Ne Obliviscaris

Owdwyr – Receptor Review

Owdwyr – Receptor Review

“The “for fans of” line in any given promo is a true test of character. While most bands crank out their faves, there are intriguing blends that grab attention. Most of these are disappointments, often running the gamut of extreme metal buzzwords only to be the latest act to sound exactly like In Flames, but there are others whose combinations are pretty accurate, like the tantalizing combination that the California-based Owdwyr boasts in its debut Receptor: from Car Bomb, Human Remains, and Fleshgod Apocalypse to composers like Bach, Allan Holdsworth, and Heitor Villa-Lobos. In essence, Owdwyr may be genius or not, but this trio is always batshit crazy.” Owdwyr812.

Fleshvessel – Yearning: Promethean Fates Sealed Review

Fleshvessel – Yearning: Promethean Fates Sealed Review

“What is prog metal? At times, it’s too easy to slap the label onto anything different and call it a day—I myself am guilty of using the phrase “progressive melodic death metal” as if it’s a thing. But every once in a while comes a record that’s so very prog, there’s just no way around it. Fleshvessel, who hail from the US of A, releasing their debut record Yearning: Promethean Fates Sealed is one such record. I’ve seen this called “experimental death metal,” but let’s be honest with ourselves here, when there are more than four times as many instruments as band members, we can call it progressive metal and then call it a day.” Prog the skin and flesh out the death.

Ne Obliviscaris – Exul Review

Ne Obliviscaris – Exul Review

Ne Obliviscaris hardly require introduction in these parts. The last decade established a pattern of bi- or tri-annual releases, opening with 2012’s inventive Portal of I and closing with 2017’s well-regarded Urn. One pandemic and an uncharacteristic wait later has revealed 2023’s Exul. Boasting a core fusion of progressive music, extreme metal and classical influences, these Aussies have always reveled in not just musical, but also thematic, excess. Accordingly, Exul appears to lever a loose Crusades theme.” Big Obliviscaris.

Omega Infinity – The Anticurrent Review

Omega Infinity – The Anticurrent Review

“The infinite expanse. Oceans above. Stars whose light is a glimpse into the ancient past. Physics. Astrophysics. Space: the Final Frontier. Space odysseys are great unless you’re beaten to death with a bone by your ape bud or gaslit by your own computer – super awkward. Plenty of black metal has ventured beyond the firmament for some ethereal goodness, but do any of them chronicle creation?” Omega men.

An Abstract Illusion – Woe Review

An Abstract Illusion – Woe Review

“As the title might suggest, Woe is a record packed with bleak soundscapes and drenched in misery. Sprawled across almost an hour of beautiful depression, An Abstract Illusion’s latest work feels like a single flowing composition, rather than the seven tracks it’s presented as. Heavier and channeling a more blackened and atmospheric edge into the progressive death metal of its predecessor, there is a swirling sense of barely controlled chaos that lies just beneath the surface of Woe.” Woe to we.

Iapetus – The Body Cosmic [Things You Might Have Missed 2019]

Iapetus – The Body Cosmic [Things You Might Have Missed 2019]

“Metal offers incalculable aural interpretations of outer space. Darkspace focuses on the inhospitable nature of the infinite vacuum. Gamma Ray pitches a trip through a black hole as the ultimate roller coaster ride. Ghost Bath dwells on the melancholic isolation of the cosmos while also sounding like something out of Sonic Adventure. Yet it takes Iapetus just over three minutes to craft a moment more compelling than any of those with their sophomore LP, The Body Cosmic.” Space in your face.