Mortiferum

Disguised Malignance – Entering the Gateways Review

Disguised Malignance – Entering the Gateways Review

“I’ve talked at length about my distaste for overly progressive music, and no genre draws my ire for incorporating unnecessary fluff more than death metal. I’d even go a step further and say that I really don’t enjoy much “beauty” or “fun” in my death metal at all; just give me the raw, stinking sewage and keep your melodic and atmospheric death metals. Of course, this is all just personal preference, but I can’t stand when bands like Blood Incantation, Tomb Mold, or even the mighty Death add so much experimentation that the songs cease to exist as songs, becoming instead exercises for demonstrating technical ability and/or progressive sensibility.” Ugly down to the death bone.

Kommand – Death Age Review

Kommand – Death Age Review

“Los Angeles band Kommand is the aural equivalent of a steak knife to the neck; when so many death metal bands are trying to become more and more complex, these guys are doing more with less. Death Age is the band’s sophomore full-length, and by clocking in at a trim 26 minutes, it’s meant to be enjoyed like a swift stab wound.” Death Kommands you.

Strychnos – A Mother’s Curse Review

Strychnos – A Mother’s Curse Review

“Martin Leth Andersen has been active on the Danish extreme metal for years. The Undergang—no, not that one, this one—bassist is in at least five active projects, with Strychnos, where he handles bass and vox, ticking along since 1998, without releasing an album. Until now. A four-piece combining death metal with a black’n’roll vibe, Strychnos seems to rear up every decade or so, putting out a demo and a single around the time of its inception, an EP and appearing on a compilation in 2011, and then going quiet again until 2021, when another demo dropped. Now, here we are with A Mother’s Curse. Inspired by the ending of Hans Christian Andersen’s The Tale of a Mother.” Mother’s murk.

Sedimentum – Suppuration Morphogénésiaque Review

Sedimentum – Suppuration Morphogénésiaque Review

Sedimentum is a Quebecois quartet that gained underground attention with their 2019 demo. There was something particularly unhinged and delightfully filthy about the whole thing that turned a lot of heads. Now, in 2022, we have their first full-length, Morphogénésiaque. Anyone with even a passing familiarity with death metal will have an inkling of what’s coming before a single note is played. The gloriously grotesque Brad Moore cover art, the Latin-y sounding name with more than a passing resemblance to Mortiferum, the malevolent-looking band moniker, all point to a band that isn’t here to fuck around or “subvert your expectations.”” Filth farmers.

Rothadás – Kopár hant…az alvilág felé Review

Rothadás – Kopár hant…az alvilág felé Review

“The past week has been magical. Days of heavy rain mixed with days of clear, chilly weather have done wonders to my mood. Cue the magical days of doom and gloom! Death/doom and gloom, that is. My fall of 2019 was filled with releases from quality death/doom acts like Nightfell, Sempiternal Dusk, and Mortiferum, and with the latter poised to release their sophomore platter in November—not to mention 1914’s imminent invasion—I’m hoping that this debut from Hungary’s Rothadás can kick off another season of pulverizing horror.” Chilled spirits.

The Ridiculous Year o’ Death Metal, Part 1 [Things You Might Have Missed 2020]

The Ridiculous Year o’ Death Metal, Part 1 [Things You Might Have Missed 2020]

“We can all agree it has been a horrific year. Fortunately for the metal community, our lexicon is inverted. Rest assured that, when I say death metal has been absolutely disgusting in 2020, it can only be a good thing. While we at Angry Metal Guy have done our best to cover as much calamity as possible, it was inevitable that some releases would go unrecognized. To that end, this round-up exists solely to shed unholy light on those atrocities that didn’t quite make the cut, but still warrant your attention.” Become death.