“I’m an old dude and there’s no getting around it. Because of my advanced case of age, I’m much more susceptible to nostalgia-core than those younger than I, and when 80s-flavored fares are hawked, I’ll always elbow my way to the front and sample them lustily. Nite is a brand spanking new project by members of Dawnbringer, Satan’s Wrath and High Spirits, and what they’re cooking here is a rollicking mixture of classic 80s metal with a decidedly blackened edge.” Those glorious 80s Nites.
“With a new year upon us, I’ve given myself a new challenge as we enter yet another spin around the sun: how long can I go without reviewing a one-person black metal album? Seeing as how that’s all we have in the promo bins every January, the answer is ‘not long at all.’ Mind you, there are some excellent examples of one-person black metal done right, with Ashbringer and Myrkur springing immediately to mind. But for the most part, the genre instills as much joy in me as watching a Don Bluth animated feature with a razor blade to my wrists does.” New year, new basement black metal.
“Arizona’s Spirit Adrift, a one-man doom machine featuring the talented voice, musicianship, and songwriting of one Nate Garrett, dropped a promising debut last year with Chained to Oblivion. Just a hair over a year later, Garrett returns with a fully fleshed-out band, a slightly altered sound, and a new album in Curse of Conception.” Those adrift are not always lost.
“It’s been said that in order to truly change as a human being or other living organism, one must undergo a transformation of truly horrific proportions. Sure, we all know that butterflies derive from caterpillars, but we don’t actually see the caterpillar going through a grotesque shape-shift in order to become an object of beauty, nor do we see a lowly seed split apart and become a mighty oak tree. From those painful, oftentimes disturbing metamorphoses, one finds enlightenment. Serbian one-man doom/death group Temple of Gnosis uses this idea….” Kafka-core is now a thing.
“Oranssi Pazuzu narrowly missed out on Captain Ricard’s Best Black Metal Album of 2013 award (that went to Teethed Glory and Injury) with the magnificent Vaonielu. An instantly accessible yet bizarre and musically deep record, Vaonielu kept me away from my Toto loop for weeks with its sublime blend of catchy, aggressive riffs, trippy grooves, psychedelic synths, and menacing atmosphere.” Fear the wrath of Pazuzu’s schlong!
“Few bands have ever achieved the feat of satisfying their loyal fan-base one day and pissing them off the next. And all within a single decade. Having never been a fan of the early days of Abigail Williams, I avoided the apparent “hardship” many fans went through come the release of 2012’s Becoming.” We hardly even knew ya, Ms. Williams.
“Stop me if you’ve heard this one before: in an alternate universe where musical ideas are themselves beings, three idea-beings walk into a bar. The first one is incredibly boring and pretentious yet still quite popular, and his name is Nachtmystium P. Floyd. The second is loud and already drunk, and his name is Rattus Kaaos; upon spying him the bartender mutters “raucous Finnish punk” under his breath. The third is Ornassi Pazuzu, who categorically refuses to stop droning on about anything and everything psychedelic. The nightly cover band got food poisoning, so there was an impromptu call for music. These three all wanted to jam so went up together, played, and wondered if they should keep this gig up. They did, and now we have Abyssion.” Good bar to avoid on cover nights.
“I’m sure by now you all know that your favorite artists don’t exactly live the lives they write about. Slayer’s Tom Araya is a devout Catholic and a proud family man. Similarly, W.A.S.P.’s Blackie Lawless gave up fucking like a beast for Jesus. Glenn Danzig loves his cats and Morbid Angel’s Trey Azagthoth is a gamer and a Sailor Moon fanatic. In other words, it’s not all that often you encounter a musician (or band) that lives up to the extreme lyrics they pen. They’re just regular, mundane human beings like you and me.” How disappointing….
“I’m going to get this out of the way regarding Vattnet Viskar’s second album, Settler right now: that is the saddest album cover I’ve seen in my almost-two years of writing for Angry Metal Guy, and I’m not talking “OMG THEY WENT FULL DEAFHEAVEN!,” either.” But it would be very sad if they did go full Deafheaven, just to be clear.
“TV Tropes is a website that talks about tropes, idioms, and cliches in various forms of media. Whether it’s television, movies, or even video games, the website does an incredible job of educating would-be writers as to what pitfalls to avoid or what “crazy plot twists” have been done to beyond death. It makes one wonder if there’s such a thing for black metal and its various offshoots.” And there isnt, so we at AMG must act as the Anti-Trope Troopers.
