According to the promo, “Hiraeth” is a Welsh description of pain: “…a mixture of longing, referring to the sense of homesickness tinged with grief and sorrow over the loss. A yearning for that which has passed.” Mask of Prospero channel this grief into their sophomore effort Hiraeth, crisp metalcore weaponized with progressive metal to a complex and atmospheric degree.” The misery shows.
Monuments
Source of Rage – Witness the Mess Review
“Uh oh. The dreaded phrase, that cursed moniker. Boasting hooks, riffs, breakdowns, what could possibly go wrong?? Yes, Source of Rage is “modern metal.” I feel dread coursing through my veins. But hey, when the Promo Gods shrug their broad shoulders and a Metalville release Witness the Mess topples from an almighty schlong, you don’t question (1) why modern metal is tucked in the divine crotch somewhere, or (2) why modern metal gives the Promo Gods such a hard-on. The gods work in mysterious ways. Glory fuckin’ be.” Witness the modern age.
Monuments – In Stasis Review
“To my credit, I was prepared. For those who enter the prog trailer park via that sketchy patch of woods at the back called “djent,” the polyrhythm abusers can be easier to spot. Futuristic-looking album covers, scientific names, and vaguely mathematic monikers like Structures, Tesseract, Volumes, and Intervals greet the eyes – or Monuments, in this case.” Escape from 2003.
Subversion – Animi Review
“Have you ever been rocking out and singing along to the sick riffs and genius vocal melodies of Periphery and thought, “Hey, wouldn’t it be great if there was another band just like this, but less self-indulgent and with a singer whose voice is marginally less annoying?”” If so, it’s your lucky day. Now consult a health care technician.