“Quite the cover, eh? And if that doesn’t tip you off that things are heading straight for Tongue-in-Cheek Town, perhaps it’s time for new trifocals. And the artwork accurately reflects what you get from Prowler – a lunkheaded troupe of retro metallers with a disturbing fetish for 80s metal and cheesy horror (also from the 80s).” This will pair well with a viewing of Night of the Comet.
“Do a quick Google (or should I say YouTube) search of vocalist PelleK. If you are not familiar with this name, you will discover that he loves selfies, modeled shots, filming himself singing other people’s shit, and acting in Norwegian TV shows. Though his solo work in Pellek is enough to make me wanna set myself on fire (which includes sixteen cover albums of EVERYTHING from Pokemon and Power Rangers themes to ’90s sitcom themes), his four-octave range is simply incredible. So, were Damnation Angels damnable fools for snatching him up for 2013’s Bringer of Light and 2015’s The Valiant Fire?” You know you want to hear those Pokémon themes.
“Draconian Times is an album that never should have worked. By now Paradise Lost’s career trajectory has been discussed ad nauseam – from rotten doom-death to Depeche Mode-inspired dance rock to their current gothic metal resurgence – and Times was essentially that early transition album, a puberty-stricken adolescent with a new slicked-up hairdo and a European leather jacket that still fit a little too big.” It shouldn’t have worked, but it did. And now it’s olde.
“I bet you have that friend that swears they can guess a band’s genre solely from the band name? Well, if your friend is anything like mine, a genre can also be identified by the band’s font style, the album artwork, the attire in the band pic, and the track titles. For those ignoring these words and instead staring drop-jawed at the album cover to the left, you know exactly what you’re getting yourself into. However, your friend will mighty upset with themself when they make the assumption that Reign of Fury is just another re-hashing, re-thrashing outfit.” Now THAT’S a cover!
“Historically I’ve not been awfully big on punk, particularly in its more melodic forms. More recently, though, I’ve been warming to the genre. I’ve always loved grindcore, am increasingly enjoying crust and hardcore, and the past year has seen me revisiting – and, swipe me, enjoying – The Offspring.” Looks like it’s time for an intervention at AMG. Now where are the spiked bats?
“Bhleg are a two-piece black metal band from Gothenburg, Sweden. That’s pretty much all the information I can gleam from their Facebook page and their label’s website, and they don’t have a page at Encyclopedia Metallum. One thing I did find from my research is that “Bhleg” is Proto-Indo-European for “to shine,” which totally threw off our jokes within the Angry Metal Guy castle, as we were wondering if “Meh,” “Hmmph,” and “*Indifferent Shoulder Shrug*” were all utilized for band names already.” I like “Bleurgh” myself.
“As someone who entered the world of metal during the mid-1990s, I quickly got used to bands evolving and changing established formulas. We never knew if someone’s next album was going to go techno, or go punk rock, or invent new subgenres entirely. Granted, a lot of these “experiments” had commercial motives behind them, and oftentimes the results straight-up sucked. But still, there’s something to be said for being surprised.” Mr. Fisting is tired of metal bands playing it safe and he’s pissed at metal fans too. Give us hell, Fisting!
If you thought the once proud battle flag of NWoBHM was laying somewhere gathering dust and regret, the unheralded young guns in Kaine are certainly trying to patch it up and give it a fresh new look. Their sophomore opus The Waystone is loaded with fanboy worship of everything Iron Maiden, Saxon and Grim Reaper stood for in the 80s and features tons of Maiden-esque gallops and vintage metal riffs (mostly from the you-know-who school).” This one really seemed to baffle and befuddle Mr. Steel. We like when that happens because it’s funny.
“I get sad when bands don’t get their just due. I get sadder when I find out about that band after they had disbanded. One fateful night in 1993, I was watching MTV’s Headbangers Ball and caught a video of “Sound the Alarm” by St. Louis, Missouri’s progressive thrashers, Anacrusis. From what I’ve read online, “Sound the Alarm” was played once and only once on that show, and it was after the band had called it quits earlier that year. I was fortunate enough to be floored by that song.” Join Grymm as he shines a light on a truly under-appreciated metal treasure.
“Unlike some of the olden chestnuts I’ve tabbed for a retro-spective look back, Exciter is a bit better known and had a more successful run in the gerbil wheel of metal. Still, I feel like they’re one of those bands tumbling off the radar of younger bashers, and that’s a low down, dirty shame! Along with Anvil, Exciter was one of Canada’s earliest metal exports and, like Anvil, they played a part in the birth of the speed/thrash genres.” Steel Druhm takes us for a nostalgia-filled look back at the power and fury of Canada’s contribution to thrash, Exciter. For those aboot to rock, we salute you.
