Meshuggah

Persefone – Spiritual Migration Review

Persefone – Spiritual Migration Review

Persefone is in a bit of a strange position; a darling of the underground progressive metal scene, while still not being particularly well known. Formed in 2003, these Andorran prog metallers have a sound deeply influenced by the ’90s melodeath, progressive black and prog scenes including Opeth, Borknagar, Arcturus and Symphony X. In 2004 they released their debut record Truth inside the Shades and followed up quickly in 2006 with the epic Core. But it wasn’t until 2009 when Persefone blew the world of progressive metal up with Shin-Ken. The record was long, in-depth and gripping — with a unique sound palette that still hit home with metal fans. Technical, sprawling and unique Shin-Ken set the bar for Persefone tremendously high.

Beneath – Enslaved by Fear Review

Beneath – Enslaved by Fear Review

Who would have thought that an icy wasteland would be good for the music community, it seems ice inspires insane speeds and death metal! A few weeks back, in my review of Kontinuum’s Earth Blood Magic, I commented on the metal kick-assery that’s making its way out of Iceland (and in particular Reykjavík), and at the time of their review another band aggressively caught my attention, doggedly refusing to let my mind rest! In true shit-happens style I ended up missing their release date and now you have a retrospective review of Beneath’s Enslaved by Fear [I feel shame at my tardiness].

Sophicide – Perdition of the Sublime Review

Sophicide – Perdition of the Sublime Review

Technical death metal was the darling of the death metal scene about 5 or 6 years ago, but since the ever-growing retro-death craze has begun to take over the number of quality technical death metal releases that I’ve gotten my hands on has dramatically decreased. Still, that didn’t stop the now 22 year-old Adam Sazslo from writing a bunch of pretty fucking sweet techy songs and getting himself a worldwide deal with Willowtip. Perdition of the Sublime is Sophicide’s debut record and one can see why this record – produced by someone who can’t tour to support it – is being released by a label of this quality: because it’s a truly elite technical death metal experience.

Zonaria – Arrival of the Red Sun Review

Zonaria – Arrival of the Red Sun Review

Zonaria has always been a bit of a footnote to the Umeå legacy. By the time they released their first record Infamy & the Breed in 2007, the Swedish metal scene was a thing of the past and melodic death metal—Zonaria’s stock in trade—was pretty much the red-headed step kid of the metal scene. That didn’t stop the band’s debut from making a splash and getting the band signed to Century Media—where they released Cancer Empire in 2008 to rave reviews and… were promptly never heard from again. Until now, that is.

Zebulon Pike – Space is the Corpse of Time Review

Zebulon Pike – Space is the Corpse of Time Review

One of the simplest facts about Zebulon Pike is that they are a band based in Minneapolis, Minnesota. After that, things become much more complicated, as they engage in a genre of music that can only be described as auditory mad science. Formed in 2002, every single one of their albums has been a brain-demolishing piece of experimentation: And Blood Was Passion in 2004, The Deafening Twilight in 2006, and Instransience in 2008. With each release, they have become more dense, more intelligent, more volatile. Space Is the Corpse of Time continues this progression, spiralling out in a universe of it’s own making.

Things You Might Have Missed 2011: Nami – Fragile Alignments

Things You Might Have Missed 2011: Nami – Fragile Alignments

As we’ve done the last two years, it behooves us to point out all the shit that we’ve missed in the last year. And 2011 has been mighty full of oversights from our side. This has been a pretty crazy year, but let me just say that I apologize and hope we can really make it up to you by throwing out a few awesome or pretty awesome records that we’ve managed to overlook due to time constraints or limited attention spans.

Deus Otiosus – Murderer Review

Deus Otiosus – Murderer Review

When you hear the phrase “old-school death metal,” you pretty much know what to expect. You can rattle off the usual list of influences (Death, Entombed, Autopsy, etc.) by heart, and you can envision the sound in your mind without hearing a single note. There’s about 9 thousand bands that are playing this style today, and neither you or I give a fuck about them because it was already done 20 years ago, and better. So when Danish band Deus Otiosus describes their debut full-length, Murderer, as “old-school death metal,” you know what you’re in for, right?