Motörhead

Toxic Holocaust – Chemistry of Consciousness Review

Toxic Holocaust – Chemistry of Consciousness Review

“Well slap my ass and call me Skippy, the premier name in super-mega, old school, retro, throwback thrash (rethrash for short) is back to teach another post-grad lesson in violence. For those not in the know, that means a new album from Joel Grind’s Toxic Holocaust. Yes folks, things don’t get more painfully stuck in the 80s than the speed churned out by Mr. Grind and if there was ever a man born too late, it’s him. You see, Joel was meant to exist during that original wave of thrash, releasing revolutionary new music to shock the world alongside the likes of Slayer and Exodus. Alas, the Fates turned a mean skein and he was cast forward to this cruel future, where all his best thrashing and bashing is considered tired, recycled and irrelevant by many. Tis quite the shame too, since the man has a true gift for penning genuine 80s thrash and his stuff always has an aura of authenticity that’s lacking in most rethrash.” When I say rethrash, you say Grind!! That was fun, right? But is this album fun? Steel Druhm, a veteran of the rethrash wars, will chime in.

Newsted – Heavy Metal Music Review

Newsted – Heavy Metal Music Review

“By now most of you are familiar with the dysfunctional soap opera that led Jason Newsted to jump ship from Metallica prior to their execrable St. Anger album. Anyone who watched the shockumentary Some Kind of Monster can see why he bailed and most probably wonder why he didn’t beat copious amounts of Danish ass and kick over the Hetfield Table™ on his way out the door. Since his exodus, Jason has shown himself to be a productive and versatile musician’s musician, recording with Voivod, playing with Ozzy Osbourne, keeping his Echobrain project running and finding time to launch his eponymous solo project Newsted.” Jason Newsted has this solo thing going on and finally released the debut album. Steel Druhm gives you the lowdown as Lars and James download it illegally out of spite.

Autopsy – The Headless Ritual Review

Autopsy – The Headless Ritual Review

“The Gods of crusty, scabby American death are back yet again! Since their grisly and well-received Macabre Eternal comeback, I’ve been chomping at the bit to hear more new material from the reformed Autopsy. With roots running all the way back to the seminal debut by genre creators Death (Chris Reifert played drums thereon), Autopsy has had an up and down career filled with long lay-offs, breakups and resurrections so it’s always a joy to get a new platter of splatter from them (and I always worry it will be their last).” Since you never know when the wheels will come off the Autopsy table, enjoy their brand of dirty, scuzzy death while you still can! Steel Druhm’s been knee deep in it for a week and has some thoughts (and some infections).

Pest – The Crowning Horror Review

Pest – The Crowning Horror Review

“Bands regularly lay claim to being ‘old school’, to bringing back the ‘glory days’. But from my experience, what they’re REALLY trying to tell you, is that they’re foisting their low budget recording quality onto you and they’re serving you a platter of replica tracks. This was my first thought when I saw that Necro and Equimanthorn’s big selling point on Pest was that their brand of Swedish black metal is ‘played in the old vein, no females or keyboards involved’ naturally I prepared myself for the worst…” Old school Swedish black metal? Isn’t all black metal old school? Regardless, Madam x delves into the latest Pest and tells you if they annoy her.

Valient Thorr – Our Own Masters Review

Valient Thorr – Our Own Masters Review

“North Carolina’s Valient Thorr may well be the world’s ultimate opening act. Their crossbreed of proto-metal and garage-y punk is engineered for maximum effectiveness, and has allowed them to warm up the crowd for bands as disparate as Motorhead, NOFX, and Gogol Bordello. This is due to the band’s authentic rock ‘n’ roll swagger, boundless energy, and mostly the entertaining antics (and wrestling boots) of their vocalist, the eccentric Valient Himself. Regardless of what band you actually paid to see, Valient Thorr will win you over by the end of that 35 minute set.” An awesome live band does not a great recording band make. Can these warriors translate their live energy to the studio? Mr. Fisting Himself has the answers.

Joel Grind – The Yellowgoat Sessions

Joel Grind – The Yellowgoat Sessions

“Whoa! Steel Druhm did not expect this thing to kick anywhere near as much ass as it does. In fact, this is an insidious ass-kicking machine, free from the lab and turned loose on mankind with naught but ill intent. The author of this wanton hiney massacre is one Joel Grind, the force behind the old school, retro thrash band Toxic Holocaust. Between albums he apparently felt the burning need to craft this hugely lethal collection of thrash anthems under this eponymous project name.” Imagine if old Bathory got humped by Motorhead and Slayer and you would have a good idea what this goat sounds like. BAAAAH!

Entrails – Raging Death Review

Entrails – Raging Death Review

“In the retro Swedish death sweepstakes, you can’t get much more committed than Sweden’s Entrails. Having been around in one form or another since the original wave of Swede death, they weren’t able to release anything until 2010s Tales From the Morgue. While I went quite gorilla shit over that platter and its 110% pure Entombed worshipping awesomeness, I was let down by their The Tomb Awaits follow-up, which seemed watered down and lacking in the raw charm of its predecessor.” Can Entrails recapture the glory of their (of more accurately, Entombed’s) debut? Does anyone even care that they changed their logo?

Intöxicated – Röck ‘n Roll Hellpatröl Review

Intöxicated – Röck ‘n Roll Hellpatröl Review

“Like your speed metal served up fast, loud and dirty with a Lemmy-like grunt? How about dripping in Venom? Like their English counterparts, Intöxicated’s Germanic brand of metal unleashes ten tons of pent-up instrumental and lyrical debauchery and intends to raise eyebrows and drop jaws. In other words it’s heavy as fuck, uncompromisingly raw and you’ll either love it or be disgusted by it.” Find out what Madam X thinks of German speed metal, alcohol, sex, partying and motorcycles, all in the name of keeping you (our fine metal brethren) informed.

Angry Metal Guy’s Unsigned Band Rodeo: Witch Ripper – Witch Ripper

Angry Metal Guy’s Unsigned Band Rodeo: Witch Ripper – Witch Ripper

In our new monthly feature, which will show up here on the 15th of every month and run over the next few days, I (Angry Metal Guy) will select 5 bands at random (usually those who have followed my directions and have bandcamp accounts) to get blurbed by every member of the AMG staff. The idea is to do at least a bit of our part to point out that the metal underground is still an important part of the world of metal. While we simply don’t have the manpower to produce regular reviews of unsigned bands, this is my attempt at a minor mea culpa if nothing else. So enjoy Angry Metal Guy’s Unsigned Band Rodeo and our fifth and final entry: Witch Ripper!

Blackshine – Soul Confusion Review

Blackshine – Soul Confusion Review

“And now for something completely different. Blackshine is an underground Swedish act sporting an interesting blend of thrash and hard rock. Though I’ve seen them refered to as “death n’ roll,” I never found that to be an apt descriptor. Their sound is like a raucous blend of First Wave Bay Area thrash, Motorhead, Sentenced, a wee bit of Wolverine Blues-era Entombed and a smattering of stoner/biker rock.” If that sounds like a heady brew of influences, join Steel Druhm as he gets his Blackshine on.