Sentynel and Twelve crafted Top Ten(ish) lists with great care and you must stuff them in your stockings or beware.
Muse
Pure Reason Revolution – Above Cirrus Review
“It’s great to see a new album from Pure Reason Revolution just two years after their last, the up-and-down, nearly-amazing Eupnea. We were also gifted with a reissue of their brilliant The Dark Third back in 2020, so they’ve kept some momentum going upon their return from their 2011 hiatus. Now Jon Courtney and Chloë Alper return with a fresh album and one more band member – Greg Jong, who was in the band until prior to the release of The Dark Third way back in ’06. Above Cirrus is therefore this version of PRR’s first release.” Bear market.
Our Oceans – While Time Disappears Review
Five years have come and gone and the Dutch trio, whose resumés include Cynic and Exivious, have finished their new offering, sporting a notably more drab cover than its predecessor. Is this an ill omen, or is that judging a book by its cover?
Pure Reason Revolution – Eupnea Review
“This week my good friend TheKenWord got his hands on a pretty sweet doom album from Loviatar. When I saw the score assigned, and went back and listened to Lightless, I was kind of upset with myself for not grabbing it when I had the chance. But then I remembered why I left it alone: Eupnea, the first album from Pure Reason Revolution in ten years. When people talk about PRR’s first three albums (all released between 2006-2010), comparisons to Pink Floyd, Muse, and Tool are often mentioned.” Better than PBR.
Worshipper – Light in the Wire Review
“Most of the time, stoner metal is the epitome of average. It’s below the great but above the bad, bathwater that’s neither too hot nor too cold, a big-screen TV that’s not 4K. I have yet to review a total dud of a stoner metal release, but when you somehow catch something that winds up being your Album of the Year, you’re encouraged to keep hunting for more greatness. Worshipper mine the depths of stoner metal on Light in the Wire, the Boston quartet’s sophomore release.” Motherload or diaperload?
Opus of a Machine – Stray Fire Review
“A new record from an unsigned band touring with Caligula’s Horse should be enough for most reviewers to perk up their ears and attempt to claim it from the promo bin. Somehow, though, Opus of a Machine’s new album Stray Fire had its cloaking device firmly in place, and none of us grabbed it until the AMG Overlords forced it upon me.” Forced Opus is the best Opus.
Felskinn – Mind Over Matter Review
“Let us put on the hat of the elitist for a moment. What separates us from the mainstream pleb? When it comes to extreme metal, the answer is obvious. No mainstream music is so dense, complex and abrasive. Hit lists rarely contain tracks that actively, overtly work to create discomfort and repulsion. When it comes to less obviously anti-commercialism, though, the differences become less pronounced, and a multitude of heavy metal bands have indeed been part of what was considered hit music, back in the glorious ’80s. Felskinn tries to appeal to the hit chart-sensitive among the population while recognizing that classic metal doesn’t embody widely accepted characteristics anymore.” Taste the Felskinn.
Violet Cold – Anomie Review
“To say that 2016 was a tumultuous year would be an understatement akin to calling the thirty-year siege of Ceuta a “brief skirmish.” For all the trials and tribulations endured, last year did produce a heady number of quality metal albums that offered some comfort for the unfolding apocalypse. One of those albums was Magic Night by one-man black metal act Violet Cold, a bittersweet hour of instrumental blackgaze that earned a place on my year-end Top 10 list. Emin Guliyev, the sole puppeteer of Violet Cold, returns with a new album entitled Anomie, except this record re-inserts vocals for a release in line with traditional atmospheric black metal albums.” One man blizzard.
Mutoid Man – War Moans Review
“The sound of Mutoid Man is not something easily explained. The best I can come up with is ”80s metal mashed up with Nintendo game music, but with more hooks and a ton of guitar effects.’ Formed in NYC by Boston expats Steve Brodsky (Cave In) and Ben Koller (Converge), Mutoid has cranked out two and a half albums of catchy, hyperactive metal within a short span of time. 2015’s excellent Bleeder gained some recognition here at AMG, and now the band returns with that crucial third album, entitled War Moans.” Kiss the war.
Madder Mortem – Red in Tooth and Claw Review
“I was going to begin this review by referring to Madder Mortem as one of Norway’s best kept secrets, but I had no idea if that were true. It’s hard to judge how well-known a metal band is outside of one’s own group of heavy metal compadres, which is probably why I’m so often surprised by the billing of certain acts at certain German festivals (Feuerschwanz, anyone?).” Now featuring a popularity contest!
