Mighty Music

Deception – Daenacteh Review

Deception – Daenacteh Review

Daenacteh is a melodeath record at it’s core, but augmented with so many other elements it’s become it’s own unique monster. The orchestral accompaniments, which are both omnipresent and superbly executed, seem of the Italian neo-classical school of Septicflesh and Fleshgod, but MENA-tinged like Aeternam.” The many sounds and flavors of the desert.

Manticora – Mycelium Review

Manticora – Mycelium Review

“AMG’s Law of Diminishing Records is a generally reliable metric that a handful of bands continuously defy, and Denmark’s prog-power mainstays Manticora is one of them. It’s easy to see why; looking retrospectively at their nine prior albums, there is no entry where the band could be accused of failing to innovate or experiment in some respect, a decades-long discographic evolution culminating in the towering To Kill / To Live duology. I maintain that the second act of that duology is their best effort to date, and I lowered my expectations for Mycelium accordingly.” Evolutionary side quests.

Sylvatica – Cadaver Synod Review

Sylvatica – Cadaver Synod Review

“Danish melodic folk death quartet Sylvatica has been around since 2009, with two full-lengths plus an assortment of EPs and singles under its collective belt. The band’s debut EP, Sagn og sagaer, had a stomping folk metal edge to it that recalled early Blind Guardian but with harsh, growling vox. By the time of their first LP, 2014’s Evil Seeds, Sylvatica’s sound had evolved somewhat, bringing them closer in tone to Skyfire or maybe Stormkeep, while on their sophomore outing, Ashes and Snow (2021), that progression continued.” Evolve or die a corpse.

Timechild – Blossom & Plague Review

Timechild – Blossom & Plague Review

Timechild takes the feel-good sounds of hard rock past and fuses a modern-looking, 00’s radio melancholy to form their own brooding yet bolstered identity. Cuts from Blossom & Plague don’t feel far away from the T-injected dad jams of a band like Tremonti or the soulful and virtuosic AOR thump of Winery Dogs, but this unheralded Danish act plays without a notion that bands like that even exist.” Time, tide, and plague.

Chronicle – Where Chaos Thrives Review

Chronicle – Where Chaos Thrives Review

“An unheralded young act from Denmark, I tackled Chronicle’s third LP, Where Chaos Thrives, without previous experience with the band’s material. Nevertheless, that may be my own unfortunate oversight, as Chronicle play a bouncy, raging style of thrashy melodeath meets technical death shreddery that can certainly fit neatly in my wheelhouse if the songwriting goods are up to scratch.” Chronicles of anger.

Svartsot – Kumbl Review

Svartsot – Kumbl Review

“What should be said of the workhorses? The acts that caught your ear once and never let go? Not the kings of the mountain, no, but perennially at least at base camp. Like your dad used to say, the world needs 2.75-rated records too. Svartsot surmounted the folk metal summit but once with their 2007 debut Ravnenes Saga; their three shots at the top since have fallen well shy of that peak. Still, their thick-axed folkery scratches a certain itch, and given the Danes’ obligation to their sound, there’s little chance their fifth album, Kumbl, will be a disaster. There’s also little chance it’ll be a hit.” Ready to Kumbl.

Black Swamp Water – Awakening Review

Black Swamp Water – Awakening Review

“I grabbed this promo from the rattlesnake and scorpion-infested bin at AMG’s Southwest office because I thought it was thrash. See, I’ve been on a thrash kick lately and I had no qualms grabbing another thrash release to review. The band name didn’t exactly strike me as a band that played thrash. But, who am I to judge? Maybe they’re swampy thrashers from the South, like Pantera and Exhorder. But, this is no thrash band. Everything I know about life is a lie.” Swamp romps.

Freddy and the Phantoms – A Universe from Nothing Review

Freddy and the Phantoms – A Universe from Nothing Review

“I found myself wondering whether the members of Freddy and the Phantoms who aren’t the eponymous vocalist/keyboardist Frederick (Freddy) Schnoor write down “Phantom at Freddy and the Phantoms” on their resume. The promo material did not answer this pressing question, so I’ll happily assume they do. Also on the resume of any given Phantom is participation in one of 2015’s best rock records: Times of Division.” Rocking the stars.