Mercyful Fate

Crucifyre – Black Magic Fire Review

By Madam X on August 20, 2014 in 2014, Death Metal, Pulverised Records, Reviews, Swedish Metal, Thrash Metal, Death Metal, Thrash Metal, 8 comments

“Pulverised Records sure know how to sell an album! Crucifyre’s promo pack is stacked up the wazoo with perfectly sharpened, shiny meat hooks that’ll slide with ease into that soft fleshy bit just under your chin. And just think, while you’re hanging around at attention, Crucifyre will assault you mercilessly with their second full length release, Black Magic Fire. Titbits like album art from computer-game graphic designer Stefan Hansson, that the band is made up of members from Morbid, Crematory and Repugnant and that Hank Shermann (Mercyful Fate, ex-Volbeat) contributed on “One And One Is One” all give that prickly feeling that you’re on the verge of something great.” Still using the “y” instead of the “i”, eh? What’s the point ov that?

Wolf – Devil Seed Review

By Steel Druhm on August 19, 2014 in 2014, Century Media, Heavy Metal, Power Metal, Reviews, Swedish Metal, Heavy Metal, Power Metal, 8 comments

“Wolf has been running at the forefront of the retro metal pack for a while now, surpassing even the vainglorious cheese meisters of Hammerfall. They’ve done so with slick, memorable song writing and a healthy respect for their elders like Judas Priest, Iron Maiden and Mercyful Fate. Although they’re utterly devoid of originality or new influences, they’ve been uncannily skilled at aping and raping the past for golden metal moments of steel. 2011s Legions of Bastards had a strong Painkiller vibe, but Devil Seed slows things down and adopts a darker,more restive, simmering mood, like a filthy mob of commoners perpetually on the verge of rioting against the haughty upper crust.” Honey, the Wolf is at the door again!

Castle – Under Siege Review

By Steel Druhm on May 7, 2014 in 2014, American Metal, Doom Metal, Epic Metal, Prosthetic Records, Reviews, Doom Metal, Epic Metal, 13 comments

“At the crossroads of retro/occult metal, doom and throwback vest metal, sits Castle like some sort of big…castle. These San Francisco rockers exploded onto the doom scene with their punchy In Witch Order début and immediately carved a niche for themselves among contemporaries like Jex Thoth and Occultation. Blacklands took things to the next level by incorporating strains of epic metal and black metal riffery and the result was quite heady, unpredictable and fun. Now we get Under Siege, which once again rejiggers the Castle sound as the band evolves and matures with grace and dignity.” Have you heard these guys yet? If not, Steel Druhm thinks less of you.

Hell – Curse and Chapter Review

By Steel Druhm on November 29, 2013 in 2013, English Metal, Heavy Metal, Nuclear Blast, Reviews, Heavy Metal, 10 comments

“There’s an interesting history behind Hell. As a part of the original NWoBHM, they were close to releasing an album alongside contemporaries like Saxon and Iron Maiden, but bad luck and personal tragedy brought them low and derailed their best laid plans. Though they never made it past the demo stage, they were influential in the scene and championed by folks like producer and former Sabbat guitarist Andy Sneap. So taken with their old demos was he, that he encouraged the members to reform and give it another go with him on guitar, which resulted in 2011s Human Remains opus. That platter featured some ancient tunes loaded with NWoBHM flair and a noticeable Mercyful Fate influence, and while the music was highly enjoyable, I struggled mightily with the delivery of front man David Bower, which was overdone, uber-theatrical and at times, very cheeseball parmesan.” Now that they’ve had some time to sort things out, can Hell deliver some metal for the ages or are they still suffering from Drama Overload Disorder? Steel Druhm has the prognosis.

In Solitude – Sister Review

By Steel Druhm on September 20, 2013 in 2013, Doom Metal, Gothic Metal, Heavy Metal, Metal Blade, Reviews, Swedish Metal, Doom Metal, Heavy Metal, 3 comments

“Well, look who wandered off the homage reservation. Sweden’s In Solitude made their mark with 2011’s The World. the Flesh. the Devil. and its uncannily accurate aping of vintage Mercyful Fate. So close was the sound to albums like Melissa and Don’t Break the Oath, that several people I played it for thought it was a reunion album or re-recorded demo material. While homage bands are all well and good, it seems these chaps wanted to shake off that image and on Sister, they’ve done so quite impressively. While the Mercyful Fate influence is still apparent (especially in the vocals), the new material takes their Fate worship and coats it with scads of gothic and doom sensibility while adding a strong Danzig vibe as well.” Why would a band so skilled at ripping off one of the best metal bands of all time ever change their approach? Because that’s what art is all about, you dullards!!

