Morbid Angel

Imperial Triumphant – Abyssal Gods Review

Imperial Triumphant – Abyssal Gods Review

“New York City is the new home of French black metal. No, I’m not entirely fucking with you. Hear me out… back in 2013, Madam X reviewed Goliath, Imperial Triumphant’s two-song EP, and it impressed quite a number of us here at the offices of Angry Metal Guy. All of that is a moot point, for as promising as Goliath was, nobody was prepared for the ingenuity, the murkiness, and the sheer WTF Factor that their sophomore full-length, Abyssal Gods, would bestow onto our jaded ears.” New York City always had a significant WTF Factor.

Heaving Earth – Denouncing the Holy Throne Review

Heaving Earth – Denouncing the Holy Throne Review

“I’m always up for hearing music from bands who are pushing envelopes, crafting daring, original soundscapes of sheer genius that leave people slack-jawed and awestruck, inspiring young, budding musicians to pick up an instrument and pay homage to their ancestors. Morbid Angel was (at one point) one of those bands.” If you’re going to mimic someone, old Morbid Angel isn’t a bad way to go.

Venom – From the Very Depths Review

Venom – From the Very Depths Review

“If you’ve clicked on over to Angry Metal Guy and need an introduction to Venom, you’re probably at the wrong web site, lady. My obsession with this band started at the ripe old age of eight or so and has never really faltered….” The original Lords of Chaos are back to prove…something. Are they still at war with Satan, or just yelling at kids to get off their lawn?

Voices – London Review

Voices – London Review

“If you’re anything like me, you’re super awesome. But more to the point, you would have been saddened by the split of blackened death metal troublemakers Akercocke a couple of years ago. Perhaps the UK’s most consistently entertaining extreme metal act of the last decade, they seemed to improve on every album, reaching a pinnacle on 2007’s Antichrist.” The band is gone, but the legacy lives on in a disturbing new entity.

Obituary – Inked In Blood Review

Obituary – Inked In Blood Review

“Way back when Obituary were big, they delivered the kind of ripping death metal that rivaled Florida peers Malevolent Creation, Cannibal Corpse, Morbid Angel and Deicide. To say that they once peeled the skin from your face is no understatement… think back to the pungent stench of Slowly We Rot and Cause of Death. It was them along with Winter that first incorporated the Celtic Frost dirge element into death metal, and when combined with John Tardy’s lunatic vocals left you wondering whether music could get any heavier.” The old boys are back to kill once again, but are the tools still sharp enough?

Horrified – Descent into Putridity Review

Horrified – Descent into Putridity Review

“Before my move to Japan six months ago, I spent many happy years in England’s North East, feasting on stotties and Craster kippers while participating enthusiastically in the unique drinking culture. The metal scene there is really rather good, though recently not many of the bands have made much of a splash outside the region save for pagan black metallers Wodensthrone. When I saw we’d received a promo from Newcastle-based Horrified, then, I jumped at the chance to review it.” Old school death by way of England isn’t always an easy trip.

Nostril Caverns – Inside the Cell/The Dying’s Last Breath Review

Nostril Caverns – Inside the Cell/The Dying’s Last Breath Review

Nostril Caverns is a bizarre entity for more reasons than the incredible name. It’s the creative repository for one Chris Balch’s musical outpourings – he plays all the instruments and vocalizes – which over the past few years have included records of free jazz improv, tech-grind, noise, and a concept album about couples eating dinner at a restaurant. At this point you’re probably wondering whether Mr. Balch’s lack of band-mates is entirely of his own choosing.” This guy did a metal My Dinner With Andre? Now I can die in peace because I’ve heard it all.

Solace of Requiem – Casting Ruin Review

Solace of Requiem – Casting Ruin Review

If there is one thing that can be said about Solace of Requiem, it’s that these guys have yet to pick a style and run with it. Comparing their albums to one another is like comparing metal to sushi. However, their lack of staleness is breath of fresh air (or in this case “putridity?”). Appearing on the scene in 2004 with their self-titled debut of Morbid Angel worship, these guys stuck to the time-tested formula of old-school death metal; mean, fast, and in-your-face. From there they expanded that style by introducing some groove and thrashier elements on Utopia Reborn before incorporating a black-infused tech death approach on their third release, The Great Awakening. Do you like brutal sushi? Do you enjoy an ever shifting musical template? One stop shopping right here, folks!