Necrophagist?
Enthean – Priests of Annihilation Review
“Instead of my usual modus operandi of writing something about food and/or beer and relating it to the band and/or record in question, I’m switching things up a bit and kicking this off with mentioning my biggest issue with American melodic black-ish/death-ish crew Enthean’s new full-length Priests of Annihilation. Writing this review, I kept coming back to G.K. Chesterson’s idea that we don’t have a lack of wonders, but a lack of wonder. This record, as I see it, is a reflection of that.” Is technicality the enemy of wonder?