Witherscape – The Inheritance Review

By Steel Druhm on August 13, 2013 in 2013, 4.0, Century Media, Death Metal, Progressive Death, Progressive Metal, Reviews, Swedish Metal, Death Metal, Progressive Metal, 17 comments

“There are few sure things in the world, but there’s one name that screams quality and excellence and that name is Dan Fucking Swanö. From his work on top-notch death metal albums like Edge of Sanity’s Crimson, his collarboration with Bloodbath, Threshold and Demiurg and his proggy solo albums like Moontower, the man has the midas touch and one of the best death roars of all time. He’s also a producer extraordinaire and perhaps the best at making death metal sound the way it should. Witherscape takes his hefty talents and pairs them with unknown instrumentalist Ragnar Widerberg and the result is a concept album about a gothic insane asylum and evil goings on. Musically, it’s a stunning mash-up of Crimson, Damnation-era Opeth, Omnium Gatherum, Mercyful Fate and even King Crimson.” Steel Druhm has a mancrush on Dan Swanö and you should too, unless you’re a woman. Join him as he explains why Witherscape justifies his love.

Powerwolf – Preachers of the Night Review

By Madam X on July 24, 2013 in 2013, 4.0, German Metal, Heavy Metal, Napalm Records, Power Metal, Reviews, Heavy Metal, Power Metal, 20 comments

“Who’s up for a wolfnado? Hit play, go on I dare you… The wolf-pack’s back and as luck would have it I freed up just in time to safely prise Preachers of the Night from Mr Druhm’s steely, far too cynical grip! For those of you that don’t already know and love Powerwolf’s brand of heavy or power metal they go for your throat with canines bared. Locking on with the speed and catchiness of HammerFall (Glory to the Brave era), with uncomplicated melodies, simple riffing and hugely delivered, shout-along choruses similar to those of Sabaton all the while capturing some of the atmosphere of King Diamond.” Madam X made damn sure Steel Druhm didn’t review this because he has a Powerwolf hunting permit. But can even she stomach all the theatrics and silliness that comes with a release from these overacting hurricanines?

Sinister Realm – World of Evil Review

By Steel Druhm on July 20, 2013 in 2013, 3.5, American Metal, Doom Metal, Epic Metal, Heavy Metal, Reviews, Shadow Kingdom Records, Doom Metal, Epic Metal, Heavy Metal, 8 comments

“If there’s one type of retro metal I never tire of, it’s the kind that goes for the old school, traditional, “trve metal” sound from the early 80s like Cirith Ungol and Manilla Road. Of the few bands out there using this style as a main influence, my favorite is Sinister Realm (though Argus comes really close). I really enjoyed their debut, but they raised their game bigtime for 2011s The Crystal Eye opus and it ended up one of my favorite albums of the year. Utilizing a stripped down, zero-bullshit approach with a slight epic feel and incorporating doom, NWoBHM and early America metal influences, they found a winning formula and crafted some really memorable tunes.” Steel Druhm is old so it should come as no surprise he likes stuff that sounds old. Sinister Realm is old school, cvlt, trve and any other V instead of U word. So is this a match worthy of eHarmony?

Spiritual Beggars – Earth Blues Review

By Steel Druhm on April 26, 2013 in 2013, 4.0, InsideOut, Reviews, Stoner Rock, Swedish Metal, Heavy Metal, Stoner Rock, 6 comments

“One of our readers recently commented that we convinced him the only independent bands were stoner/doom bands. That sentiment is surely understandable given the enormous volume of the stuff cropping up these days. It’s not limited to independent bands either, as Spiritual Beggars clearly demonstrates again on album number eight, Earth Blues. Since Michael Amott’s (Arch Enemy, Carcass) long-lived stoner/retro-rock project clearly isn’t going away, you might as well put on the obnoxiously colorful tie-dye shirt (the theme this time appears to be radioactive orange) and enjoy the homage to all things late 60s/early 70s.” Set the lava lamps to “wake and bake” and get settled into your bean bag chairs, the Spiritual Beggars are back to shake your VW van! Steel Druhm shook off his contact high to tell you if this is worth your free love.

Ghost – Infestissumam Review

By Steel Druhm on April 24, 2013 in 2.0, 2013, Heavy Metal, Loma Vista Recordings, Reviews, Swedish Metal, Heavy Metal, 54 comments

“Like many others in the metalverse, Steel Druhm got caught up in the hype surrounding the strangely addictive pope-isms of mysterious cult rockers Ghost and their stellar debut Opus Eponymous. They had a wicked sound, a cool, throwback charm and the tunes were as catchy as athlete’s foot. While there was a nagging worry they might be a one-off novelty act and would fold up shop like a fly-by-night carnival, I was anxious to get my hands on the not so long-awaited followup, Infestissumam. After some time with the album and after giving this serious thought, I’ve come to the conclusion that Opus Eponymous was their version of The Warning, and Infestissumam is their attempt at a Rage for Order. While Queensryche was able to make the jump from a straight-forward metal album to a more cerebral, progressive sound due to elbow grease, spit (courtesy of Mr. Tate) and sheer talent, Ghost is not quite so lucky.” Ghost blew away the metal world with their debut, but Steel Druhm thinks they may be haunted by their own early success. Join him as he goes Ghostbusting.