“It has taken some time for me to warm up to Big|Brave’s brand of noise/drone/doom. I didn’t love 2017’s Ardor, but it did pique my interest. Minimalist formalism in music doesn’t offend me the same way it does others, but their single-chord experiments didn’t resonate at the time. Still, the pairing of Robin Wattie’s waif-ish vocals with heavy drone was something new, so I kept an eye out for them. I warmed up to the stark elegance on follow-up A Gaze Among Them, but it wasn’t until Leaving None But Small Birds, their collaboration with The Body, that the appeal became revelatory.” Bigly braveness.
Nature Morte
Nature Morte – NM1 Review
“Ladies and gentleman, today is a milestone. Since joining AMG, I have reviewed everything from stoner to Gothic, thrash to black and back. I’ve dabbled in death metal, slithered through sludge and appraised the avant-garde. But the one genre I never picked up was post-black. My experience with the style starts at A and ends at lcest, and even with them I haven’t paid much attention since Eçailles des Lunes. The genre simply had little allure to me, even though I do enjoy some post-other type of bands, and I figured other writers would be better suited to place those records in the proper context. But as I still enjoy spinning the promo roulette, the little silver ball had to bounce to post-black one day.” Always bet on post-black.