Morningrise

Opeth – In Cauda Venenum Review

Opeth – In Cauda Venenum Review

Thirteen albums in, I’m still excited about new Opeth records. While I am, indeed, an Angry Metal Guy, I appear to have taken the band’s merger into progressive rock better than other metalheads having loved Pale Communion and enjoyed Sorceress. And being Angry Metal Guy, the responsibility for (and privilege of covering) such a huge event like a new Opeth album falls to me. The problem, of course, with being the guy who has to review the new Opeth record is simple; I am the guy who has to review the new Opeth record. And reviewing In Cauda Venenum is a major endeavor. As the next step in Opeth‘s journey, In Cauda Venenum is a fascinating, complicated album. And In Cauda Venenum is not a journey that everyone is going to love taking.” More-peth!

Opeth – Sorceress Review

Opeth – Sorceress Review

“It’s funny to think about how long it has been since the golden age of Swedish metal. In the mid-to-late ’90s and early aughts, Swedish bands were atop the world. Now venerable legends were young, hungry and novel. 1995 saw the release of Slaughter of the SoulThe Gallery and Orchid, while the following year graced us with Morningrise and The Jester Race. And when I got into Opeth in 1998 I was swimming in a veritable ocean of amazing Swedish records. Despite my love of the band, I would have laughed if someone had suggested that Opeth—the guys who couldn’t write a song shorter than 10 minutes—would be the most successful of the bunch in 20 years. Maybe it’s obvious in retrospect. Opeth was the band with the broadest opportunities for evolution. They have shown that consistently in their long career. Record after record they evolve; sometimes for the better and sometimes not. But they have always been forward thinking and—given their recent moves into merch and their own imprint—clever.” But is the new album good?