Nails

Sektemtum – Panacea Review

Sektemtum – Panacea Review

“I’ll be honest: as a reviewer, I often don’t care how original a band is. Give me a thousand groups like Nails, who take a well-tread style and play it damn well, over any wacky group that artificially cobbles together disparate influences in vain pursuit of originality. To me innovation is something that should result from a band playing the music they love and want to hear, not an end goal in itself. And that’s exactly why I find Sektemtum’s sophomore LP Panacea so refreshing – not because it isn’t original, but because it seems to achieve originality without really trying that hard.” There is nothing new except what has been forgotten.

Die Choking – III Review

Die Choking – III Review

“Cheesesteaks are a big deal in Philly and as I understand it, there’s a ‘right way’ to go about ordering them. Firstly, you place your order for said cheesesteak with the cashier. Secondly you make your cheese selection and lastly you opt for or against the fried onions. The key and most crucial step though, is PLACE YOUR ORDER CONCISELY. Philly’s Die Choking approach their hypergrind in the same way – concisely.” Ready for 14 minutes of choking?

Madam X’s Top Ten(ish) of 2014

Madam X’s Top Ten(ish) of 2014

“As 2015 makes her grand and stately entrance, bear with and support me as I try to hunt down even more new blackened death metal albums that sound exactly like Septicflesh.” Madam X has her foibles, but she also has plenty of quirks. Join her as she unveils a Top Ten(ish) list sure to bumfuzzle and befuddle.

Die Choking – Die Choking Review

Die Choking – Die Choking Review

“The way Die Choking bursts out of your speakers, gnashing its angry yellow, plaque covered teeth at your throat, they have me wondering whether to skip the intro and dive straight into the heart of the review… well almost. Philadelphia based Die Choking are on the verge of releasing the first vinyl press of their début, 5-track, self-titled EP and with it comes a crust-based grindcore sound that harkens to the very early days of Napalm Death and at the same time worships the sacred ground walked by Nails. ” Madam X delves into some ugly grind in a very…revealing review.

The AMG Staff Picks the Top Ten Records o’ 2013

The AMG Staff Picks the Top Ten Records o’ 2013

This year the plebs get a say. While I have fought against this with every fiber of my body, Madam X‘s caring, feeling, and ultimately populistic, womanly touch has poisoned this blog by allowing people who aren’t me (including herself) to have lists. Frankly I’m offended. No one comes to Angry Metal Guy to read these guys’ lists. But hey, you know how it goes. Times, they are achangin’. As I no longer have time to be the site’s lone dictator, and Steel Druhm has proven incapable of keeping the mustache twirling hipsters underfoot despite his enormous gun collection and tough talk, you, dear reader, get extra Top 10 lists.

I hope you’re happy.

All Pigs Must Die – Nothing Violates This Nature Review

All Pigs Must Die – Nothing Violates This Nature Review

“I suppose incorporating sludge and black metal into hardcore punk is the logical way to bring it to even more intense heights, all the while making it delectably filthy to those who like their metal abrasive, raw and covered in grit. Of all the bands to catch wind of this style, All Pigs Must Die have been in the forefront with a couple of really great releases under their belt – their short and sweet self-titled EP along with their more ambitious and equally impressive debut album, God is War. Both releases are absolutely furious, pummeling you with the huge, fast riffs reminiscent of grindcore and hardcore punk in one of the most in-your-face and take-no-prisoners approaches in recent memory.” How does the latest piece of filth from All Pigs Must Die hold up against their earlier works? Join Noctus and find out!

Centuries – Broken Hymns Review

Centuries – Broken Hymns Review

“Recently signed to Southern Lord, Florida-based hardcore act Centuries combine the frenzy of hardcore with emotive metalcore, hardcore punk ferocity and even some d-beat heaviness. After participating in SXSW, the band are currently holed up in Greensboro, North Carolina to record their next record (and full-length debut) for the venerable American label, Southern Lord. In advance of that all new release, indie label Halo of Flies is releasing Broken Hymns, a collection of all of their available work to date. The record includes material from their Creation/Extinction 7”, a split EP with Patsy O’Hara (from which the titular track of this record comes) and another split with Homestretch, as well as four original songs.” Natalie Zed is here to tell us about some hardcore punk, which we don’t normally deal with. Be diverse and read it!

Nails – Abandon All Life Review

Nails – Abandon All Life Review

“After whetting listener’s appetites with recent 7” Obscene Humanity, a palate cleaner of reconfigured and re-recorded material that was both tantalizing and ultimately unfulfilling, South California’s abrasive hardcore hatemongers have finally released Abandon All Life. An able follow-up to their breakthrough record, Unsilent Death, Abandon All Life displays depth, maturity and sophistication while losing none of the blistering rage and ferocious energy that first captured their audience’s attention.” Natalie Zed takes a gander at the crusty, bruising noise being churning out by these Entombed-influenced death rockers.

Nails – Obscene Humanity 7″ Review

Nails – Obscene Humanity 7″ Review

Nails are known for being an excellent, abrasive metallic hardcore with defiant punk elements. Based in Southern California, Nails are currently on deep-South, boozehound, sludge-loving label Southern Lord. The Obscene Humanity 7” comes to whet their audience’s appetite, filling in a gap between their recent split with Skin Like Iron and their forthcoming full-length, to be titled Abandon All Life, which will also be released on Southern Lord later in 2013.