Morbid Saint

Oxygen Destroyer – Sinister Monstrosities Spawned by the Unfathomable Ignorance of Humankind Review

Oxygen Destroyer – Sinister Monstrosities Spawned by the Unfathomable Ignorance of Humankind Review

Oxygen Destroyer is devoted to spreading the terrible gospel of the Kaiju — giant monsters who lay waste to cities, and often, each other — and their music matches that mission perfectly. Blending death metal and thrash metal in their many forms, the band paints with a varied influence palette, ranging from the deathened thrash of Morbid Saint, to the thrashened death of Morbid Angel, to the groovy violence of Demolition Hammer.” R U morbid?

Obsolete – Animate//Isolate Review

Obsolete – Animate//Isolate Review

“I’ve spent much of this year listening to Obituary and Mortician. Both are death metal, but death metal is a wide field and you can’t mistake either band’s sound for the other’s. To address this, we put bands into subgenres within a subgenre – Floridian death metal, for instance. This is nice because I don’t want to sift through a bunch of Entombed clones to find something like Monstrosity. What about when our subgenres within subgenres cease to be useful to describe a sound? Then we get stuff like slam, which is brutal death metal played a specific way –  a subgenre of a subgenre within a subgenre. If you’re thinking that Obsolete‘s debut Animate//Isolate will lead me down a sub-sub-sub-genre rabbit hole, go ahead and give yourself an executive producer credit.” Old tech.

Hazzerd – Delirium Review

Hazzerd – Delirium Review

“While I relish the disgusting lurch and crawl of Asphyx and Autopsy, I’ve never been able to shake my love of blistering, thrashing metal. Reign in Blood kicked down the door, and through that door has charged classics like Slaughter’s Strappado, MercilessThe Awakening, and Morbid Priest’s Spectrum of Death into my iron heart and album collection. I can’t get enough of the stuff, but after listening to …And Justice for All again, I rediscovered my enjoyment of that vein of thrash as well – Metallica was my gateway into metal, after all. Hazzerd is a relatively young Canadian band who play this second type of thrash.” Speed Hazzerds ahead.

Oath of Cruelty – Summary Execution at Dawn Review

Oath of Cruelty – Summary Execution at Dawn Review

Oath of Cruelty are a name I’ve been familiar with for a while even if their output thus far has been extremely limited. Formed in 2010, this Texas trio play a combination of death and thrash metal that first came to my attention with 2014’s lean and mean Hellish Decimation EP. Consisting of just two tracks, Decimation seemed to show Cruelty had a mastery of their style, with the EP’s five minute runtime being filled with absolutely fierce riffing and crunchy rhythmic breaks that made it impossible not to bang your head.” Obsessed by cruelty.

Quayde LaHüe – Love out of Darkness Review

Quayde LaHüe – Love out of Darkness Review

“I was saddened to learn that by skipping the first day of Eliminator Fest, I’d missed a performance by the band that I find myself covering today: Olympia, Washington’s Quayde LaHüe. After spending time with their debut album Love out of Darkness, I’m vowing to catch them live at some point, because these guys and gal kick some serious olde school ass.” Love in a dark place.

Interview with John Kevill of Warbringer

Interview with John Kevill of Warbringer

“I tested my mettle (and my liver) on the famed 70,000 Tons of Metal this month and somehow convinced real metal PR folks that I was a real metal journalist. This may or may not have something to do with them thinking I was the Angry Metal Guy, despite my insistence otherwise. As fortune would have it, John Kevill, vocalist and founding member of thrash metal savants Warbringer (and a personal favorite since he was cool as hell to me in a venue bathroom in 2009 (wait, that sounds off (or does it?))), was willing to sit down for a bit. In true Warbringer fashion, John went right at it regarding his thoughts on metal journalism, context, and thrash metal writ large and was as thoughtful, forward, and unapologetic as his music.” Starting wars.

Noisem – Cease to Exist Review

Noisem – Cease to Exist Review

“The impression I’ve always got from Noisem is that their primary goal is speed. Velocity is not an aspect but the essence of their sound. It’s a fun callback to the 80s speed race – which neither Noisem or I lived through – when bands would hear new grindcore demos via tape-trading and then try to write something even faster.” Speed thrills.

Rapture – Paroxysm of Hatred Review

Rapture – Paroxysm of Hatred Review

“Everyone pictures themselves as the protagonist. Ask one hundred people what they’d do in a zombie apocalypse and they’ll all give you the same answer: survive. And yet, someone has to be that guy who gets mauled right near the beginning of the outbreak, or who foolishly stands near a window and is promptly eaten alive by the horde, squirming helplessly for their last miserable minutes. Nobody thinks they’re cannon fodder; that is something proven and earned by an individual. Paroxysm of Hatred, the sophomore release from Greece’s Rapture, have proven themselves to be just that.” No, not THAT Rapture.

Slaughterer – Conjurer of Realities [Things You Might Have Missed 2017)

Slaughterer – Conjurer of Realities [Things You Might Have Missed 2017)

“Despite being a huge fan of death-thrash, I wind up feeling and sounding more like a curmudgeonly Goldilocks when I write about the stuff. It’s not fast enough, it’s not thrashy enough, it’s not death-y enough, there aren’t enough of those devastating Slayer-style slowdowns, and on and on ad infinitum. Naturally, I began to worry: was it me? Have I outgrown death-thrash?” No one outgrows death-thrash until death.

Phylactery – Necromancy Enthroned Review

Phylactery – Necromancy Enthroned Review

“I won’t mince words: Necromancy Enthroned is the riffiest album I’ve ever heard. This album makes Master of Puppets look like Music for Airports. This album makes Sodom look like Sunn O))). This album is the reason why my socks remain unfolded while I stand over my bed playing air guitar.” The socks have been rocked.