Morbid Angel

Ascended Dead – Evenfall of the Apocalypse Review

Ascended Dead – Evenfall of the Apocalypse Review

Ascended Dead hail from the San Diego area and despite the region’s nearly perfect climate with endless sunny days, they’re fucking furious and verging on a total nervous breakdown. This results in some of the most over-the-top and feral death metal I’ve heard in a while, and their sophomore outing Evenfall of the Apocalypse is a proper soundtrack for even the most hellish of end times. With Jon Reider and C. Koryn, both formerly of VoidCeremony leading the charge, Ascended Dead take a sturdy OSDM foundation and slather it with dangerously twisted and jagged progressive ideas.” Brace for body trauma.

Rotpit – Let There Be Rot Review

Rotpit – Let There Be Rot Review

“The name “Rotpit” stood out in the promo sump like an elephant turd in a kid’s wading pool. Impossible to miss and difficult to ignore, it begged critical questions. Is rotpit just another name for a grave, or is it something way more…rotten? Could it be a compost heap? Is this some kind of Earth-first green death metal? Steel doesn’t have all the answers, but he did learn that Rotpit is a side-project by current and former members of Heads of the Dead, Wombbath, Just Before Dawn, and Revel in Flesh.” 40 Rot Sun O))).

VoidCeremony – Threads of Unknowing Review

VoidCeremony – Threads of Unknowing Review

“The ghost of Kronos past summarized on the previous word count abusing outing Entropic Reflections Continuum: Dimensional Unravel that “the parts are all there, but they’re not strung together in a sensible way.” So the real question for VoidCeremony is what’s changed? Certainly, it’s not the adherence to the progressive death metal laid out by our forefathers of late Death, Domination-era Morbid Angel, or Pestilence—though the production here is spacious yet modern, but the sound is as dusty and indulgent as you would assume.” When you noodle into the void…

Raider – Trial by Chaos Review

Raider – Trial by Chaos Review

“After producing one of 2022’s greatest pieces of album art, Mitchell Nolte is back with a vengeance. The fantasy scene that graces Raider’s Trial by Chaos depicts a lone warrior battling a sea of dragons, snakes, and cephalopods attacking from every direction. Violent, claustrophobic, and extravagant, it’s a perfect match for the music. Canada’s Raider specializes in an explosive brand of death-thrash that keeps the dial turned to 11 at all times.” The April wind is a Raider.

AMG’s Unsigned Band Rodeö: Haxprocess – The Caverns of Duat

AMG’s Unsigned Band Rodeö: Haxprocess – The Caverns of Duat

““AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.” Brace for Haxprocessing.

Nothingness – Supraliminal Review

Nothingness – Supraliminal Review

“Does a new year mean new pursuits? New ideas and new beginnings? Who cares? For me, a new year just means more death metal. As such, I’m starting 2023 off the way our forefathers intended: with a smattering of muck and more than a glaze of grime. With this being my goal, I figured I couldn’t go wrong with the sophomore album from Nothingness, a Minneapolis-based quintet who know how to craft a riff almost as competently as they can choose an album cover.” And Nothingness matters.

Re-Buried – Repulsive Nature Review

Re-Buried – Repulsive Nature Review

“2022 was a year of mucho death metal in the Charnel House of Steel. In fact, I listened to more of it than I did at any time since the early-to-mid-90s. The rogue pathogens and/or testy fungi released into the atmosphere during the Great Pandemic awoke something ugly in my Medusa oblongata, refracting my musical tastes back to my meatheaded twenty-something days. 2023 rolls around and I’m still stuck marinating in that rot tub grime machine. This unhealthy predilection led me to Seattle upstarts Re-Buried and their Repulsive Nature debut.” Ground n’ pound.

Sacrilegion – From Which Nightmares Crawl Review

Sacrilegion – From Which Nightmares Crawl Review

“As November slips into Mariah Carey’s proprietary month of December, the overall quality of the promos oozing into the AMG storage sump drops precipitously. Only the desperate or foolhardy aim to drop albums in December and much of what is released should never have seen the light of day. That makes any sort of seasonal gambling with unknown acts especially treacherous. Because I’m an ape who likes to live dangerously, I took a high-risk flyer and grabbed the debut album by Salt Lake City’s Sacrilegion.” Sacrilicious.

Encryptment – Dödens Födsel Review

Encryptment – Dödens Födsel Review

“Along comes Stockholm’s Encryptment with debut Dödens Födsel, a title that translates from their native Swedish as… wait, give me a second with Google Translate… my goodness! “Dead Fetus.” That’s grisly, but fair enough–the Kingdom of Metal is a tough place to be an angel or a fetus. Dödens Födsel was a random pluck from the Promo Sump, and I half-hoped to let it go neglected in the crush of list season and day-job deadlines. Then I pressed “play,” and the album assaulted me with a half-hour of crusty, blackened death vitriol.” Womb raider.

Vacuous Depths – Corporal Humiliation Review

Vacuous Depths – Corporal Humiliation Review

“You there! That’s right, you. Stop dwelling on Cthulhu or Satan or the uncaring expanse of deep space for a minute; it’s time for a thought exercise. Think of the worst thing you’ve ever done. No, really–the thing you don’t tell anyone about, the one that makes you stop whatever you’re doing and wince whenever it jumps unbidden into your mind. Got it? Well, guess what: Vacuous Depths know your secret, and they are here to beat you down for what you did. Here are ten tracks of primal, punishing death metal that are very much aware we all have it coming.” Punishment due.