Native Construct

Lunar – The Illusionist Review

By Dolphin Whisperer on March 18, 2023 in Reviews, Progressive Metal, Progressive Rock, 24 comments

“I hold concept albums dearly as a style that occupies many of my most treasured proggy excursions. Cautiously, though, many a lesser outing bloat the barrel of this contentious niche. Confidently Lunarߵs third full-length, The Illusionist, inhabits this realm—a dramatic telling of a magician’s struggle with what his work has made of his own life. We all ask this question to ourselves of a great many things in this world. Was it worth it? Was it worth it to park between the lines when the lifted F-150 went and snagged three spots? Was it worth it to pen 700 or so words when the tags read deathcore?” Deathcore and the Moon.

Parius – The Signal Heard throughout Space Review

By El Cuervo on October 10, 2022 in Reviews, Progressive Metal, 41 comments

““This reeks of your elitism.” The words that every self-important purveyor of opinions at AngryMetalGuy.com wants to hear. As a fan of all things progressive and experimental, Philadelphia’s Parius was recommended to me by our esteemed editorial staff. Their third record entitled The Signal Heard throughout Space tells the conceptual tale of a space traveler journeying to respond to a distress signal. Parius examined rock operas from Jesus Christ Superstar to Ziltoid the Omniscient in producing five albums’ worth of music, subsequently distilled into these 60 minutes.” A month at the opera.

Warforged – The Grove | Sundial Review

By Kenstrosity on September 7, 2022 in Reviews, Deathcore, Progressive Metal, Technical Death Metal, 64 comments

“It took an unprecedented length of time for me to appreciate Warforged’s debut I: Voice back in 2019. In fact, I was so moved by the record once it finally clicked that I awarded it an enthusiastic 1.5-point upgrade. Naturally, that puts a lot of pressure on the follow-up, entitled The Grove | Sundial. Upon learning that Adrian Perez—who was in charge of lead vocals, keyboards, sampling, piano, and lyrics on I: Voice—separated from the project, I balked.” Forging a new weapon.

Tómarúm – Ash in Realms of Stone Icons Review

By Kenstrosity on May 2, 2022 in Reviews, Atmospheric Black Metal, Black Metal, Melodic Black Metal, Progressive Metal, Technical Death Metal, 67 comments

“We as a community speak often of defining and categorizing genres, but sometimes a promo comes along that legitimately challenges those definitions. Atlanta, Georgia’s Tómarúm received a generic “black metal” tag from Prosthetic Records’ PR team, and it falls short as a descriptor for what Tómarúm play. As you’ll surely deduce after giving debut album Ash in Realms of Stone Icons even just one spin, this nascent two-piece perform forbidden alchemy with myriad metallic ores, smelting a writhing, metamorphic amalgamation. It’s that very transmogrification that not only makes this album difficult to categorize but also exciting and satisfying to experience.” Pigeon holes don’t come easy.

Dessiderium – Aria Review

By Eldritch Elitist on December 10, 2021 in Reviews, Technical Death Metal, 32 comments

“December is an exceptionally bad time to release any album. Between all the list compiling and TYMHM-ing that comes with the territory, I like to try to squeeze in a review or two for the “good enough” albums that find themselves caught out in the cold amid list season celebrations. Mind you, I don’t let them inside to partake, but I at least open the door just a crack to grant them a fleeting breath of celebratory warmth. For an album like Aria, this is an exceptionally disappointing fate. Had this been released even a few months prior, I feel that I would have had the time to digest this immense record to its fullest by list season.” Scrooged.

Luna’s Call – Void [Things You Might Have Missed 2020]

By Kenstrosity on January 22, 2021 in Things You Might Have Missed 2020, Death Metal, Melodic Death Metal, Progressive Metal, 44 comments

“2020 provided plenty of quality metal releases, but only a scant few of those which tickled my fancy fall into the “progressive metal” category. Of those, we missed two that deserve mention. The first is Cellar Vessel’s immense slab of Xanthrochroided symphonic prog-death, entitled Vein Beneath the Soil. The second—and, obviously, more preferred, since I’m writing about it—is UK quartet Luna’s Call’s sophomore epic Void.” When the void calls…

Khôra – Timaeus Review

By Kenstrosity on April 15, 2020 in 2020, Black Metal, Death Metal, German Metal, Irish Metal, Progressive Metal, Reviews, Soulseller Records, Progressive Metal, 36 comments

“Once again, I picked promo for an irrelevant reason. German/Irish blackened death trio Khôra wound up in my review queue because their name sounds like the name of one of our cats (Kora). I feel like that’s a perfectly reasonable justification for album selection. If it isn’t, well, then I guess I don’t care. Khôra doesn’t care either, and put out whatever the hell they want regardless of what your tastes or expectations are.” Cats and jammers.

Embrace of Disharmony – De Rervm Natvra Review

By Twelve on June 7, 2019 in 2019, Avante Garde, Italian Metal, My Kingdom Music, Symphonic Metal, Symphonic Metal, 81 comments

“Stagnation is a problem. In this wondrous day and age where music can be shared across the globe at a mere few clicks, you’d think that “too much of the same” in metal would be a laughable concept. Instead, it’s an actual problem. An uncountable number of fledgling bands are being influenced by the same big acts and creating essentially the same sound over and over again. There is nothing more exciting in this musical sphere than a band that breaks the cycle of stagnation, who smashes through stereotypes and clichés both to rise above the rest and revitalize their sad, tired genre. Symphonic metal, I give you Embrace of Disharmony and their sophomore effort: De Rervm Natvra.” Symphonies of slickness.

Equipoise – Demiurgus Review

By Kenstrosity on March 8, 2019 in 2019, American Metal, Death Metal, Epic Metal, Reviews, Technical Death Metal, The Artisan Era, Technical Death Metal, 251 comments

“Enter Equipoise, based out of Pittsburgh and made up of a veritable who’s who of the death metal spectrum—Sanjay Kumar of Wormhole and Perihelion on guitars; Chason Westmoreland (ex-Hate Eternal, ex-The Faceless) manning the kit; Jimmy Pitts from Eternity’s End and The Fractured Dimension setting the ivories ablaze; Hugo Doyon-Karout (Beyond Creation) decapitating the fret from his bass; Virulent Depravity’s Nick Padovani on guitars both electric and nylon, along with Phil Tougas (Chthe’ilist, Serocs, Zealotry) playing the same; and finally Stevie Boiser (ex-Vale of Pnath, Inferi, Tethys) taking hold of both lyrical and vocal duties. And that’s not even scratching the surface, what with the ELEVEN guest spots included within. What in the actual heck is happening over there in Pittsburgh?” Friendtality.

Best and Worst Sounding Records of 2015 [Angry Metal-Fi]

By Angry Metal Guy on January 2, 2016 in 2015, Angry Metal-Fi, Blog Posts, Lists, 131 comments

“It’s that time again where we extol those releases that exemplify high caliber production and condemn those which exact tyranny on all of our collective volume knobs. 2015 was a break out year for production in metal if you ask me. Not because the percentage of releases had higher DR scores mind you. Quite the opposite actually. But because you guys have made production a real talking point across the web.”